Country music fans will get a bang out of this well-acted 1972 feature, an unfairly neglected picture (happily just issued on DVD) with a terrific high-energy performance at its heart.
Rip Torn stars as Maury Dann, a second-rate country singer whose life is playing out like one of his songs. The film follows Maury over the course of a couple of days, as he, his band, his devoted driver (Cliff Emmich), his manager-fixer (Michael C. Gwynne), and his blowsy girlfriend (Ahna Capri) travel from a low-rent honky-tonk gig to a marquee show in Nashville. Along the way, Maury gobbles speed (and shares some with his mother!), guzzles whiskey, screws anything that moves, picks up a dimestore clerk turned neophyte groupie (Elayne Heilveil), and generally rampages over everyone in his path.Continue Reading
A Room With a View
There has never been a more perfect film than Merchant Ivory's lush and lavish, A Room with a View. Visually it offers more than a simple view; instead there is a grandiose explosion of natural and cultural beauty traveling from the historical vistas of Florence to the opulence of the English countryside. Adapted with wit and wisdom from E.M. Forster's novel of the same name, A Room with a View explores the mingling of Britain's emerging middle class with the slowly dying aristocracy during the picturesque Edwardian Age. Similar in theme, adaptation and age to the tragically redeeming Howard's End, View tenders a gentler more fairy tale touch.
Filled with immortal performances by actors who would soon dominate the cast of truly great films for the next twenty years and counting, we are treated to study after study of the pomposity and passion in human nature. Romance, humor and a sensitivity to our frailties permeate every frame. Whether it is a bloody crime of passion between unknown but unforgettable Italians in the square, the giggling girlish adventures of two aged maidens in a foreign city, a kiss among poppies (that might just be the best kiss in cinematic history) or the heartbreaking politeness of a rejected suitor in a drawing room each moment is filled with timeless, laughable, lovable humanity.Continue Reading
Family films are precious commodities. Slapstick plus smart humor have been winning combinations for many years now while the sentimental tearjerkers have taken a back seat. Lately, however there have been a few jewels emerging that are not only appropriate for young audiences but will entrance their parents as well. August Rush is a lovely music filled Orphan Annie/Oliver tale with sincere performances, intelligent, economical writing, a wonderful score and charming cinematography.
Two young and talented strangers meet and fall in love under a full moon in New York but are separated by fate and an overly controlling father the very next day. We learn that the young lady, an accomplished cellist named Lyla Novecek has become pregnant and that her star crossed lover, Louis Connelly, waits every night under the Washington Arch. After Lyla has an accident around her due date her father takes the opportunity to take the healthy newborn boy and put him up for adoption while telling Lyla that he didn't survive. Twelve years later we see the young and vibrant rock musician, Louis, has become a suit wearing businessman still stifling under a broken heart and broken dreams while Lyla is quietly teaching music without playing it herself.Continue Reading
A vast industrial landscape, two towering smoke stacks, a rundown factory building, and a coal-covered ground as far as the eye can see. Somewhere in the distance a small white dot slowly moves over the black and gray landscape. This tiny dot is our main character, Wanda (Barbara Loden), attempting to find her way through the barren wasteland that has become her life.
Wanda is a meditative American Road Movie about a poor housewife who begins to feel lost and empty with the state of her life. After being accused by her husband of abandoning him and their children at a divorce hearing, Wanda aimlessly begins to drift from her home and take to the road. Unsure of her purpose and direction, Wanda finds herself clinging to another lost soul she meets on her journey, the short tempered small-time crook Norman (Michael Higgins). Wanda and Norman drift through highways and towns, committing petty crimes and robberies that eventually lead to tragic ends.Continue Reading
From the surreal opening frames of “Max” (Jeff Bridges) wandering vacantly through a cornfield, that gives way to an inferno filled with plane wreckage, you know you’re in for a unique cinematic experience. The actor aptly described the film’s opening as if director “Peter (Weir) laced the popcorn with acid.”
