Stile Antico
HEAVENLY HARMONIES
Harmonia Mundi (03/ 11)
Early music ensemble “Stile Antico” made a huge splash in 2007 with their NPR hit “Music For Compline”. Their second disc looks just as promising.
Tallis Scholars
JOSQUIN: MISSA SINE NOMINE
Gimell (03/11)
The Tallis Scholars return to home ground with their new release. Josquin is considered one of the greatest composers of Renaissance choral music, and the Scholars have made several classic recordings of his works – this new release is like making a new voyage of discovery with an old friend.
Murray Perahia
BACH: PARTITAS 2, 3, & 4
Sony Classical (03/ 11)
Keyboard giant Murray Perahia continues his exploration of Bach’s legacy with this new release, his first after recovering from medical difficulties which have kept him out of the recording studio for several years.
Sir Simon Rattle
MAHLER: SYMPHONY #9
EMI Classics (03/11)
This is the release which Mahler fans have been waiting for – Sir Simon Rattle’s astonishing new recording of Mahler’s 9th. This is Rattle’s second recording of the monumental work, but his first with the Berlin Philharmonic – fans will want to savor the magical sounds that Rattle coaxes from this magnificent ensemble.
Various Artists
EMI GREAT RECORDINGS OF THE CENTURY
EMI Classics (03/11)
EMI releases ten new titles in their outstanding “Great Recordings of the Century” reissue series this month, including Kirsten Flagstadt’s glorious account of Purcell’s “Dido & Aeneas”; Rubinstein’s early reading of Chopin’s “Nocturnes” and Maria Callas’ justly famous recording of Puccini’s “Turandot”.
Ralf van Raat
RZEWSKI: THE PEOPLE UNITED WILL NEVER BE DEFEATED!
NAXOS (03/25)
Last year pianist Ralf van Raat recorded a superb survey of the piano music of John Adams; now he’s back, tackling one of the seminal pieces of modern avant-garde keyboard literature – Frederic Rzewski’s “The People United Will Never Be Defeated!”
Jonas Kaufman
ROMANTIC ARIAS
Decca (03/11)
This release marks tenor Jonas Kaufman’s debut for Decca, and his first recital of opera arias. For several years now, Kaufman has been receiving rave reviews and much applause on the world’s great opera stages. Now you can hear for yourself this glowing voice in your own living room (or den, or bedroom, or on the bus…)
Meredith Monk
IMPERMANENCE
ECM New Series (03/ 18)
It’s been many years since we’ve seen a new release from Avant-Garde icon Meredith Monk. At last it’s here, certainly reason for her many admirers to celebrate!
Alan Curtis
HANDEL: TOLOMEO
Deutsche Gramaphon Archiv (03/11)
Baroque scholar Alan Curtis examines another under-recorded Handellian gem, the opera “Tolomeo”, with his exquisite ensemble “Complesso Barocco” and a stunning line up of soloists.
Marin Alsop
BARTOK: THE WOODEN PRINCE
NAXOS (03/25)
Conductor Marin Alsop’s two previous recordings of Bartok masterpieces have garnered her much praise and have increased her statys among the ranks if great interpreters of the Hungarian master’s genius. In this, her third Bartok release, Alsop explores the beauties of Bartok’s unjustly lesser-known ballet score “The Wooden Prince”.
 
Joel Frederikson; Ensemble Phoenix
THE ELFIN KNIGHT
Harmonia Mundi
Sometimes an early music release comes along which gets everything right – the playing, singing, research and sound are just spot on. Just such a release is Joel Frederikson’s “The Elfin Knight”, a rapturously delightful recital of English, Irish & Scottish folk songs. Some of the material will be familiar to many; some will come as unique surprises – but in both cases, Frederikson’s gorgeous baritone voice carries the day. Supported by the sheer magic of the “Ensemble Phoenix” (whose recording debut this is) Frederikson can do no wrong, and the first-rate engineering and presentation provide you with no excuse not to hear this remarkable recording; don’t pass this by!
Helene Grimaud; Vladimir Jurowski
BEETHOVEN: PIANO CONCERTO #5; PIANO SONATA OP.28
Deutsche Grammaphon
All right, all right – this release is on a major label and has been receiving lots of press, but I just couldn’t resist getting my own two cents in here. Upon playing this recent recording, I was prepared for an enjoyable experience – but not for the revelatory performance I found here. Grimaud’s crisp, clean articulation, and poetic approach to the score (with just the right amount of rubati) is nothing short of amazing. Vladimir Jurowski, making his Deutsche Gramaphon debut here, proves that everything you’ve heard about him is true – this is a masterly conductor in the making, and the joy that he and Grimaud find in their collaboration is palpable. You may think you need another recording of the Beethoven 5th concerto like a hole in the head – think again!