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Concert Tickets for Sale at Amoeba Hollywood in November

Posted by Amoebite, November 4, 2013 12:29pm | Post a Comment

Tickets at AmoebaAmoeba Hollywood regularly sells tickets to local shows, with the added bonus of charging low service fees (if you're into saving money and who isn't really?).

All tickets can be purchased at the registers (while supplies last) for a $2 service fee. We take cash and credit cards for all ticket sales. Store credit and coupons cannot be applied to ticket sales. Limit 4 tickets per person.

Please note that on the day of the show, we will stop selling tickets for that show at 5pm.

If you have a question about whether we've sold out of a specific show, please call the store at 323-245-6400.

JUST ADDED SHOWS:

Washed Out El Rey

Washed Out
El Rey Theatre
January 27

St Lucia El Rey

St. Lucia
El Rey Theatre
February 11

 

Here is a full list of tickets we currently have for sale at Amoeba Hollywood:

Show Name Venue Show Date Ticket Price
(fee not included)
12th Planet Fonda Theatre 12/01/2013 $20.00
The Aquabats Fonda Theatre 12/07/2013 $19.50
Bangles Fonda Theatre 12/06/2013 $40.00
Ryan Beatty El Rey 11/29/2013 $22.00
Brand X El Rey 12/19/2013 $17.00
Cat Power El Rey 12/02/2013 $30.00
Sharon Corr El Rey 02/26/2014 $37.00
Crystal Method El Rey 01/16/2014 $25.00
Dale Earnhart Jr. Jr. El Rey 02/28/2014 $20.00
Darkside Fonda Theatre 01/25/2014 $25.00
Robert DeLong El Rey 01/31/2014 $17.00
Delorean
(Show postponed to Feb 7, 2014.
All tix for 11/15 will be honored.)
El Rey 02/07/2014 $20.00
The Dismemberment Plan Fonda Theatre 12/12/2013 $27.50
Finch Fonda Theatre 12/14/2013 $27.50
Dillon Francis Fonda Theatre 12/27 & 12/28 $27.50
Galactic El Rey 03/30/2014 $32.00
Groundation El Rey 12/01/2013 $22.00
Gungor El Rey 01/18/2014 $22.00
High on Fire & Kvelertak El Rey 12/12/2013 $20.00
Jagwar Ma El Rey 12/13/2013 $17.00
John Butler Trio Fonda Theatre 02/21/2014 $35.00
Paul Kalkbrenner Fonda Theatre 12/13/2013 $25.00
King Krule Fonda Theatre 12/18/2013 $22.50
Kodaline El Rey 02/27/2014 $20.00
Less Than Jake Fonda Theatre 11/30/2013 $25.00
Lissie Fonda Theatre 12/09/2013 $24.50
London Grammar El Rey 03/25/2014 $22.00
Lord Huron Fonda Theatre 03/01/2014 $22.50
Lucent Dossier Fonda Theatre 12/21/2013 $30.00
Mad Caddies El Rey 02/04/2014 $17.00
The Maine & Anberlin
(Show postponed from 10/8 to 12/11.
All tix for 10/8 show will be honored.)
Fonda Theatre 12/11/2013 $25.00
Colin Meloy Fonda Theatre 01/16/2014 $28.50
Mikal Cronin / Redd Kross El Rey 12/03/2013 $20.00
Morbid Angel (SOLD OUT) Fonda Theatre 11/29/2013 $22.50
Mowglis El Rey 12/11/2013 $17.00
John Newman El Rey 01/15/2014 $17.00
Parquet Courts & White Fence Fonda Theatre 01/17/2014 $17.50
Pinback El Rey 01/17/2014 $22.00
Problem El Rey 12/04/2013 $20.00
Skinny Puppy The Mayan 03/05/2014 $35.00
St. Lucia El Rey 02/11/204 $18.50
Dave Stewart El Rey 01/30/2014 $25.00
Suicidal Tendencies Fonda Theatre 12/20/2013 $32.50
El Ten Eleven El Rey 12/14/2013 $17.00
Tosca
(Show postponed from 12/9 to 3/3.
All tix for 12/9 show will be honored.)
El Rey 03/03/2014 $30.00
Trombone Shorty El Rey 01/25/2014 $27.50
Volcano Choir Fonda Theatre 01/18/2014 $26.00
Washed Out El Rey 01/27/2014 $29.00
Wax El Rey 12/30/2013 $18.50

 

Weekly Roundup: Lee Bannon, White Fence, Milosh

Posted by Billy Gil, October 24, 2013 02:44pm | Post a Comment

Lee Bannon – “216”

lee bannonLee Bannon’s “216” starts and ends with a simple piano passage filtered into ethereal bookends for a series of twists that gives “216” a dreamlike quality, where everything can change in an instant, from a simple hip-hop beat to dread-inducing tones and squelches. At just under six minutes, it feels inifinitely longer given the level of care given to each sequence, sort of like waking up from a five-minute nap and having dreamed up a lifetime. The Sacramento-based producer’s Alternate/Endings LP is due Dec. 9 on Ninja Tune.

 

White Fence – “Swagger Vets and Double Moon” (Live)

white fence live san franciscoWhite Fence aka Tim Presley is one prolific dude, releasing wonderful lo-fi rock ‘n’ roll records regularly like it ain’t no thang. He’s releasing a live album Nov. 5 called Live in San Francisco, the first in Castle Face’s new “Live in San Francisco” series. The set was recorded at Amnesia San Francisco on a Tascam 388 for maximum lo-fi goodness. Except more live awesomeness from Castle Face down the line!