Fearless is a tale of a San Francisco architect (Bridges) who is one of the only survivors of a downed flight headed for Houston. He loses his best friend and business partner and comes out of the flames feeling invincible. He is deemed the “good Samaritan” by the media, after helping lead people to safety. But he returns home to find himself emotionally isolated from his family. The only comfort he can find coming from helping a suicidal woman (Perez), after her baby perished in the wreck.Continue Reading
Catch Me if You Can
Catch Me if You Can is the true story of Frank Abagnale Jr. (DiCaprio) who, by the tender age of seventeen, cut over $2.5 million dollars worth of fraudulent checks and was one of the FBI’s most wanted. Frank travels the globe, taking on such identities as a Pan Am pilot, a doctor, and an attorney. Always on his tail is fraud expert Agent Carl Hanratty (Hanks) from the Bureau.
Although a story of a con man on the run from the law, the way this story is told, it comes across more like a fairy tale about the impetuousness of youth. Steven Spielberg’s direction is flawless in maintaining this tone throughout, telling a “crime story” that is amazingly playful. John Williams’ hip retro score and the great momentum of Michael Kahn’s editing add to this happy-go-lucky sort of attitude. The vibrant color palette, fantastic sixties costume and production design, and Janusz Kaminski’s cinematography, all contribute to make up this wonderful “true story of a real fake.”Continue Reading
Billy Elliot stands out as a musical, a family drama and fiercely insightful look into the sacrificial toll on striking coal miners in Northern England in 1984. Stephen Daldry's direction alternately charms and punches with equal power until you are pulling at your own hair as Billy dances out his frustration through the run down back alleys, over cobble streets and finally into a brick wall furiously, fruitlessly and against all odds.
Billy is the youngest son of a widowed coal miner with an older brother not long in the mines himself, and an invalid grandmother. Coming from the tough and tumble Elliots, eleven year old Billy is naturally enrolled in boxing at school but somehow finds himself drawn to the girls' ballet lessons. Their teacher, the no nonsense Mrs. Wilkinson, sees potential in Billy and encourages his newfound passion and determination not knowing that Billy has kept it a secret from his family. All the while the coal miners' strike puts constant pressure on the Elliots, backing them into financial and emotional corners. When Mrs. Wilkinson procures Billy an audition at the Royal School of Ballet Billy must battle his family for the chance to be something different. Not only from what they know but what they themselves are fighting for.Continue Reading
Charlie Wilson’s War
A smart and funny political biopic for grown ups from director Mike Nichols (The Graduate) and writer Aaron Sorkin (The West Wing) about the likable Texas congressman whose influence led to U.S. involvement in the Soviet-Afghan War of the 1980s. Tom Hanks plays “(Good Time) Charlie Wilson” as a well meaning political hack who watches as his crusade for the U.S. to assist in helping the people of Afghanistan against their Soviet occupiers turns into a Cold War sideshow that inadvertently gives rise to Islamic Radicalism. The film manages to stay light on its feet without glossing over the sobering consequences of what was a complete mishandling of a volatile situation.
Glengarry Glen Ross
David Mamet’s pitch dark morality play about capitalism as a nihilistic force for poisoning the human spirit was turned into a film in 1992 with an all star cast featuring Jack Lemmon, Ed Harris, Alec Baldwin, Kevin Spacey, and Alan Arkin. All of them play miserable salesmen both complicit and bitterly at odds with having their sense of identity wrapped up in their weekly sales figures. The actors work the odd time signatures of Mamet’s trademark dialogue and the lines are delivered with a seething intensity that leaves you a little shaken.
Have you ever wondered what it would be like to see Buckwheat from Our Gang wash the back of his holiness the Pope with a scrub brush in a stand-alone bathtub in the middle of the woods? Has the idea of witnessing Moe, Curly and Larry shoot a flock of diseased goats ever cross your mind? Or perhaps, getting a bird’s eye view of several nuns free falling through the atmosphere during an impromptu skydiving trip? If so, Mister Lonely is the film for you.
Mister Lonely is the story of a shy Michael Jackson impersonator (Diego Luna) living and dancing his way through the streets of Paris. While performing at a retirement home, Michael comes into contact with a Marilyn Monroe impersonator (Samantha Morton). The two have lunch at which point Marilyn invites Michael to accompany her to a commune inhabited by celebrity impersonators located in the Highlands of Scotland. At first, Michael is apprehensive. But the beautiful and very uncanny Monroe impersonator convinces him to join her. Michael gathers his things in a scene, which in my opinion, is the embodiment of the entire film. Never has a moment in a film where a character interacts with furniture ever make me feel the way in which this particular (and peculiar) scene did.Continue Reading