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Top Forty World Music Releases of 2009 Vol-2

Posted by Gomez Comes Alive!, December 20, 2009 08:39am | Post a Comment

30. Orchestre Poly-Rythmo de Cotonou Dahomey - Echos Hypnotiques, Vol. 2

While last year’s collection of Orchestre Poly-Rythmo de Cotonou work, From the Vaults of Albarika Store 1969-1979, dug deep into the group’s rare gems, this collection comes from sessions that they did at the E.M.I. studio in Nigeria. The result? Better sound quality and more great music from the Orchestre Poly-Rythmo. Their blend of Highlife, Funk and the Vodoun rhythms that come from their native country of Benin separate this album from the pack of retro-African releases that have been coming out this year.



29. Moncho Rivera - Yo Tengo Lo Mio

In Salsa music, there is nothing better than a great Sonero, a singer who is able to improvise off the top of the dome and give their musicians a run for their money. Moncho Rivera is the nephew of another great Sonero, Ismael Rivera, and continues a family tradition of singers who just destroy their contemporaries. Moncho and his band are red hot on this release, which is one of the few highlights in the Salsa music world this year.





28. V/A - Sensacional Soul Vol 2

I always felt that the best music ever made was during the worst of times. During the oppressive Franco era, conservative radio stations and record companies did not want to explore the Psychedelic movement. However, Motown was big in Spain and all the groups that emulated The Beatles started to get a little soul in them, often incorporating horn and foreign soul vocalists. Sensacional Soul Vol. 2 is a fine mixture of cover songs sung in Spanish and funky instrumentals with plenty of beat influences guaranteed to liven any dance floor.

Top Forty World Music Releases of 2009 Vol-1

Posted by Gomez Comes Alive!, December 16, 2009 01:39am | Post a Comment

40. V/A-Legends of Benin

There is fallout from all the African funk compilations that have been released over the last couple of years and it’s that they are all too much for most African music listeners to keep up with. What differentiates Legends of Benin from rest is that it concentrates on songs over funky beats, with each song being full of melody as well as danceable. Analog Africa, the label who brought us African Scream Contest last year, has another gem on their hands.




39. V/A-Back To Peru Vol.2

Back To Peru Vol. 2 is chock full of nuggets from the golden years of Peruvian Psychedelic and garage music with a heavy emphasis on the early 70’s period. Peru’s rock bands are raw in comparison to most groups in Latin America that were around during this time and this compilation captures that spirit with plenty of fuzz guitar and snotty anti-establishment anthems.




38. Os Mutantes- Haih Or Amortecedor

A misunderstood album I thought. I think people expected the Mutantes of old to magically reappear after many years on hiatus. Original member Sergio Dias' songwriting and musicianship has preserved well over the years, only his energy has been transferred. Yes, it has modern instrumentation and a new batch of musicians but it also retains much of that great prankster spirit of the original group. This is one I hope people revisit as time goes on.

Amoeba Hollywood World Music Charts

Posted by Gomez Comes Alive!, December 3, 2009 12:57am | Post a Comment
Since I skipped October’s World Music bestseller chart last month, I decided to make a comprehensive chart that includes the best sellers for both October and November.

1. Poncho Sanchez - Psychedelic Blues
2. Shakira - She Wolf
3. Bomba Estereo – Blow Up
4. Rodrigo Y Gabriela –11:11
5. Bebel Gilberto – All In One
6. Gustavo Cerati – Fuerza Natural
7. Mercedes Sosa – Cantora
8. Aventura – Last
9. Orchestre Poly-Rythmo de Cotonou - Echos Hypnotiques Vol. 2
10. Buika - El Ultimo Trago

Both Poncho Sanchez and Bomba Estereo had recent successful instore performances at Amoeba Hollywood and their chart positions reflect that, with each of them coming in at number one and three respectfully. Shakira was a no-brainer at number two, as people have been waiting for She Wolf since rumors of its release over the summer. Her chart position is a cumulative number based on sales of the import version and the domestic release. Rodrigo Y Gabriela, Bebel Gilberto, Gustavo Cerati, Aventura and Mercedes Sosa continue to sell well into December. Wow, can you believe it is December already?

