Like all great cities no one film best sums up Los Angeles. The city is too fractured, the personal narratives of its citizenry too outlandishly varied, for any one film to seize on everything. But if you want a sense of what the city can do to a person – a starry-eyed, beautiful, blonde, female person with dreams of Hollywood – this is probably the most artful and poignant one you could find. On one level it’s a mysterious love story involving a sparkling ingenue from “Deep River, Ontario” (I have no idea if such a place exists) and a gorgeous brunette with a head injury who doesn’t know who she is or how she got to the ingenue’s apartment (technically her aunt’s apartment). They meet awkwardly but soon become each other’s trusted confidante. The possibilities of a new romance and the thrill of being in the most magical slash sinister city on Earth, new to them both (since one is an amnesiac), set us up for a strange, hypnotic love story. But this is David Lynch’s movie and things get really dark really quickly.
A film director (played by Justin Theroux) with a wife who cheats on him (with Billy Ray Cyrus, in fact) has his Hollywood career ruined in a day by nefarious forces he doesn’t understand. Betty (Naomi Watts) and Rita’s (Laura Harring) relationship, at first so full of the giddy, dangerous thrill of a new romance, turns into something obsessive and horrifying as the characters mutate into different people, or different versions of the same people. The ingenue becomes a frightening, jaded shell of who she was. The mysterious brunette becomes a cold, calculating, and manipulative trophy wife (at least I think that’s what happens).Continue Reading
The Seventh Victim
The best Val Lewton movie not directed by Jacques Tourneur, The Seventh Victim is an almost perfect summation of the famed producer’s themes of loneliness, alienation, urban paranoia, and romantic fatalism, just without some of the visual poetry that Tourneur brought to his own Lewton films (Cat People, I Walked With A Zombie). But it’s pretty haunting all the same. The plot is so sinister. A naive but determined teenage girl named Mary (a plain Jane named Kim Hunter) leaves her upstate boarding school to look for her missing older sister, Jacqueline (played by Lewton regular, Jean Brooks) in New York. Once in New York Mary acts as a Nancy Drew sort of detective, piecing together the clues of her sister’s disappearance before arriving at the conclusion that her sister is under the control of a group of Greenwich Village devil worshipers.
Mary’s only guardian is her older sister Jacqueline, a New York sophisticate with a sort of Egyptian art deco haircut who owns her own perfume company. Mary traces her previous whereabouts, discovering that before her disappearance Jacqueline mysteriously deeded her company to some of her co-workers. Various friends and lovers of Jacqueline, equally concerned about her, help Mary in her quest but nothing seems to quell the overarching feeling of doom hanging over the character of Jacqueline. She’s a different take on the Laura Palmer mystery, a beguiling woman no one could save.Continue Reading
Guilty of Romance
Whenever you find a film that is based on actual events or someone's life, with the exclusion of biopics, I highly recommend giving it your time. It's similar to the interest piqued from a movie based on a book you find yourself drawn to, but much more involving. This is perhaps due to - and heightened by - the interest from the director. To consider that there is someone's story out there that captivates a filmmaker to the point that they are willing to spend thousands, if not millions, of dollars funding a work that will tell this story the way they imagine it in their mind after (hopefully) researching the events leading to it is, in all seriousness, a wonderful thing. Of course, the director needs to be someone you trust to tell this story—and what better example than Shion Sono and the grizzly tale of a woman on the brink of sexual discovery in a repressed society that can and will eat the faint at heart for breakfast.
Opening with “On the eve of the 21st century...,” Guilty of Romance takes off at a hurried run as a detective (Miki Mitzuno) stumbles upon a bizarre crime that would rattle even the most experienced among her profession. The remains of a woman are found in various locations known for being the playground of anyone keen on prancing through the erotic underworld. The fact that a murder took place there isn't necessarily jarring. The fact that the remains were partial and attached to a mannequin dressed like a schoolgirl was.Continue Reading
Redemption is a complex thing. Our quest to find and observe it is even more multifaceted and often biased. We are drawn to stories where characters have redeeming qualities or, at the end of some relevant venture, find redemption in an act, thought, or belief. Usually this is something that your average person can relate to; a person coming into the dizzying territory of adopting a sense of selflessness or virtue—maybe making some wrong right. But who can relate to a story where someone who has done something as deplorable as molesting a child strives to find a way to redeem himself? Who even thinks they can sit through a film where this is obviously the end goal? Unfortunately the answer could very well be not many, but The Woodsman, should one feel comfortable enough with their own sense of self, is one of the finest stories about this quest that is not only overlooked, but avoided.
Kevin Bacon takes on the most dynamic role of his career thus far as Walter, a man just released from a 12-year prison sentence for molesting pre-teen girls. He finds work at a lumber yard run by Bob (David Alan Grier), who takes him on simply because he inherited the company and knows that Walter gave years of excellent service to his father. Though he has the jaded look of a man who has obviously come from prison, his coworkers are unaware of his crimes and don't care to pry except for Mary-Kay (played by singer-songwriter Eve), the office secretary who wants to know everyone's business and makes false friends in order to do so. In the midst of his daily routine Walter meets Vicki (Kyra Sedgwick), a spunky blonde struggling to hold her own in a male-dominated field. Her seen-it-all demeanor and harmlessly invasive conversation leads her to be his only confident and, in time, lover.Continue Reading
The Filth & The Fury
“Because the work, at the end of the day, is what matters…and we managed to offend all the people we were f***ing fed up with.”
– Johnny RottenContinue Reading