Amoeblog

Elli et Jacno... et Lio. Les electro-ye-yes

Posted by Eric Brightwell, April 6, 2009 09:13pm | Post a Comment
Denis Quillard (born in 1957) came from an eccentric but distinguished family in Champagne. A chainsmoking fan of Gauloises, he was known to some as "Jacno," after Marcel Jacno, the illustrator who designed the cigarette manufacturer's logo. Jacno had learned to play flute at a religious school in Margency, Notre-Dame-de-Bury. As a child his musical heroes had been Chopin, Mozart and Satie, but as a young teenager, he gravitated toward The Who and The Rolling Stones. At fourteen, he took a job as a messenger boy, enabling him to buy a guitar. He also grew increasingly rebellious, experimenting with drugs, engaging in petty theft, and being expelled from a succession of schools. In 1973, he formed a short-lived band called Bloodsuckers.

Elli Medeiros was born January 18, 1956 in Montevideo, Uruguay. Her mother, Mirtha Medeiros, was an actress, and as a child, Elli also appeared in Uruguayan film, stage and TV productions. In the early '70s, along with her mother and her stepfather, she moved to Paris. The following year, at a protest, Elli and Jacno crossed paths. Soon, the two began dating and plotted a musical career.

   

In 1976, Elli and Jacno (joined by Bruno Carone, Albin Dériat and Hervé Zénouda) formed Les Stinky Toys in Rennes, Brittany. They played their first gig as Les Stinky Toys on the fourth of July, 1976. Les Stinky Toys quickly garnered a reputation as a willing and fairly able band who played several notable performances, including at London's 100 Club alongside The Buzzcocks, The Clash, The Damned, The Sex Pistols and Siouxsie & the Banshees. That came about after Malcolm McLaren discovered the band at a boutique in Les Halles. The notoriously hype-loving Melody Maker featured them on their cover. Conversely, the notoriously bitchy Trouser Press described them as "uninspired sub-Rolling Stones rock'n'boogie with terrible vocals by Elli Medeiros." In March of 1977, they played with Generation X, The Jam and The Police at Le Palais des Glaces. Soon after, they signed with Polydor and released their debut single, "Boozy Creed," followed by an album, Plastic Faces.

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(Wherein winter records receive writings.)

Posted by Job O Brother, December 16, 2008 11:32am | Post a Comment
postcard

It’s finally chilly in Hollywood. I mean, I still have my French windows open wide, but it’s about as cold as it ever gets, with breezes blowing from my hometown in the north, Nevada City, where loved ones are covered in white blankets of snow. (That’s a metaphor – probably very few of them have bed-sheets constructed of crystalline water ice.)

My friends in Nevada City, Jaime, Alison and Dan made a snowman. I don’t get that pleasure here. I suppose I could make a clumps-of-dying-grass-cigarette-butts-and-dog-feces man, but who has that kind of time? I have a blog to write!

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Here's a picture of the snowman my friends made.
The best part will be watching him slowly melt over the next couple weeks.

My choices in music are always influenced by weather. When it’s hot city in the summertime, I’ll gravitate towards artists such as Stephen Malkmus, Thin Lizzy, or Sly & The Family Stone. If it’s a rainy day, you can bet some Siouxsie & The Banshees will be trilling from my stereo. I look out the window and see the Four Horsemen of the Apocalypse trampling the Hills with all the fury of Heaven and Hell as they take the stage for a final battle in which every human soul will come to greet its eternal home in either the awesome glory of the Almighty God or the foul depths of Hell as lorded over by the king of wickedness, Satan, and more often than not I’ll play a little Burt Bacharach. Because it’s always a good time for a little Burt.