Handpicked By The Amoeba Staff

Films selected and reviewed by discerning movie buffs, television junkies, and documentary diehards (a.k.a. our staff).

Antologia: Su Historia y Sus Exitos

2004. Starring: Los Prisioneros. Chile. Spanish. Latin Rock.

Los Prisioneros formed in 1982 in San Miguel, Chile. This DVD covers the span of their career (before their reformation) from their early, ska-inflected, electro-punk pop songs to their lush, synthdance mega-hits that they made at the dawn of the '90s. Also included is an interview with singer Jorge Gonzalez and a few extra features that connect the contents with his narrative commentary.

The DVD begins with the band miming their song "Sexo" (with Jorge playing a broom instead of guitar) at his mom's house. The nattily dressed trio ham it up for the camcorder in what must've seemed like a goof to the inexperienced but talented band. For some reason they leave of the video for "La Voz de los '80" (one of their best) which they later performed on Sabados Gigantes which, at the time was still based in Chile (as well as pluralized) and helped catapault them to stardom.

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Posted by:
Eric Brightwell
Jun 28, 2008 2:48pm

Uncle Buck

Dir: John Hughes. 1989. Starring: John Candy, Jean Louisa Kelly, Macaulay Culkin. English. Comedy.

Amidst all of the (well-deserved) praise for Judd Apatow's recent successes as a writer-director-producer, it is easy to lose sight of the fact that he's following a trail that was pretty well blazed by John Hughes twenty years ago. Like Apatow, Hughes made a name for himself by using a tight-knit group of collaborators to make a series of comedies that were at times slapstick, at times raunchy, at times high brow, and at all times built around a strong, essentially heartwarming story of personal growth.

Uncle Buck, Hughes' penultimate film, is a great example of this. John Candy, in one of his finest performances, plays Buck Russell, a proud bachelor that has built his life around having nothing and no one to weigh him down. After a family emergency, Buck is called upon to babysit his nephew Miles (Macaulay Culkin, at his most precocious) and nieces Maizy (Gaby Hoffmann) and Tia (Jean Louisa Kelly). He quickly gains the trust and love of the young Miles and Maizy, but teenaged neice Tia is old enough to recognize Buck for the black sheep that he is, and she intends to use Buck's stay as an opportunity to get away with things her parents wouldn't allow, especially with her boyfriend, "Bug."

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Posted by:
Will B
Jun 28, 2008 2:40pm

The Newsroom

Canadian Television Series. 1996-1997. Starring: Ken Finkleman, Peter Keleghan, Karen Hines. Television.

The Newsroom is a Canadian series that starred Ken Finkleman stars as George Findlay - an intelligent, constipated, egotistical, cynical, immoral newsroom director who will go to any length to avoid his mother but lavishes attention on his BMW. He is primarily concerned with his stature within the beauraucracy of the television station and he effortlessly pushes sensationalist fantasies to boost the station's ratings. But, Finkleman plays George as somehow likeable unlike his unbearably unpleasant comedic descendants like Larry David or Dwight Schute.

I've seen The Newsroom compared to the UK's Drop Dead Donkey because it's set in a news studio too. That seems lazy to me. Whereas Drop Dead Donkey is wacky, laugh-tracked and therefore unwatchable, The Newsroom is generally low-key and dry although the situations are occasionally highly improbable and far-fetched. Because of its Canadian origins and its era, it can kind of be described as existing between The Larry Sanders Show and The Office with flannel and tuques (Canadian for "stocking caps").

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Posted by:
Eric Brightwell
Jun 28, 2008 2:32pm

In Bruges

Dir: Martin McDonagh. 2008. Starring: Colin Farrell, Ralph Fiennes, Brendan Gleeson. English. Action.

In Bruges opened and closed here in the US without much notice. For all I know, it had a similar reception around the world. But for my money, it is one of the most interesting films 2008 has yet produced.

It begins simply enough, as a sort of fish-out-of-water buddy comedy with Ray (Colin Farrell), a streetwise Dubliner, suffering through his forced stay in Bruges with his partner Ken (Brendan Gleeson). Ray cannot bear the "medieval fairytale land" that is Bruges; Ken cannot seem to get enough of the place, with its historic churches and picturesque canals.

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Posted by:
Will B
Jun 18, 2008 4:25pm

Even Dwarfs Started Small

Dir: Werner Herzog. 1969. German. Foreign/Cult.

There are some films that are so disturbing and bizarre that you can’t rationally explain them, you just have to experience it for yourself. Even Dwarfs Started Small is precisely one of those films. But seeing I love this film so much I’m going to try to describe it to the best of my ability.

Even Dwarfs Started Small, Werner Herzog’s second feature film, is about a group of dwarfs confined to an isolated institution of sorts. At the film’s start, the dwarfs find themselves left unattended at the institution they are confined to. The dwarfs feel unhappy and trapped in their surroundings and decide to rebel against their authorities. Over the course of the film, the dwarfs destroy anything they can get their hands on at the institution. The rebellion escalates to absurd and disturbing levels as the film approaches its bizarre and hysterical conclusion.

