Amoeblog

My Promiscuous Cochlea: Everyone My Ear Took Home in 2014

Posted by Mark Beaver, January 8, 2015 05:33pm | Post a Comment


Vinyl isn't cheap, nor is is tawdry, so the collecting of it has become much more a matter of discernment than it used to be.

The following is a list, alphabetical, perchance by merit, of the vinyl (new titles and re-issues) that made the cut in 2014. It doesn't presume to be a "Best Of," as I am very aware of the peculiarities of my particular set of listening apparatuses. It is a list of the vinyl that my scattershot attention locked on to, brought home and allowed to bed down in the limited space that I allot for records in my home.


amen dunes love sacred bones





































AMEN DUNES
Love (Sacred Bones)

Folky, trippy, with that under-water production we've heard from the likes of KURT VILE, except where VILE is stoned and hanging with his buddies, AMEN DUNES' Damon McMahon is lost in a vast open space, deep in the mushroom and calling "Marco Polo" to the night sky. Stark and brittle while somehow managing to remain lush. I don't think I listened to any album of 2014 as often as I've listened to this.

                                                                              *

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10 More Essential Records from 2014

Posted by Billy Gil, December 8, 2014 06:20pm | Post a Comment

Last week, I posted my top 50 albums of the year. Cause 50 just ain’t enough, here are another 10 essential records from 2014:

Fear of Men Loom

fear of men loom lpFear of Men imagine a world where The Cranberries stayed good, The Sundays really got their due and Belly didn’t flame out. Led by singer/guitarist Jessica Weiss, the band calls to mind alternative/dream pop bands of yesteryear, and Weiss’ vocals call to mind the ethereality of Cocteau Twins’ Elizabeth Fraser crossed with the heartiness of The Cranberries’ Dolores O’Riordan. The band’s muscular indie-rock can move in graceful lockstep (“Tephra”) or set a pretty, yet never sappy backdrop over which Weiss can breathily intone, as on the lovely “Seer.” On the album’s most thrilling moments, Weiss will stretch her voice into territory that goes beyond the expected, singing into a lo-fi mic on the gorgeous “Descent” or looping into dizzying layers on standout “Waterfall.” One of the most promising debuts of the year.

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And Food Did I Have and Plenty: A Cornucopia of Feast Folk for your Thanksgiving Comedown

Posted by Kelly S. Osato, November 30, 2014 12:52pm | Post a Comment
steeleye span below the salt thanksgiving folk rock dark medieval songs about food feast fellowship
I can't imagine everyone is pumped to jump right into all things Christmas before the Thanksgiving leftovers have cooled or even ceased to provide soup and sandwich solutions aplenty. This is especially true, for me, when it comes to accepting the inevitable aural advent of Holiday Music, a sonic offense that can sometimes begin as early as weeks prior to Black Friday. As a sentimental hoarder enthusiast of Holiday tunes, I relish the reason for the season and all the weird and wonderful music that comes with it, but I feel it's in poor taste to unleash the likes of "Last Christmas" too soon. And given that Thanksgiving music thankfully isn't a thing, the lack of any bankable November music tradition leaves the door wide open for folks like McCartney to simply have their "Wonderful Christmastime" as prematurely as they please. I feel an intervention is in order.

Thus I spent the last four weeks exploring possible playlists that might adequately satisfy the season-specific music void that exists Halloween and Christmas, something like a dignified tribute to noble November. Enter the notion of Feast Folk -- a seasonal buffet of harvest-inspired "folk rock" mainly adapted from or informed by ye olde English Roots music as exhumed by many a new age troubadour in the British Isles of the late 1960s (the likes of which is surveyed at length in Rob Young's exemplary book Electric Eden: Unearthing Britain's Visionary Music). Here is some food for thought:

Interview with Rock Photographer Alissa Anderson - Part 2

Posted by Miss Ess, March 5, 2010 03:13pm | Post a Comment

Here we continue the interview with San Francisco's own rock photographer Alissa Anderson! In this edition, aside from more chatting about Alissa's favorite moments in her artistic career, check out photos (some exclusive!) of artists including Joanna Newsom, Vashti Bunyan, Vetiver, CocoRosie, David Byrne, SIlver Jews, Beach House, Bert Jansch, Meg Baird, Devendra Banhart, Donovan, Little Wings and more! Please see Part 1 to catch up!

joanna newsom big sur

joanna newsom neal morgan big sur

Joanna Newsom and Neal Morgan - Big Sur - March 28, 2009

Miss Ess: How did you come to photograph the Joanna Newsom show in Big Sur? You were the only photographer allowed.

Alissa Anderson: I planned on taking pictures from the moment I found out about the show since I knew it was going to be such an intimate and historic occasion. I have shot Jo many times over the years, from her very first shows at the Hemlock, and I hadn’t seen her play in a long time. I’ve shot many times at the Fernwood so I knew what the situation would be like. I brought my Hasselblad and just shot a roll from my seat in the front. I didn’t want to be too distracting for Joanna or the band and it was extremely crowded; I was pretty squished up against the stage! Ironically, my favorite shot ended up being the one of her tuning.

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Best of a Rapid Decade: One per year plus a few too good to not mention...

Posted by Mark Beaver, January 6, 2010 04:00pm | Post a Comment

In recently trying to fill in a friend on what I'd spent the last year or two listening to, I realized that my personal taste tends to gravitate towards some element of either Folk form (any hint of hill-folk finger-pickin' or Ozark/Appalachian melancholy and I'm in), Psychedelia or the tendency to extend a theme for a good long jam (a category in which I include a lot of the Jazz that I like), or just a great, funky groove.

With those qualifiers in place, the following is a year by year review of the last decade which somehow got past me with out noticing it. I mean, really?!! 2010?!!!  I didn't see it coming: 

2000: Album of the Year

Air's enjoyable and wacky Moon Safari had been on the decks for a couple years before they contracted for the soundtrack to Sofia Coppolla's Virgin Suicides. The resultant score is absolutely sublime and marked the French electronauts as contenders to watch.

For myself, it was the defining sound of the millennium's new year.
















Shelby Lynne released a killer country-soul gem, I Am Shelby Lynne, that echoed early material from the likes of Bonnie Raitt. Thinking that it was a brilliant debut from a talented 32yo unknown, I was eventually shocked to find that it was her 6th album. I listened to it for months.

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