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In A Cloud II - MORE New Sounds From San Francisco!

Posted by Kelly S. Osato, July 17, 2012 12:23pm | Post a Comment
Looking to scope the lay of the local pop scene in San Francisco? Seek no further than In A Cloud...II!
in a cloud II san francisco local bands various artists vinyl lp compilation secret seven records Vetiver, Ty Segall, Hannah Lew (of Grass Widow), Wymond Miles (of Fresh & Onlys), Chuck Prophet, Lucky Eyes, Will Sprott (of The Mumlers), Sonny & The Sunsets, Paula Frazer, Kelley Stoltz, Bad Backs, Tim Cohen (of Fresh & Onlys), and Papercuts, Cover Art by Simon Evans, limited editon pressing

Finally, the long anticipated sister release to the initial In a Cloud - New Sounds from San Francisco compilation the fine folks at Secret Seven Records delivered back in 2010 is ready for her coming out par-tay! Like her predecessor, In A Cloud II: New Sounds from San Francisco features 13 previously unreleased recordings from some of the city by the bay's finest, including: Vetiver, Ty Segall, Hannah Lew (of Grass Widow), Wymond Miles (of Fresh & Onlys), Chuck Prophet, Lucky Eyes, Will Sprott (of The Mumlers), Sonny & The Sunsets, Paula Frazer, Kelley Stoltz, Bad Backs (featuring Andrew Kerwin of Trainwreck Riders & Bianca Sparta of Erase Errata), Tim Cohen (of Fresh & Onlys and Magic Trick), and Papercuts with fresh-to-death cover art by Simon Evans. Unlike the previous In A Cloud jammer, this sweet baby is a limited vinyl-only release with 650 copies pressed so don't go sleepin' in on the release date (that would be today, y'all sleepyheads). The Hannah Lew track, "Octopus via Satellite", currently has my heart hypnotized like a gracefully executed intergalactic postcard, it's hard to imagine this would've could've ever been a throw-away creation. Get yours today at Amoeba Music!

Local Stuff: Ariel Pink, Ty Segall, Puro Instinct, LOL Boys, Starred, Soft Pack

Posted by Billy Gil, July 13, 2012 02:29pm | Post a Comment
So much West Coast goodness coming our way this week, I’ll just get right into it …
 
New Ariel Pink – “Only In My Dreams”
 
Ariel Pink debuted a new song this week from his upcoming Mature Themes, the regal-sounding “Only In My Dreams.” Loved the “Baby” cover, but it’s great to hear that his new originals are great, too. Mature Themes is due Aug. 17 on 4AD.
 

 
Ty SegallNew Ty Segall Coming — Again
 
Won’t I ever shut up abou this guy? Not when he’s making such great music so consistently. On the heels of his White Fence collab Hair and his searing Ty Segall Band’s Slaughterhouse comes a new album just credited to the king of SF garage himself, called Twins. It’s out Oct. 9 on Drag City. The next time he’s close to this neck of the woods is Oct. 14, at the Treasure Island Festival.
 
New Puro Instinct – “Dream Lover”
 
Speaking of Mr. Pink, his friends in dreamy duo Puro Instinct have a new song, “Dream Lover.” It’s not a Mariah Carey cover, although I bet that would sound amazing. This song finds them branching out, getting bigger than the sound they debuted on Headbangers in Ecstasy. Sounds like My Bloody Valentine by the pool. It’ll be on an EP later this year.
 

 
LOL Boys – “Changes” [ft. Heart Streets]
 
Originally hailing from Montreal, these guys make sort of lo-fi jazzy house music. And they are called LOL Boys, which is pretty good, although I feel like it should have been LOL Boyz. I’m pretty bewildered by the whole thing in a good way. Their debut Changes is out July 17.
 

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Top Albums of 2012 So Far

Posted by Billy Gil, June 28, 2012 05:27pm | Post a Comment
It’s that time of year again — time for best of music lists. No, it’s not December yet, but I don’t care. It’s Thursday and I want to make a list. Pick up all of these if you haven’t yet.
 
beach house bloom
1. Beach House - Bloom
 
Song for song, Beach House’s Bloom is the most consistently great album that’s been released this year. The band sounds more energized than ever, grasping the pop brass ring with songs like “Lazuli” and “Other People” that match hookiness for sheer beauty. If Beach House are this generation’s Cocteau Twins, this is their Heaven or Las Vegas.
 







fiona apple the idler wheel
2. Fiona AppleThe Idler Wheel
 
Fiona Apple is no less mad or maddening than before on The Idler Wheel…, but her venomous lyrics have a new sting, her vocals are more accomplished than ever, and her arrangements are as bravely tangled and unafraid of ugliness as her lyrical content.
 