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Posted by:
Eric Kench
Jun 18, 2008 3:43pm

Wanda

Dir: Barbara Loden.1970. Starring: Barbara Loden, Michael Higgins. English. Road Movie/Independent/Drama

A vast industrial landscape, two towering smoke stacks, a rundown factory building, and a coal-covered ground as far as the eye can see. Somewhere in the distance a small white dot slowly moves over the black and gray landscape. This tiny dot is our main character, Wanda (Barbara Loden), attempting to find her way through the barren wasteland that has become her life.

Wanda is a meditative American Road Movie about a poor housewife who begins to feel lost and empty with the state of her life. After being accused by her husband of abandoning him and their children at a divorce hearing, Wanda aimlessly begins to drift from her home and take to the road. Unsure of her purpose and direction, Wanda finds herself clinging to another lost soul she meets on her journey, the short tempered small-time crook Norman (Michael Higgins). Wanda and Norman drift through highways and towns, committing petty crimes and robberies that eventually lead to tragic ends.

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Posted by:
Eric Kench
Jun 11, 2008 3:34pm

Signs of Life

Dir: Werner Herzog. 1968. Starring: Peter Brogle. German. Foreign.

Signs of Life is Werner Herzog’s first feature, and it is also my personal favorite out of all his films. In Signs of Life Herzog introduces many of the themes and techniques he would elaborate upon with each successive film. His cast of rebellious misfit characters, the remote exotic locations, and his hauntingly poetic images are all introduced and fully utilized in this film.

Signs of Life is the story of a soldier who is wounded during a war and reassigned to a remote Greek island with his wife and two fellow soldiers. Their task is to guard a useless munitions dump in a ruined fortress located next to the harbor in a small village. In an attempt to escape his feelings of entrapment, Stroszek goes out on a patrol of the bordering hills where he is gripped by madness at the site of something he sees over the horizon. This encounter drives Stroszek to madness propelling him to lock himself away in the fortress and declare war on both man and nature.

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Posted by:
Eric Kench
Jun 7, 2008 5:37pm

Aguirre, The Wrath of God

Dir: Werner Herzog. 1973. Starring: Klaus Kinksi. German. Foreign/Cult.

Dense tropical jungle, violent river rapids, hostile natives, hundreds of screaming monkeys, and one man's decent into megalomania and madness. Aguirre, The Wrath of God, is one of Herzog's most hallucinatory and disturbing films. Filmed in the remote Peruvian rainforest Aguirre, The Wrath of God was Herzog's first collaboration with the notoriously volatile actor Klaus Kinski.

With Kinski, Herzog created his greatest and most anarchic rebel of them all. Aguirre is a Spanish Conquistador who travels down the Amazon River in search of the lost city of gold, El Dorado. Over the course of the film, Aguirre assumes command of the expedition by murdering and manipulating his fellow conquistadors. As they drift further and further down the river, Aguirre descends further into madness eventually becoming obsessed with power and claiming himself the 'Wrath of God'. It's Aguirre's descent into madness and megalomania that propels his obsessions with power and domination to reaching god-like illusion.

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Posted by:
Eric Kench
Jun 4, 2008 7:45pm

The Big Trail

Dir: Raoul Walsh. 1930. Starring: John Wayne, Marguerite Churchill. English. U.S. Western.

On the eve of the Depression, studio and theater owner William Fox decided that something new was needed in film exhibition. So he created Fox Grandeur – the first 70mm widescreen projection system. The process used to sometimes mind-boggling effect in The Big Trail, Raoul Walsh’s early sound Western.

The feature supplied the first starring role for the unbelievably young John Wayne, who plays Breck Coleman, a scout who signs on to lead a wagon train of settlers from Missouri to the Pacific Northwest. Along the trail, he romances a comely pilgrim (Marguerite Churchill), is menaced by a trio of deadly baddies (Tyrone Power, Sr., Charles Stevens, and Ian Keith), and faces perils ranging from a tribe of hostile Indians to the raging elements.

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Posted by:
Chris Morris
Jun 2, 2008 5:54pm

Frontiere(s)

Dir: Xavier Gens. 2007. Starring: Karina Testa, Aurelien Wiik, Samuel Le Bihan. French/German. Horror.

For a country not known for redefining or even perpetuating the horror genre, the French are starting to step up to the plate and show the world how it’s done. In recent years, we’ve seen several little horrifying gems come from a place better known for idiosyncratic comedies, dark fairytales and, essentially, the definition of modern cinematic storytelling. Such films include Irreversible, Haute Tension, Inside, and this film – Frontiere(s).

First of all, I have to thank Phil Blankenship for motivating me to check this one out. I had read a really good review in a recent issue of Fangoria yet I wasn’t convinced. Apparently, it was apart of the “8 Films To Die For” festival that takes place in November (that could very well be the reason I didn’t take this one too seriously upon discovery). It wasn’t until my conversation with Phil that I really took notice.

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Posted by:
Travis King
Jun 2, 2008 5:42pm
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