Charlie Wilson’s War
A smart and funny political biopic for grown ups from director Mike Nichols (The Graduate) and writer Aaron Sorkin (The West Wing) about the likable Texas congressman whose influence led to U.S. involvement in the Soviet-Afghan War of the 1980s. Tom Hanks plays “(Good Time) Charlie Wilson” as a well meaning political hack who watches as his crusade for the U.S. to assist in helping the people of Afghanistan against their Soviet occupiers turns into a Cold War sideshow that inadvertently gives rise to Islamic Radicalism. The film manages to stay light on its feet without glossing over the sobering consequences of what was a complete mishandling of a volatile situation.
Glengarry Glen Ross
David Mamet’s pitch dark morality play about capitalism as a nihilistic force for poisoning the human spirit was turned into a film in 1992 with an all star cast featuring Jack Lemmon, Ed Harris, Alec Baldwin, Kevin Spacey, and Alan Arkin. All of them play miserable salesmen both complicit and bitterly at odds with having their sense of identity wrapped up in their weekly sales figures. The actors work the odd time signatures of Mamet’s trademark dialogue and the lines are delivered with a seething intensity that leaves you a little shaken.
Catch Me if You Can
Catch Me if You Can is the true story of Frank Abagnale Jr. (DiCaprio) who, by the tender age of seventeen, cut over $2.5 million dollars worth of fraudulent checks and was one of the FBI’s most wanted. Frank travels the globe, taking on such identities as a Pan Am pilot, a doctor, and an attorney. Always on his tail is fraud expert Agent Carl Hanratty (Hanks) from the Bureau.
Although a story of a con man on the run from the law, the way this story is told, it comes across more like a fairy tale about the impetuousness of youth. Steven Spielberg’s direction is flawless in maintaining this tone throughout, telling a “crime story” that is amazingly playful. John Williams’ hip retro score and the great momentum of Michael Kahn’s editing add to this happy-go-lucky sort of attitude. The vibrant color palette, fantastic sixties costume and production design, and Janusz Kaminski’s cinematography, all contribute to make up this wonderful “true story of a real fake.”Continue Reading
From the surreal opening frames of “Max” (Jeff Bridges) wandering vacantly through a cornfield, that gives way to an inferno filled with plane wreckage, you know you’re in for a unique cinematic experience. The actor aptly described the film’s opening as if director “Peter (Weir) laced the popcorn with acid.”
Fearless is a tale of a San Francisco architect (Bridges) who is one of the only survivors of a downed flight headed for Houston. He loses his best friend and business partner and comes out of the flames feeling invincible. He is deemed the “good Samaritan” by the media, after helping lead people to safety. But he returns home to find himself emotionally isolated from his family. The only comfort he can find coming from helping a suicidal woman (Perez), after her baby perished in the wreck.Continue Reading
A vast industrial landscape, two towering smoke stacks, a rundown factory building, and a coal-covered ground as far as the eye can see. Somewhere in the distance a small white dot slowly moves over the black and gray landscape. This tiny dot is our main character, Wanda (Barbara Loden), attempting to find her way through the barren wasteland that has become her life.
Wanda is a meditative American Road Movie about a poor housewife who begins to feel lost and empty with the state of her life. After being accused by her husband of abandoning him and their children at a divorce hearing, Wanda aimlessly begins to drift from her home and take to the road. Unsure of her purpose and direction, Wanda finds herself clinging to another lost soul she meets on her journey, the short tempered small-time crook Norman (Michael Higgins). Wanda and Norman drift through highways and towns, committing petty crimes and robberies that eventually lead to tragic ends.Continue Reading
Family films are precious commodities. Slapstick plus smart humor have been winning combinations for many years now while the sentimental tearjerkers have taken a back seat. Lately, however there have been a few jewels emerging that are not only appropriate for young audiences but will entrance their parents as well. August Rush is a lovely music filled Orphan Annie/Oliver tale with sincere performances, intelligent, economical writing, a wonderful score and charming cinematography.
