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Their story is a fairly long and winding one, but the result is a band with impressively eclectic influences (Floyd, The Who, obscure electronica, metal, drone, alternative 80's), a grandiose collective musical history and a healthy bout of critical acclaim. Rave live reviews in the NME and The Fly followed their UK visit in September 2004, where they played at the Barfly and Metro, as well as supporting TV On The Radio at The Garage. Roll on an appearance at Austin's SXSW in March 2005 and The Sunday Times Culture Magazine hailed them as one of the new bands that "should be huge" and Music Week included them in their rundown of the "eleven buzz bands on the brink of greater things".

With so many bands trying to relive the glory days of My Bloody Valentine, Jesus And Mary Chain and Galaxie 500, it's nice to see that somebody out there has done it right; not becoming a copy-cat, but making it truly their own.
- The Tripwire

"It's not over the top, crowded or forced in any way, on any track. The band doesn't necessarily leave their shoegazey/post-punk roots behind. Instead, Greg Bertens sculpts Hideout into a more dynamic and thicker sounding album with blissed-out guitars and keys swooping in exactly when they need to."
- LITTLE RADIO