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AMOEBA MUSIC HIP-HOP WEEKLY ROUND UP: 09:04:09

Posted by Billyjam, September 4, 2009 08:24am | Post a Comment
Amoeba Music Hollywood Hip-Hop Top Five: 09:04:09
black eyed peas the end
1) Black Eyed Peas The E.N.D. (Interscope)

2) Slaughterhouse
self-titled (E1 Entertainment)

3) Mos Def
Ecstatic (Downtown)

4) Dudley Perkins
Holy Smokes (1 AM APPROACH)

5) Mr Capone-E
Diary of a G (Hi Power Entertainment / KOCH)

At the Amoeba Music Hollywood store this week many of the same best sellers from the past several weeks are still holding strong in the sales charts, with the Black Eyed Peas' latest The E.N.D. locking down the number one position. Meanwhile, up north in the San Francisco Amoeba Music store, Luis reports that among the new local Bay Area releases to arrive on Amoeba SF's shelves this week include Lyrics Born's Variety Show Vol 4 on Mobile Home Recordings, whose 22 tracks include guest spots from such fellow Quannum acts as Lateef the Truthspeaker,The Gift of Gab, and Joyo Velarde. Also just arriving into Amoeba SF this week is The Grouch/Instant Messengers affiliated hometown emcee Alexander Spit, whose new full-length CD Open Lyrics Born24 Hours is sponsored by the hip-hop clothing company The Hundreds.

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AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP 09:19:08

Posted by Billyjam, September 19, 2008 04:20pm | Post a Comment
                                        Ameoba Music Berkeley  Hip-Hop Top Five  09:19:08
Spearhead
1)  Michael Franti & Spearhead All Rebel Rockers   
     (Amer-I Can/Unity One/Anti)

2)  Diplo Top Ranking Santogold (Mad Decent)

3)  The Game LAX (Geffen/Interscope)

4) Young Jeezy The Recession (Def Jam)

5)  eLZhi The Preface (Fat Beats)

The number one selling album at the Berkeley store this week is from the Bay Area's very own veteran political musician Michael Franti and his group Spearhead. Recorded in Kingston, Jamaica and produced by Sly and Robbie, this brand new full length titled All Rebel Rockers is the anticipated follow-up to the acclaimed Yell Fire!, released two years ago on Anti. This new album may not possess that same sense of urgency as its predecessor and hence, takes a little longer to get into, but All Rebel Rockers is still a very good album. (Yell Fire! is a hard one to top because it was so powerful a release.) Naturally, with Sly & Robbie at the controls, it has more of a reggae feel than the other genres it incorporates (mainly hip-hop and soul). 

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AMOEBA MUSIC WEEKLY HIP-HOP ROUND UP: 09:06:08

Posted by Billyjam, September 6, 2008 09:00am | Post a Comment
young jeezy
Amoeba Music San Francisco Top FIve 09:06:08


1) Young Jeezy The Recession (Def Jam)

2) The Game LAX (Geffen/Interscope)

3) eLZhi Preface (Fat Beats)

4) The Jacka & Lee Majors The Gobots (Million Dollar Dream)

5) Arabian Prince Innovative Life: The Anthology: 1984 - 1989 (Stones Throw)

Thanks to Luis in the hip-hop section at Amoeba Music, San Francisco for this week's Top Five chart. The top slot belongs to the brand new release from Young Jeezy, The Recession, which hit Amoeba shelves on Tuesday this week. This is the third Jeezy album, following 2005's Lets Get It: Thug Motivation 101 and 2006's The Inspiration. Although the title The Recession might imply that the record would be all about the US economy (interest rates/foreclosures etc.), it only very, very briefly tackles the US economy at large. Instead, it concentrates more specifically on hood economics, i.e., drug dealing. Hence, The Recession, over some great beats, is brimming with (yawn) street tales of making cash and selling 'caine and the glorified day-to-day trials and tribulations of a gangsta. 

"All I got to my name is two bricks and one felony," raps Atlanta native Jeezy in his famous husky voiced, dirty south flow on the track "Crazy World" -- one of many detailing the struggles of the hustler lifestyle which, personally, I find tired and played out at this stage in the game. I mean is Young Jeezy keeping really real and rapping about his life as it really, or is he just trying to sell the most CDs? Does Jeezy really have to slang drugs on the corner after all his success in the rap music biz? Or is he just fronting by making up these played-out, over-romanticized drug dealing tales, geared for the target gullible white rap consumer? This is music manufactured for the wallet more than from the heart. With that said, I did enjoy most of the production, athe game LAXnd also the album's few guests, including NaS, who upstaged his host here. I guess it's not so much the topic of gangsta but more in how an artist retells a story we've heard a million times already.

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