Amoeblog

My 10 Favorite Albums of 2013 So Far

Posted by Billy Gil, July 2, 2013 11:15am | Post a Comment

Plenty of great music has been released in 2013 already. It’s always staggering to look back at the halfway point and realize what has come out, what you need to give another listen to, and so on. This is a list of my personal faves that also have garnered substantial critical acclaim. I know there are lots of other great albums from this year, so why don’t you comment and tell me about them huh?! If you really want to know what else I thought was great for some reason, click through to my album picks for each week’s releases.

 

Kanye WestYeezus

kanye west yeezusThis has to top my list, as I’m sure it does for many others. Despite its numerous problems in the lyrics department, namely a badly used Nina Simone sample, its industrial grind and Kanye’s manic delivery trump all. There’s just no other music like this around — now or ever.

 

 

My Bloody Valentinembv

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Albums Out March 5: Youth Lagoon, Rhye, How to Destroy Angels and More

Posted by Billy Gil, March 5, 2013 10:16am | Post a Comment

Album Picks:

Youth Lagoon - Wondrous Bughouse

Youth Lagoon Wondrous BughouseCD $12.98

LP $19.98

Youth Lagoon aka Trevor Powers at only 22 was the precocious new kid on the indie block with 2011’s The Year of Hibernation. Though a strong debut, the album could get a bit precious as one would expect when listening to a 22-year-old’s debut indie pop album. But if The Year of Hibernation was sugary, Bughouse is coated with codeine syrup. It’s a woozy collection of psychedelic pop, as eccentric as it is rousing. “Mute” sprawls with epic grandeur in its first minute before breaking down into spiraling sounds of broken-down toys and keyboards. Powers’ vocals climb to the top of his manic creation, which gradually becomes a psych rocker with a gorgeous guitar solo. “Attic Door” is prime Syd Barrett in Wonderland weirdo psychedelia, while “Pelican Man” takes a similar notion to Sgt. Pepper’s-style pop heights. As Wondrous Bughouse progresses, it seems to grow more assured, as mid-album cut “Dropla” makes for the album’s catchiest moment — an eyes-wide-open pop song in the vein of Mercury Rev and Flaming Lips’ finest, built on the naïve, repeated couplet “you’ll never die.” True to its Strawberry Alarm Clock title, “Raspberry Cane” is a beautiful slice of acidic sunshine pop that moves from esoteric to a crowd-pleasing refrain that marks Powers’ most classic pop moment to date. It’s a wondrous thing to hear, indeed.

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