Amoeblog

So What's New With You? The Shameless Self-Promotion of Gomez Comes Alive

Posted by Gomez Comes Alive!, April 10, 2011 11:33pm | Post a Comment
A few people have wondered why I don’t use the Amoeba Blog to promote myself, so here I go. I promise to return to World Music and Amoeba Hollywood on my next blog.

As a deejay I’ve had some great gigs recently. I have performed with the likes of Celso Piña, Very Be Careful, B-Side Players and Buyepongo. Anda! A monthly retro- Cumbia/Salsa/Merengue party that DJ’s Juan Lennon, Gazooo, Mando Fever and I started three years ago is still going strong. Our Next Anda on May 7th will have DJ Nu-Mark as our guest. If you haven’t heard Nu-Mark’s latest mix, “Take Me With You” on the Mochilla label, you are in for a treat. It is a mixtape of Jurassic worldly proportions, to say the least.

Anda With DJ NU-Mark

NU-Mark Take Me With You

I have a new residency at the Grand Star in Chinatown, joining the Intensified crew every second Saturday of the month. Intensified features great Reggae, Rocksteady and Latin sounds with The Lawless One and King Steady Beat. I am very happy to be joining them. Speaking of King Steady Beat, we will be releasing an all-vinyl Cumbia mixtape as The Mucho Lucho Sound System. That will be released in May. Artist Lalo Alcaraz did the artwork for the CD. He is the creator of the nationally syndicated comic strip "La Cucaracha” and it’s an honor that his art will be on the CD.

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Amoeba Hollywood World Music Best Sellers For March 2011

Posted by Gomez Comes Alive!, April 4, 2011 12:41am | Post a Comment
Zoe MTV Unplugged
1. V/A-Cartagena! (LP & CD)
2. V/A- Brazil Bossa Beat! — Bossa Nova And The Story Of Elenco Records, Brazil (LP & CD)
3. V/A- Bossa Nova and the Rise of Brazilian Music In The 1960s (LP & CD)
4. V/A- Those Shocking Shaking Days: Indonesian Hard Psyche (LP & CD)
5. Cristian Castro -Viva El Principe (CD Only)
6. Zoe- Musica De Fondo / MTV Unplugged (CD & DVD)
7. Gloria Trevi-Gloria (CD Only)
8. Celso Piña-Sin Fecha De Caducid (CD Only)
9. Gustavo Galindo-Entre La Ciudad Y El Mar (CD Only)
10. V/A-Pomegranates (LP & CD)

 In the battle of World Music compilations, Soundway Records’ latest Discos Fuentes collection, Cartagena!, just outsold Soul Jazz Records' two Brazilian collections and Now-Again Records' Indonesian Psyche comp Those Shocking Shaking Days.  All four compilations are available on CD and LP formats, with the vinyl matching CD sales or, in some cases, surpassing them. The later part of the top ten featured a diaspora of Latin Rock & Pop artist. For the 16-24 Latin Alternative demographic we have Zoe’s MTV Unplugged. For the 55 years and older ladies we have Cristian Castro’s tribute to singer Jose Jose, Viva El Principe. For the gay set we had the latest from Gloria Trevi, Gloria. For the Cumbia set we had Celso Piña and newcomer Gustavo Galindo seem to appeal to well, his extended family, who all came at different times to buy copies of Entre La Ciudad Y El Mar.  Way to support your family, Galindos!Mana Drama Y Luz

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New World Music Vinyl Releases For March/April 2011

Posted by Gomez Comes Alive!, March 28, 2011 09:06am | Post a Comment

Waking Up Scheherazade Vol 2Solla Solla – Maestro Ilaiyaraaja & The Electronic Pop Sound Of Kollywood 1977 to 1983 – Vol 1 Solla Solla – Maestro Ilaiyaraaja & The Electronic Pop Sound Of Kollywood 1977 to 1983 – Vol 2

V/A-Waking Up Scheherazade Vol 2

This is the second volume of rare garage and psyche rock from the Middle East. 14 tracks from garage bands from Iran, Egypt, Morocco, Lebanon, Syria and Sudan. So what is the difference between Middle Eastern groups playing garage and psyche vs. the western groups who did the same thing? Think of all the western groups who tried to mimic sounds of the Middle East in their music... Now take the musicians trained in classic Middle Eastern music and listen to them play rock. The Psyche movement owes plenty to the music of South Asia and the Middle East, that’s for sure. This is a vinyl only release. The first volume sold out quickly so you may not want to sleep on this.

