
One of the many highlights of the recent Amoebapalooza North 2009 at the Mezzanine club in San Francisco (August 2nd) was the power-duo-- the $helbyville $helbyvilllains' all too short set in which talented San Francisco Amoebites Josh Pollock (guitar/vocals) and Kaitlin Layher (drums, above) effortlessly channeled the White Stripes. Even more impressive was the fact I later learned: that Katilin had only been playing the drums for a relatively short time and that this was the first time that she had ever played drums out in public. I recently caught up with Kaitlin to ask her about her personal
experiences as a drummer, as well as about female drummers in general as part of the long running In Celebration of the Drum Amoeblog series.Amoeblog: Who are among your favorite female drummers and why?
Katilin: My favorite female drummer currently drumming is Adrienne Davies of Earth. I love watching her controlled, deliberate movements. She's hypnotizing. Moe Tucker of the Velvet Underground was amazing as well as Karen Carpenter. And, of course, I'll always have a soft spot in my heart for Meg White of The White Stripes. But you can't forget the all-girl groups, too! The Bangles and The Runaways were simply solid bands with solid drummers.





Artists' music being used in commercials was once a touchy subject. And it is still is, but to a lesser degree nowadays than in bygone decades, it seems. It also depends on what context the music is used and what exact song by which artist is being utilized. Some commercially popular music is just geared to be a jingle. But traditionally the typical "serious" artist felt lending their art in exchange for cash as the soundtrack to some shallow TV commercial geared to sell (the word "pimp" would often be used) cars or washing detergent was the ultimate sellling of your soul to "the man."
have been approached many times and turned down the offers to use the Stripes' music in commercials. But he wasn't opposed to composing a whole new song for a TV commercial a few years ago; he penned the sixties Brit psychedelic inflected tune called "Love Is The Truth" (reminiscent of the
listening to these days?
KL: George. I wept the day he died. I think I always identified with him. John was wonderful, but in a more outspoken way, whereas George was always thoughtful and understated. He lived his live quietly and peacefully. I once cut a quote out of a magazine where George tells what he said to the intruder who stabbed him at home: “I just shouted 'Hare krishna, hare krishna!'” Oh, George.