Two young and talented strangers meet and fall in love under a full moon in New York but are separated by fate and an overly controlling father the very next day. We learn that the young lady, an accomplished cellist named Lyla Novecek has become pregnant and that her star crossed lover, Louis Connelly, waits every night under the Washington Arch. After Lyla has an accident around her due date her father takes the opportunity to take the healthy newborn boy and put him up for adoption while telling Lyla that he didn't survive. Twelve years later we see the young and vibrant rock musician, Louis, has become a suit wearing businessman still stifling under a broken heart and broken dreams while Lyla is quietly teaching music without playing it herself.Continue Reading
A Room With a View
There has never been a more perfect film than Merchant Ivory's lush and lavish, A Room with a View. Visually it offers more than a simple view; instead there is a grandiose explosion of natural and cultural beauty traveling from the historical vistas of Florence to the opulence of the English countryside. Adapted with wit and wisdom from E.M. Forster's novel of the same name, A Room with a View explores the mingling of Britain's emerging middle class with the slowly dying aristocracy during the picturesque Edwardian Age. Similar in theme, adaptation and age to the tragically redeeming Howard's End, View tenders a gentler more fairy tale touch.
Filled with immortal performances by actors who would soon dominate the cast of truly great films for the next twenty years and counting, we are treated to study after study of the pomposity and passion in human nature. Romance, humor and a sensitivity to our frailties permeate every frame. Whether it is a bloody crime of passion between unknown but unforgettable Italians in the square, the giggling girlish adventures of two aged maidens in a foreign city, a kiss among poppies (that might just be the best kiss in cinematic history) or the heartbreaking politeness of a rejected suitor in a drawing room each moment is filled with timeless, laughable, lovable humanity.Continue Reading
Country music fans will get a bang out of this well-acted 1972 feature, an unfairly neglected picture (happily just issued on DVD) with a terrific high-energy performance at its heart.
Rip Torn stars as Maury Dann, a second-rate country singer whose life is playing out like one of his songs. The film follows Maury over the course of a couple of days, as he, his band, his devoted driver (Cliff Emmich), his manager-fixer (Michael C. Gwynne), and his blowsy girlfriend (Ahna Capri) travel from a low-rent honky-tonk gig to a marquee show in Nashville. Along the way, Maury gobbles speed (and shares some with his mother!), guzzles whiskey, screws anything that moves, picks up a dimestore clerk turned neophyte groupie (Elayne Heilveil), and generally rampages over everyone in his path.Continue Reading
This Is England
Twelve year old Shaun is having a shite day. Upon arriving to school, he’s relentlessly taunted by his classmates. He gets into a fight with another boy and has to face the torturous principal. On his way home, he encounters a group of fun loving skinheads (not the Racist kind) who continue to poke fun at the small boy. That is until the leader of the group steps in and decides that Shaun needs a break.
The tenacious Shaun is quickly made a member of the tribe despite a little bit of friction from some of the other members. The group spends their days smoking cigarettes, having a few pints, listening to Ska and Reggae and committing petty acts of vandalism. Shaun finally has some people he can call friends.Continue Reading
Un Couer en Hiver
I don't know if I have the academic background to write this particular review. Claude Sautet 's subdued genius of Un Couer en Hiver is threaded with music and art references I know nothing about. Yet, as an uninformed viewer I was no less affected by the interplay of silence, music and color to tell this elegant and slyly unique tale of love, betrayal and discovery through the eyes of an unlikely muse.
Un Couer may be seen as the birth of a great artist, or the tale of two (metaphorical) brothers and one love, but mostly it is the story of Stephane, a reserved violin maker who is a partner in a world class violin repair and design business within the elite sphere of classical music. His associate, the effortlessly dynamic Maxime, handles the buying, selling and deal making. He meets and greets the artists - is informed and affable while the reserved and intense Stephane is called when the violin needs a fine ear and fine repair. His passion is his control and within the first 3 minutes of the film you are under a spell so unexpected as to wonder about it days afterwards due to the brilliance of actor Daniel Auteuil.Continue Reading