For any lawyer wannabes, Reversal of Fortune works as a thrilling look at how you build a legal case and, at the same time, it’s a fascinating and often darkly humorous peek into the bizarre world of the Waspy jet set scene. And it’s all apparently a true story, based on the book by lawyer and Harvard professor Alan Dershowitz (played by Ron Silver) who documented his work on the acquittal case of the creepy rich slime bag Claus von Bulow (Jeremy Irons). Claus was originally found guilty in the attempted murder of his drug addicted heiress wife, Sunny (Glenn Close). For actors Irons and Silver Reversal of Fortune provided them with the best performances of their careers. (Irons won a well-deserved Oscar for his brilliant work, though truthfully it was a weak year.) For Iranian-born director Barbet Schroeder, who originally made his mark in French cinema, it’s his best English language non-documentary film (with Barfly being a close second). 

Written by American poet of the gutter, Charles Bukowski (based on his own experiences), Barfly is an urban fairy tale of two wanderers who are always in search of the next bottle. “Henry” (Rourke) is a writer who spends all his time drinking and fighting, occasionally fitting in some poems here and there. “Wanda” (Dunaway) is a boozer who lives off the generosity of various old men. Once these two meet, it is one of cinema’s most wonderfully strange love stories.

Bukowski’s script is very slice of life, but not the lives of most. With colorful characters and exceptionally quotable dialogue, the screenplay is on par with any of his works of poetry, novels or short stories.

The rumor is that director Barbet Schroeder (Reversal of Fortune) threatened to cut off his own fingers, one at a time, if the head of the studio didn’t agree to green light the film on the spot. Even if that is a fabrication, is it a scenario that shows the kind of unique tale that Barfly is.