Released in 1972, Gordon Park’s Superfly immediately became a classic of the “blaxploitation” genre. Sporting the most stylish pimp threads of the early seventies, Ron O’ Neal plays “Priest” — a smooth talking, high rolling, cocaine dealer with a steely gaze and a firm backhand.

As the story opens, Priest finds himself in a bit of a mid-life crisis. Realizing that his days in the business are numbered and that if he wants to make it off the streets alive, he needs to cash in with one big final score of the white. The problem is, the police want him in prison or dead, and the mafia have no intention of letting their top earner enjoy an early retirement.

Ron O’ Neal is fascinating to watch in the lead role as he snorts blow off a crucifix dangling from his neck or threatens an underling that he will put his wife out on “whore row” if he comes up short on money owed. In a genre filled with former athletes as leading men, O’ Neal’s stage background sets his performance apart with its quiet and underlying fury.