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Celebrating the release of History From Below (out June 8th on Rounder Records).

“…  rough barroom pop is its own creature, with jangly pianos, rattling drums, and scruffy acoustic guitars making a thrilling ruckus.” – Spin

Performing live at the El Rey - July 23rd.
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History from Below is the highly anticipated follow-up to Delta Spirit’s captivating debut album, Ode To Sunshine, which brought the band thousands upon thousands of passionate fans, along with the kind of critical acclaim most bands dream about. SPIN hailed the album in its four-out-of-five-star review, saying, “This rousing debut impresses mightily,” while Filter called it “Pure joy” and Jim Fusilli of the Wall Street Journal said, “I make no pretense of objectivity with Delta Spirit, I love these guys.” After touring non-stop to support their debut, the band came off the road and wrote and recorded their new album in just a few short months with the help of Eli Thomson and Bo Koster (My Morning Jacket) at Prairie Sun studios, the same place Tom Waits has recorded almost exclusively since 1991. History from Below showcases a road-tested band that picks right up where Ode To Sunshine left off, with 11 new rocking, soulful songs, including the driving lead single “Bushwick Blues” and the anthemic “Golden State.”

Let’s start here with a short list of the things that we lose along the way. It seems that the men of Long Beach, Calif., who make up Delta Spirit and who have written and recorded the 11 songs that comprise History From Below, would like this little process. It would make sense to them, this brief focus on what’s gone missing, on what’s been loved and remembered. It’s not about dwelling on the losses, but recognizing how the losses make all that remains so much more meaningful. It shapes us more than we know – rounding off and enhancing the joys that are still around, that are yet to be made. But we do lose, sometimes without gain, just pain and heartache. So, we lose, in no particular order – chronologically or as importance goes – the following, in varying degrees: our youth, our safety, our comfort, our spirit, our innocence, our grandmothers, our grandfathers, our curiosity, our love, another of our loves, still another of our loves, our wives, our mothers, our fathers, our sight, our hearing, our husbands, our daughters, our drive, our sons, our pets, our time, our hair, our reflexes, our spryness, our brightness, our shine, our guts and we’re just getting started. We lose nearly everything before we’re done, before we’ve been finished off or written to a stop. We’re wrecked to the point that we need saints and saviors because there’s no doing it on our own. There’s no human being that can get us through these ruts. It must be out of body. It must be something other, something that breathes new breath and something that runs interference with the losses, something that softens them. Delta Spirit makes music that softens our losses, sure, but it’s a band that makes music to soften their own losses, whatever those may be (see above for a good start). It finds a pleasing heat in a fever and it finds a comfort in a chill, knowing that they will become the other with a long enough wait. They find “churches” wherever they travel and they find those willing to embrace with them in a pageant of the losses, making them feel as if they were three parts sweetness and one part regret. The losses make them realize that so much of our histories come from our hardships, whether we like it or not, and it’s decisive. We can’t help but feel absolutely included and vulnerable when, on “Bushwick Blues,” lead singer Matt Vazquez sings, “My love is strong, but my heart is weak,” with a drawn-out pause, before finishing with the words, “after all.” It’s destined – the strength of our hearts and the losses that they will be forced to endure. We’re meant to find the endurance. – Sean Moeller