Solla Solla – Maestro Ilaiyaraaja & The Electronic Pop Sound Of Kollywood 1977 to 1983 – Vol 1 & 2

Kollywood, you say? Everyone knows Bollywood and there have been a few Lollywood compilations in recent years. Kollywood is film music based in the Chennai Kodambakkam area, where films are made in the Tamil language, thus the K for Kollywood. The two separate LP releases feature the work of composer Ilaiyaraaja. Like many film composers in India & Pakistan, Ilaiyaraaja was as prolific with his music as the Indian film industry was with making films. Over the span of 1977-1983, the years that the two volumes focus on, Ilaiyaraaja recorded hundreds of scores. The music on these two LPS contains some heavy funk, dirty guitar and electronic exploration, all with Ilaiyaraaja's South Indian flavor. This is a must for any Indian Music soundtrack junkie.

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A Report From Japan From Shin Miyata on Earthquakes & Music

Posted by Gomez Comes Alive!, March 15, 2011 10:49pm | Post a Comment
Shin Miyata
Shin Miyata and I have been friends for over ten years. He owns a record company called Music Camp Inc, which distributes such labels as Six Degrees and Nacional Records in Japan. But if you ask him, his true love is his own subsidiary label called Barrio Gold, dedicated to reissues of classic Chicano Rock and Soul artists as well as new Chicano artists coming out of the barrios of East L.A, San Francisco and Texas. Back in 2006, I was fortunate to go on package tour dedicated to promoting Chicano culture in Japan with the band Quetzal and writer Luis Rodriguez, author of the infamous book Always Running. It was an honor and something I’ll never forget. When Shin visits L.A., its always a great time. It’s about seeing lots of great music, going to his favorite Mexican and Japanese restaurants, having a few drinks and digging for vinyl. Truly, a man after my own heart!

Naturally, after the earthquake and tsunami hit, I contacted Shin. Even though he lives on the outskirts of Tokyo and far from the damage of the north, I was still concerned about my friend’s wellbeing, as are many of his friends across the U.S. All those horrible images on the news and the threat of nuclear fallout doesn’t help, either. After e-mailing back and forth over the last couple of days. I asked him if he wanted to do a quick interview just to let some of his friends know how he is doing. I thank Shin for taking time to do this in a very difficult time for him and all of Japan.

So where were you when the earthquake hit?


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Acid Rumba: Spanish Gypsy Grooves 1969-1976

Posted by Gomez Comes Alive!, March 13, 2011 09:59pm | Post a Comment

Acid Rumba
It took me a long time to warm up to flamenco music. My interpretation of Flamenco music came from living in the U.S. To me, Flamenco meant those awful guitar duos with white puffy shirts playing at restaurants or soft jazz instrumentalists such as Struntz & Farah or Willie & Lobo, who played what most Americans considered Flamenco. Then, there are The Gypsy Kings; do I really need I say more? On top of that, most Mexicanos have some sort of grudge against The Spanish for being one of our many oppressors. Even though I am first generation, I still held the grudge of my indigenous ancestors.

I soon discovered that Flamenco came from Spain’s Moorish roots and not from the awful Christians who conquered the Americas. In fact, the Christians hated it. The music was mostly improvised and lyrically has lots to do with love, life, death and sex, but mostly sex. Most Mexican music I love (Son Jarocho and Son Huasteco) has the same African and Arabic roots. I soon embraced Flamenco and dove into a much needed Flamenco listening session. My taste grew and I became a fan of Manolo Caracol, La Niña de Los Peines, El Agujetas, Camaron De La Isla and Paco De Lucia. I also became a fan of the new school flamenco: Buika, Radio Tarifa and Ojos De Brujo.

But until I started working at Amoeba, I had no idea there was a movement in the seventies that merged Flamenco with Rock, Funk and Psyche. The mixture makes perfect sense to me, as there are many similarities with the music. The minute I heard it I was an instant fan. Acid Rumba: Spanish Gypsy Grooves 1969-1976 captures that moment in time in Spain where the progressive movement met its past. Every artist on this collection is immensely talented. You can tell each singer and guitarist could kill it on the traditional front. From Los Amaya’s “Bailen Mi Rumbita” to the heavy meets sweet Morena Y Clara’s “Dejé De Quererte,“ there is no denying the fusion of fuzzed-out Flamenco Rock and funky rhythms. It was also a time when established Flamenco artists stretched out, as in Dolores Vargas "La Terremoto" and El Noi’s “Zorongo Rock.”

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