Movies We Like
Niankoro, a young man in the powerful Malian Kingdom, is relentlessly pursued by his evil sorcerer father Soma in this mythological tale set in the 1200s. It seems Niankoro has stolen secret knowledge reserved exclusively for a secret society of old men with the intention to share it openly. He seeks out his father's twin and fellow sorcerer, Djigui Diarra, for protection. Niankoro's travels take him through the lands of the cosmologically-oriented, cliff-dwelling Dogon and the Peul, whose king enlists Niankoro's aid in protecting them from raiders and giving him a child - which he does (although not through magic) and Niankoro picks up a wife in the process. Niankoro avoids his father but Soma won't back down, however, and the confrontation between father and son becomes inevitable.
Cissé attended the Moscow School of Cinema and Television on a scholarship and Yeelen, based on Bambara legend, is very reminsicent of the Soviet films of Tarkovsky or Iranian director Abbas Kiarostami with a slow, methodical pace and lots of quiet space. Salif Keita and Michel Portal's score is minimal and used sparingly. The use of magic is handled similarly without flashy special effects along the lines of Tarkovsky's Stalker or Peter Weir's Picnic At Hanging Rock. There's ritualistic drinking, sniffing and smoking of various unnamed substances and Cissé depicts everything with an appropriate sort of hazy, dreamlike detachment. For a genre not generally known for restraint, this is one of the calmest films you'll ever see.