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Weekly Roundup: God? Releases, Alela Diane, United Ghosts, Kim Free, Soft Metals, Deafheaven

Posted by Billy Gil, May 2, 2013 04:35pm | Post a Comment

Drag City Imprint God? Releases White Fence, Scraper Reissues

scraper white fenecThe new Drag City imprint God? is new but already pretty awesome. Their second and third releases will be a reissue of Cali’s White Fence’s self-titled debut LP and S.F.’s Scraper’s debut 7”. White Fence aka Tim Presley is rad. His latest release Cyclops Reap is out now and is a nice and trim entry point for the psych-pop singer/songwriter, even if it’s a leftovers comp of sorts. For even more out-there bliss, check out all the rest of his albums, which ramble and sway in the wind in the best way possible. His first album is full of lo-fi delicious bon bons, 16 short songs that hide their hooks in reverb, and now you can have it July 16 from God? The same day, the label releases skate punks Scraper’s first release, a six-song EP with lo-fi, talky, grimy psych-punk with song titles like “Liquid Lips.” Yummy! Look for them both July 16.

 

Alela Diane Readies New LP ‘About Farewell’

alele dianeSometimes you need a good folk record, like eating really healthy food. Alela Diane’s About Farewell, out June 25 on her own label, Rusted Blue Records. I’m a sucker for the first song she’s released from it, called “The Way We Fall.” It’s really two great songs in one, starting with a looping, soulful ballad, painted with intriguing swaths of flute, acoustic guitar and sumptuous harmonies. Then it shifts for a less-orchestrated portion that could have come off as precious if the previous part hadn’t happened; in succession, it serves to peel back the layers and reveal Diane’s lovely lilt, which is soon accompanied by those flutes again. Try not to get the shivers. Diane lives in Portland, but she hails from Nevada City, Calif., so we’ll count her as one of us. Check out an interview Diane did with the Amoeblog a while back.

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Weekly Roundup: Warm Soda, Tera Melos, GRMLN, Shellshag, White Fence, King Tuff

Posted by Billy Gil, February 21, 2013 02:23pm | Post a Comment

Warm Soda – “Busy Lizzy” video

warm sodaOakland’s Warm Soda have released a video for “Busy Lizzy,” from their excellent Someone for You, recently released on Castle Face. In the video, sexy librarian babe Busy Lizza walks around town and causes havok with her sheer babeness, all shot on VHS video. It’s like a great ’80s local commercial, set to one of the finest power-pop jams you’ll hear in this young year. They’re all over California in the coming days, check ’em out:

2/21 – San Diego – Soda Bar  w/Teenage Burritos, Shiva Trash

2/22 – Fullerton – Burger Records

2/23 – Oakland – Night Light w/Bad Vibez, Cocktails

2/28 – San Francisco – Noise Pop – Brick & Mortar w/Free Energy

3/1 – Pacifica – Winters Tavern

3/7 – Long Beach – Alex’s Bar w/Cigarette Bums, Feral Kizzy

 

Tera Melos – “Sunburn”

tera melosSacramento’s Tera Melos have unveiled the second track from their buzzed-about forthcoming album X’ed Out. Buzz is the operative word here — glorious guitar buzz, manipulated and strangled into convoluted math-rock guitar lines that bleed into big choruses. There just aren’t a lot of bands exploring guitar textures this way any more, and Tera Melos definitely fill a void. X’ed Out is due April 16 on Sargent House.

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These Streets of Hers: Jessica Pratt is All But Owning Her Home Turf

Posted by Kelly S. Osato, December 14, 2012 07:10pm | Post a Comment
jessica pratt brith records tim presley white fence san francisco folk singer songwriter debut lp vinly record 2012 jp stevie nicks private press retro canyon joni mitchell joanna newsom interest
San Francisco songstress Jessica Pratt is blowing up. She's on fire. She's on fire and blowing up. Since her debut album of lush, hand-picked folk melodies dropped a just few months ago demand for Jessica's debut, simply titled JP, has become as difficult to keep up with as the multitude of glowing reviews surfacing all over the interwebs lauding Ms. Pratt's ability to make everyone mistake her bewitching, home-brewed folkways for that of retro private press obscurities. If you think this isn't going to be yet another reverent review let me get right to the point: believe the hype.
jessica pratt
Like so many jewels that cannot stay buried in the deep forever, Jessica Pratt has risen above the morass of the San Francisco music scene like a diamond atoll emerging from an ocean of acts drowning in their own in reverb, reciprocity, and relative "esoteric" influences. A momentous feat for any solo musician, let alone any woman, struggling just to tread water in the threadbare, barely-there music industry these days.

That Tim (White Fence) Presley launched his label Birth Records just to put Ms. Pratt's record out speaks to the immediacy of her music. It's a sound that cannot help but conjure familiar feelings upon first listen (for any vinyl junkie anyway), and the comparisons are flying. Presley himself has oft been quoted as saying she brings to mind  "Stevie Nicks singing over David Crosby demos" and others have pointed to the way in which her vocal stylings bait and switch Nicks, Joanna Newsom, and Karen Dalton among many others. While we're at it, I'd like suggest the inclusion of Dolly Parton to pinch hit in this approximation game as the fluttery trails Pratt punctuates her lyrical lines with in songs like "Hollywood" and "Half Twain the Jesse" resemble Dolly's vocal filigree.
jessica pratt
I have to admit, however, I find all these comparisons tacky and terribly trapped-in-the-90's buzzbin in the sense that any woman that ever flaunted a decidedly "unique" voice back then was appraised by nineties alterna-trinity: Björk/Tori Amos/P.J. Harvey. For me, it's offensive to struggle to assay the impression of a fresh voice with those we already know and love because burdens the emerging artist with the luster, or shadow, of an others' work. While I cannot deny the correlation of Jessica Pratt's magic to that Newsom or any other would-be contemporary, it should be noted that as far as patently "unique" voices go s. Pratt's is just about as unequivocal as they come.

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