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Amoeba Curates '80s Album Art Exhibit at Leimert Park Book Fair Aug. 1

Posted by Amoebite, July 27, 2015 05:57pm | Post a Comment

leimert park book fairAmoeba Music has curated the vintage album exhibit “Salute to ’80s Vinyl We Love,” featuring cover art from across the decade. It will be on display at the Ninth Annual Leimert Park Village Book Fair on Saturday, Aug. 1, from 10:00 a.m. to 6:00 p.m. at Baldwin Hills Crenshaw.

whitney houston self-titled albumFeatured albums includes Whitney Houston’s self-titled debut album (1985), Tina Turner’s Break Every Rule (1986), the Do the Right Thing soundtrack (1988), Jungle BrothersStraight Out the Jungle (1988), N.W.A.’s Straight Outta Compton (1988), Soul II Soul’s Club Classics Vol. One (1989), Janet Jackson’s Rhythm Nation (1989) and more.

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Music History Monday: May 25

Posted by Jeff Harris, May 25, 2015 10:00am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: May 25, 1968 - “The Horse” by Cliff Nobles & Co. is released. Written and produced by Jesse James, it is the instrumental version of the song “Love Is All Right,” with the non-vocal side being named after the popular dance. Though it is credited to Cliff Nobles, he does not actually appear on the instrumental side (being a vocalist only). The track features members of the rhythm section that will later become known as MFSB and is arranged by Philly Soul legend Bobby Martin. (The Manhattans, Harold Melvin & The Blue Notes, L.T.D.). Released on Philadephia-based Phil-La Of Soul Records (distributed by Jamie/Guyden Records), DJs will prefer the instrumental side of the single and it will rocket up the charts. “The Horse” will peak at number two on both the Billboard Hot 100 and the R&B singles chart in July of 1968. In later years, the song will become a staple of sporting events, most often being played by marching bands. "The Horse" is certified Gold in the US by the RIAA.
 

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Music History Monday: February 23

Posted by Jeff Harris, February 23, 2015 10:14am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: February 23, 1968The Dock Of The Bay, the sixth album by Otis Redding, is released. Produced by Steve Cropper, it is recorded at Stax Studios in Memphis from July 11, 1965 - December 8, 1967. The first posthumous release from the legendary R&B vocalist features tracks from his final recording sessions cut just two days before his death, combined with unreleased material that dates as far back as 1965. The album also includes the hugely successful title track "(Sittin' On) The Dock Of The Bay," which will become a posthumous number one single on the pop and R&B singles chart in March of 1968. The Dock Of The Bay will spend three weeks (non-consecutive) at number one on the Billboard R&B album chart, peaking at number four on the Top 200, and is certified Gold in the US by the RIAA.
 


On this day in music history: February 23, 1980 - "Crazy Little Thing Called Love" by Queen hits #1 on the Billboard Hot 100 for four weeks. Written by Freddie Mercury, it is the first US chart-topper for the British rock band. The song will come to Mercury while taking a bath in his room at the Munich Hilton. Quickly getting out of the bath, he'll run to the piano and begins playing the chords, writing them down before he forgets them. The song will be recorded at Musicland Studios in Munich, Germany during sessions for The Game. Initially, the band's US label Elektra Records, who do not think that the Elvis Presley-inspired rocker will be a hit and don't want to release a single with no album accompany it immediately, will refuse to release it. But they will be forced to when US radio stations begin playing imported copies of the 45 and listener demand for the record becomes too great to ignore. Issued as a single more than seven months ahead of the album, it will become an immediate smash. Entering the Hot 100 at #58 on December 22, 1979, it will climb to the top of the chart nine weeks later. "Crazy Little Thing Called Love" is certified Gold in the US by the RIAA.
 

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Music History Monday: November 17

Posted by Jeff Harris, November 17, 2014 10:14am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: November 17, 1962 - "Big Girls Don't Cry" by The Four Seasons hits #1 on the Billboard Hot 100 for five weeks, also topping the R&B singles chart for three weeks on the same date. Written by Bob Crewe and Bob Gaudio, it is the second consecutive chart-topping single for the New Jersey-based quartet fronted by singer Frankie Valli. The song's title is inspired by a line in the 1955 western Tennessee's Partner in which the actor John Payne slaps actress Rhonda Fleming in the face, and she replies, "Big girls don't cry." Like its predecessor "Sherry," it will storm the charts quickly. Entering the Hot 100 at #66 on October 20, 1962, it will zoom to the top of the chart just four weeks later. Twenty five years after its original release, the song will also be heard in the film and featured on the soundtrack to Dirty Dancing. "Big Girls Don't Cry" is certified Gold in the US by the RIAA.
 


On this day in music history: November 17, 1971 - Live-Evil, the 38th album by Miles Davis, is released. Produced by Teo Macero, it is recorded at The Cellar Door in Washington DC on December 19, 1970, and at Columbia Studio B from February - June 1970. The half live/half in-studio recorded double LP set consists of eight extended electric based jams featuring Davis supported by musicians such as Herbie Hancock, Chick Corea, John McLaughlin, Michael Henderson, Jack DeJohnette, Billy Cobham, Wayne Shorter, Dave Holland, Airto Moreira, and Keith Jarrett. Originally conceived as a continuation of the landmark Bitches Brew, it will differ greatly from its predecessor by incorporating more rock and funk elements. It will be well received upon its release and is considered a pioneering jazz/funk recording, as well as one of the cornerstones of Davis's "Electric Period." The album's distinctive cover art was created by artist Mati Klarwein, best known for cover art on Bitches Brew and Santana's Abraxas. Davis will tell Klarwein that he wants something representing "life" on the front cover, and something representing "evil" on the back. The front will feature a painting of a pregnant African woman, while the back features a grotesque looking amphibian like creature in a powered wig clutching its belly. The latter painting is inspired by a picture that the artist sees of infamous FBI director J. Edgar Hoover on the cover of Time Magazine. "Live-Evil" will peak at number 125 on the Billboard Top 200 and number four on the Jazz chart.
 

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Music History Monday: November 25

Posted by Jeff Harris, November 25, 2013 09:10am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: November 25, 1968The Beatles (aka The White Album), the ninth album by The Beatles is released (UK release date is on November 22, 1968). Produced by George Martin, it is recorded at Abbey Road Studios and Trident Studios in London from May 30 - October 14, 1968. The album will mark the beginning of a difficult and tense period for The Beatles, with various inner conflicts within the band coming to a head during the recording sessions. The squabbling will become so intense that Ringo Starr will quit the band briefly before being persuaded to return. In spite of this, it will still be a highly creative period, yielding more than thirty new songs, most of which are written during The Beatles spiritual retreat to India with the Maharishi Mahesh Yogi earlier in the year. The album's cover art designed by Richard Hamilton will be a stark white gatefold sleeve with the band's name embossed on the front during the original press run (later copies feature the title printed in light grey ink) and individually stamped with a number running up to over 3,000,000 in the US. The album will also come packaged with a poster and four individual portraits of the band members. In the UK, it will be the final Beatles album to be issued with separate mono and stereo mixes. The US pressing will be released in stereo only. The original mono version of the album will be reissued on vinyl in the UK in 1982, and finally on CD in 2009 as part of The Beatles Mono Box Set. Initial UK LP pressings will feature a uniquely designed gatefold sleeve with the jacket openings being on the top instead of on the sides. The Beatles will spend nine weeks (non-consecutive) at #1 on the Billboard Top 200 and is certified 19x Platinum in the US by the RIAA.
 

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