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Album Picks: Ty Segall Band, Diiv, Flaming Lips, A Place to Bury Strangers

Posted by Billy Gil, June 26, 2012 06:09pm | Post a Comment
ty segall band slaughterhouseSo much great stuff was released today. First of all, Ty Segall Band's Slaughterhouse is blowing my mind right now. When I talked to Ty Segall earlier this year, he said he’d be releasing an album with his backing band that would sound like “totally heavy, fuzzed-out Sabbath, Blue Cheer-like noise rock kinda stuff.” Turns out that was no bullshit; Slaughterhouse, the second of three planned releases this year from Segall, is a pure blast, and might be his best record yet. Opener “Death” starts out with squealing feedback like Nirvana’s “Radio Friendly Unit Shifter” or The Vaselines’ “Son of a Gun” before tearing into a yes, very Nirvana-esque blast of heavy, melodic guitar pop. You’re just going to want to track back and listen again the second it’s over. It’s just so much fun to listen to because Segall knows just when to unleash, firing furious riffery at the very end of “I Bought My Eyes.” His keen sense of what works and what does extends past the concepts of hooks and choruses, as the minute-and-a-half screamery of the title track is one of the most memorable pieces on the album. But you’ll still be humming the weird melodies of songs like “Tell Me What’s Inside Your Heart” and “Muscle Man” because they find something fresh within seemingly well-worn territory. (The CD is out now; preorder the LP, due July 17, here.)

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Album Picks: Fiona Apple, King Tuff, Grass Widow, Liars

Posted by Billy Gil, June 19, 2012 07:27pm | Post a Comment
fiona apple the idler wheelToday Fiona Apple’s The Idler Wheel … was released. The first time I spun the album my jaw dropped. I grew up listening to Fiona Apple. She was one of my favorite artists in high school, and I’d followed her since the Tidal days, through her more “mature” albums When the Pawn … and Extraordinary Machine. I’d always still liked her, but my fervor had subsided a bit since those awkward teen years when her brand of super-confessional experimental pop really hit home. Well, this is something wholly different. As great as her previous three albums were, The Idler Wheel is the gutsiest thing she’s put out yet. Even more so than on Extraordinary Machine, Apple sounds uninterested in storming the radio with The Idler Wheel. She’s after something bigger here. Lyrically, she exposes her greatest wounds and digs at them with extraordinary candor and self-directed venom. “I root for you, I love you, you you you you” she sings on one of her lovelier tunes, “Valentine,” but even then, that devotion has a desperate tone that makes it hard to take at face value. Similarly, on “Jonathan,” lines like “I like watching you live” are accompanied by a fairly dissonant arrangement, deranged drumwork by collaborator Charlie Drayton and musique concrète that makes the whole thing sound like a ship coming apart. Vocally, Apple has never sounded stronger, scarier and more assured, frequently unleashing shiver-inducing cries, growling and singing with unchained vibrato within the same breaths, on songs like the searing “Left Alone.” And just when things get too grim, she closes the album with a jazzy, sexy ode to a guy who cuts through her like a “hot knife.” From start to finish, across its jagged edges and soaring heights, Idler Wheel is an exhilarating, simply astonishing listen.
 
king tuffI’m a big fan of garage rock but not necessarily of its sometimes limiting factors — guitars and vocals have to have just enough care balanced with slop, that sort of thing. So it’s nice to hear a couple of great up-and-coming albums from bands who subscribe to garage rock aesthetics but not “surf rock fun times” generic modes. King Tuff’s self-titled album is a real riot, from its opening track “Anthem,” which delivers perfectly delivered riffery the likes of which is pretty rare these days. Along with like-minded peers Ty Segall and the late Jay Reatard, King Tuff write songs first and foremost, and the ground covered here becomes more apparent upon repeat listens, which isn’t hard to do with an album that’s this much fun to listen to. “Alone & Stoned” has terrific ascendant vocal lines and a cool ’80s vibe under its garage veneer. “Unusual World” is a touching garage ballad that doesn’t shy away from varying its instrumentation, with synths and vibes adding nice touches to Tuff’s Marc Bolan-esque delivery. What I’m most taken with on King Tuff is that it delivers catchy garage pop tunes while refusing to adhere to one tempo and one sound like so many albums of a similar ilk. My personal favorite: the Vaselines-ish “Stupid Superstar.”
 
Grass Widow Internal LogicAlong those same lines, I really can’t get enough of Grass Widow’s Internal Logic. Starting off with its lo-fi sci-fi opener “Goldilocks Zone,” Internal Logic is a perfect example of a band perfectly executing a much-missed particular sound while adding its own peculiar flair of cool nerdy girl chic. Not to be limiting, but the album in some ways plays like a master class in post-punk girl bands: the multiple harmonic voices of Stereolab; the out-of-step tempos of Kleenex and ESG and their progeny, like Erase Errata and Electrelane; and off-kilter charm of bands like The Breeders. Fun and clever without biting off more than it can chew, Internal Logic pretty much leaves me with a smile on my face from start to finish.
 
liars wixiwLast but not least, I hope the new Liars album doesn’t get lost in the shuffle ‘cause WIXIW is every bit as good as their previous few releases, in my mind. Thought it doesn’t quite reach the heights of Drum’s Not Dead, I’m digging this new, quieter yet just as paranoid edition of Liars. WIXIW is pop in the way the Silver Apples or Portishead’s Third are pop, equal parts sinister and beautiful, with a throbbing heart underneath its digital beats. “Octagon” is disturbing, atonal at parts, yet its whole is instantly memorable, sticking mean hooks into you that feel better than they should. “No. 1 Against the Rush” sends goth down the autobahn, playing out like a krautrock variation on The Cure’s “A Forest.” WIXIW has been compared to Radiohead’s Kid A, and, listening to the title track — which disintegrates eerily under waves of oscillators and comes pulsing back for a haunting chanted chorus — it’s not hard to see why.
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