Here is a chart just for the month of November:

1. Bomba Estereo-Blow Up
2. Shakira-She Wolf
3. Poly-Rythmo de Cotonou-Echos Hypnotiques Vol. 2
4. V/A -Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-91
5. Buika–El Ultimo Trago
6. Rodrigo Y Gabriela –11:11
7. V/A - Panama! Vol.3
8. Poncho Sanchez -Psychedelic Blues
9. Bebel Gilberto –All In One
10. Eydie Gorme Y Los Panchos–Cantan En Español

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Bomba Estereo Live At Amoeba Hollywood 11/16

Posted by Gomez Comes Alive!, November 23, 2009 12:00am | Post a Comment

When I heard that Bomba Estereo would be doing an instore performance at Amoeba, I didn’t know what to think. A few years ago, I heard their song “Huepajé” on a Nacional Records compilation and I dug it. Almost every time I played that song in the clubs, someone asked me about the song. I was anticipating their album Blow Up when it came out, only to be slightly disappointed by the somewhat sterile sound of it. I felt it was an adequate album, but not the one I was expecting. Perhaps their Electro-Tropical hybrid worked better as a single than a whole album. Soon after the album was released, I was getting reports from wherever Bomba Estereo played, from folks in Texas to a good friend in Tokyo, that this band live was not to be missed. It was only now that they got to make their way to Los Angeles. I hoped my friends were right.

The audience waiting for the show was small before the band went on. It was mostly your Latin Alternative enthusiasts and curious NPR types. Later, just before Bomba Estereo went on and during their set, the late-arriving Colombian nationals started trickling in, some decked out in yellow, blue and red, the colors of the Colombian flag. I saw a few gentlemen sporting the traditional Sombrero Vueltiao, the traditional hat of Colombia commonly worn by Cumbia and Vallenato musicians. I even saw a woman that was a complete Shakira knock-off in the front row, I kid you not! So when Bomba Estereo hit the stage and started the first song with the thud of conga synonymous with Cumbia, the audience was up and dancing.

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Dia De Los Muertos

Posted by Gomez Comes Alive!, November 2, 2009 02:31pm | Post a Comment

Every year I look forward to building my altar for Dia De Los Muertos. It’s become more important to me than Christmas or New Year's, and most certainly more than Thanksgiving. It's time for me to take time out and think of those who have left this world and look forward to their spiritual return via memories, stories and offerings. Besides images of family and friends that have passed on, I like to include musicians and artists who have inspired me in some way. This year, many great musicians from Latin America and Spain have passed. So this is my ofrenda to them. Pan De Muerto, Chocolate and Tequila for all spirits who visit. I hope you can include the souls listed below in your altar or in your thoughts today.

Mercedes Sosa (Argentina)
Argentine folk sing and outspoken activist. Along with Silvio Rodriguez, Victor Jara, Violeta Parra and many others, was part of the Nueva Canción movement. Nueva Cancion was the mixture of Latin American folk music and rock with progressive and politicized lyrics. Mercedes Sosa is not only respected in her native country, but around the world. Her most recent album, Cantora, contains collaborations with the likes of Shakira, Caetano Veloso and Luis Alberto Spinetta.

Jorge Reyes (Mexico)
Jorge Reyes started one of Mexico’s first progressive rock bands, Choc Mool, in the late 70’s/early 80’s. He played both guitar and flute while incorporating many indigenous instruments of Mexico. In 1985, Jorge went solo and released a series of new age albums based upon indigenous Mexican culture. He performed legendary concerts at famous Mexican archeological sites such Teotihuacan and Chichen Itza and his music was used for movies and television shows around the world. Coincidentally, he had an annual Dia De Los Muertos show at The Universidad Nacional Autónoma de México in Mexico City that was widely popular.

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