Movies We Like
Handpicked By The Amoeba Staff
Films selected and reviewed by discerning movie buffs, television junkies, and documentary diehards (a.k.a. our staff).
Charlie Wilson’s War
A smart and funny political biopic for grown ups from director Mike Nichols (The Graduate) and writer Aaron Sorkin (The West Wing) about the likable Texas congressman whose influence led to U.S. involvement in the Soviet-Afghan War of the 1980s. Tom Hanks plays “(Good Time) Charlie Wilson” as a well meaning political hack who watches as his crusade for the U.S. to assist in helping the people of Afghanistan against their Soviet occupiers turns into a Cold War sideshow that inadvertently gives rise to Islamic Radicalism. The film manages to stay light on its feet without glossing over the sobering consequences of what was a complete mishandling of a volatile situation.
Glengarry Glen Ross
David Mamet’s pitch dark morality play about capitalism as a nihilistic force for poisoning the human spirit was turned into a film in 1992 with an all star cast featuring Jack Lemmon, Ed Harris, Alec Baldwin, Kevin Spacey, and Alan Arkin. All of them play miserable salesmen both complicit and bitterly at odds with having their sense of identity wrapped up in their weekly sales figures. The actors work the odd time signatures of Mamet’s trademark dialogue and the lines are delivered with a seething intensity that leaves you a little shaken.
Prairie Home Companion
Robert Altman’s last film is an adaptation of NPR staple “A Prairie Home Companion,” Garrison Keillor’s liberal humanist weekly revue of folky Americana music, wry story telling, and gentle send ups of modern mores and it couldn’t be a more fitting film to go out on. Altman uses the big cast putting on their last show plot as a means of meditation on different kinds of death: the death of an old timer, the death of live radio as an art form and he creates something moving without being cloying, heartfelt without being sentimental....Continue Reading
Outfoxed: Rupert Murdoch’s War on Journalism
The inside scoop on the “Fair and Balanced” news network and how its notorious enthusiasm for “truthiness” made it the perfect cable news counterpart to the Bush years. Outfoxed is a scathing indictment of Rupert Murdoch’s crappy idea of journalism put into 24 hour news cycle form. From former employees giving the lowdown on Fox’s shady way of skewing coverage to favor Republicans to the jaw dropping series of clips of world class blowhards Bill “Shut up!” O’Reilly and Sean Hannity turning journalism into a joke Outfoxed is a relentless assault on the dishonesty at the core of Murdoch’s failed experiment to control the message....Continue Reading
Small Town Gay Bar
Small Town Gay Bar is a sometimes sad, sometimes uplifting account of the collective efforts of a few every day small town Americans in red state U.S.A. to create a sense of community for GLBT people where they live. What ultimately resonates from this documentary is that there is something deeply heroic about their efforts to create a safe place for people to live openly where it’s needed most even if it’s just for a few precious hours before last call....Continue Reading
Director Paul Verhoeven (Starship Troopers) went back to his native Holland to make this stylish and subversive action adventure movie about a WW2-era Jewish spy who lives by her wits as a member of the Dutch resistance as she navigates a treacherous world of sympathetic enemies and dubious allies. As usual with Verhoeven there is a layer of social commentary to Black Book that lies beneath the glossy surface. This is old Hollywood spectacle with depth. Best movie of 2006!...Continue Reading
A modernized take on the sort of old Hollywood ancient Roman epic that updates the sword and sandal genre with plenty of ass kicking spectacle and a powerful central performance from Russell Crowe as a Roman general who seeks vengeance after losing his family at the hands of a corrupt prince and is forced to fight as a gladiator in Rome’s coliseum. The film’s populist hero and themes went over big with audiences turning Crowe into a mega star in the process.
Based on legendary Frank Miller’s graphic novel, 300 is the story of King Leonidas of Sparta, who with only three hundred Greek soldiers faced off against the million man Persian army at Thermopylae in 480 B.C. Co-writer and director, Zack Snyder (The Watchmen), should be given a lot of credit. 300 is a very exciting action film, utilizing modern technologies to retell an ancient tale from antiquity. The direction captures the spirit of the source material, while adding great elements that coexist seamlessly within the paradigm of Frank Miller’s work.
The performances by the largely male cast are solid across the board. Gerald Butler (Phantom of the Opera) is commanding as the iron-willed King of Sparta, “Leonidas.” He chews on his rally-cry dialogue with verve and carries the weight of a true ruler in his body language. His performance gives Leonidas considerable reason and intelligent nobility, while believing that he could lay waste to both man and beast in the heat of battle.Continue Reading
First off, it is important to note that even horrible films can be hugely entertaining and Commando may be the most defining example of this. Structurally the film has no arc whatsoever. It is simply a few minutes of set up and then the rest is simply conclusion. But what a wonderfully cheesy journey it is as Arnold mows down hundreds of hired thugs single-handedly and seeks justice against the men who dare take his daughter.
Although Schwarzenegger hit his peak as an action star later in James Cameron’s True Lies, this and Predator are the most fun of his eighties films, following the huge success of The Terminator. As “John Matrix” (how’s that for a name?), Arnold is one beefy, mean fighting machine. Introduced to us in typical montage, we know him to be a hard worker (as he carries a log bigger than a man) and that he is a great dad (feeding fawns in the forest with his daughter). After that, through the blatant exposition by the cardboard “General Franklin Kirby,” we learn that he is no mere man. Matrix is as bad as they’ve ever had to come out of Special Forces.Continue Reading
Legend has it that if you witness the Wendigo today, sometime tomorrow someone will die. This, according to many beliefs held by several Native American tribes, is not necessarily the basis for this Larry Fessenden (Habit, Last Winter, No Telling) picture. But it sure provides a creepy overtone for the haunting tale.
George (Jake Weber), Kim (Patricia Clarkson) and Miles (Erik Per Sullivan) are headed to upstate New York from Manhattan so that George can escape the high strung atmosphere of his job as a professional photographer for an advertising agency. Things turn bleak when George accidentally runs into a deer which prompts a very uncomfortable encounter with three locals. The attention of the audience shifts to Miles. While his character is rather brooding and subtle, Miles is shrouded in innocence. George and Kim are very protective of their young son and this becomes evident as the prolonged contention between the family and the locals becomes more volatile, particularly with the character of Otis (John Speredakos).Continue Reading