Amoeblog

Sea Wolf Headlines Next Red Bull Sound Select Show at Sayers Club July 23

Posted by Billy Gil, July 1, 2014 10:47am | Post a Comment

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Local folk-rockers Sea Wolf will headline the next Red Bull Sound Select show at The Sayers Club in Hollywood July 23. It’s $3 with an RSVP and it's 21+ only. The show starts at 8 p.m.

sea wolfSea Wolf is led by Alex Brown Church, first coming to prominence with 2007’s Leaves in the River album and its single, “You’re a Wolf.” Since then, Sea Wolf have released three more albums—White Water, White Bloom; Old World Romance; and this year’s Kickstarter-funded Song Spells, No. 1: Cedarsmoke, which is due for wide release this month.

As Red Bull’s shows aim to showcase underheard local talent, Sea Wolf will be joined by local electronic pop acts Rare Times and White Rainbow. L.A. duo Rare Times fuse loungey synthesizers and R&B and New Age touches on songs like “No One’s Looking Out.” White Rainbow is the project by L.A.-based Adam Forkner, who makes hard-hitting electro jams like “Be the Dancer, Be the Dreamer.”

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Best of a Rapid Decade: One per year plus a few too good to not mention...

Posted by J. Mark Beaver, January 6, 2010 04:00pm | Post a Comment

In recently trying to fill in a friend on what I'd spent the last year or two listening to, I realized that my personal taste tends to gravitate towards some element of either Folk form (any hint of hill-folk finger-pickin' or Ozark/Appalachian melancholy and I'm in), Psychedelia or the tendency to extend a theme for a good long jam (a category in which I include a lot of the Jazz that I like), or just a great, funky groove.

With those qualifiers in place, the following is a year by year review of the last decade which somehow got past me with out noticing it. I mean, really?!! 2010?!!!  I didn't see it coming: 

2000: Album of the Year

Air's enjoyable and wacky Moon Safari had been on the decks for a couple years before they contracted for the soundtrack to Sofia Coppolla's Virgin Suicides. The resultant score is absolutely sublime and marked the French electronauts as contenders to watch.

For myself, it was the defining sound of the millennium's new year.
















Shelby Lynne released a killer country-soul gem, I Am Shelby Lynne, that echoed early material from the likes of Bonnie Raitt. Thinking that it was a brilliant debut from a talented 32yo unknown, I was eventually shocked to find that it was her 6th album. I listened to it for months.

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