Miles Dewey Davis may have been many things, but he was certainly a forward-thinking artist with an eye out for what was happening at any given time in the musical landscape, and an urge to not repeat himself in his journey toward a newer, “hipper “style, like it or not. Some, myself included, would argue this point vigorously towards various stages of his career output, especially later. This week, the formidable Impex Record company releases one of Miles’ most contemporary and timeless albums of music and cultural relevance: 1965’s “ESP”.
Miles Davis Quintet
So… Miles Davis in 1965? ‘Trane releases “A Love Supreme”, “Rubber Soul” comes out, Horowitz plays Carnagie Hall, Otis Redding , The Byrds and Bob Dylan release classic, timeless music, and new Miles Davis Quintet members Wayne Shorter and Herbie Hancock had just presented “Speak No Evil” and “Maiden Voyage” to the universe. Miles' previous band had already left, but he had the next great quintet already assembled, Wayne being the final glorious recruit. "E.S.P." would be their first studio recording together, and what a record it turns out to be, produced by Columbia Records' A&R man Irving Townsend, he of “Kind Of Blue”, Billie Holiday, Duke Ellington, etc. fame. The cover features a bewildered Miles and an adorable Frances Davis, with Miles sporting quite the flummoxed facial expression. "Man, does she have 'E.S.P.'?"