Amoeblog

Kell's Best of 2013: A Year of Sounds and Feels

Posted by Kelly S. Osato, December 29, 2013 04:20pm | Post a Comment
2013 was a pretty great year for music and nothing quite cures that "where did the time go?" feeling like recollecting a year's worth of music enjoyment with conclusive consideration and whittling it down to a year-end list of bests. For putting together this here post I decided to drag out all the records I bought since last Christmas, spread them out on the floor like tarot cards, and listen to each of them one by one, like this: 

listening to music records cat gif aristocats disney

And then write about them, like this:
the office typing temp ryan michael scott steve carell i fucking love this show gif
The rub was trying to keep my list trim and fit thus accompanying my select "bests" are other titles I've enjoyed within the last twelve months. Happy New Year everyone! Peep my Best of 2013 on the downhill scroll...

little wings last best album 2013 rad records marriage records kyle field double LP sandy babe sunburned eyes

Little Wings
- LAST
(RAD Records)

LAST comes first not just because I'm a longtime avid supporter of Kyle Field as an artist and musician, but it just so happens that LAST was one of the very first new records I bought in 2013. LAST is one of those "total package" records about which I could spin infinite yarns of praise n' things regarding the songwriting, the recording, the artwork, and total overall vibe and I kind of already did that in the interview piece I put together last Spring and so I urge anyone interested in this two-fer plate of odd hip-hop with a lotta folk-rockin' goin' on to check it out as it'd be redundant to put further shine on this diamond.

Album Picks: Cass McCombs, Tim Hecker, Crystal Antlers, Nobunny, Heavenly Beat

Posted by Billy Gil, October 15, 2013 10:37am | Post a Comment

Cass McCombs - Big Wheel and Others (CD; preorder the LP, due Nov. 5)

cass mccombs big wheel and others lpCass McCombs' latest record is a confident double-length album that shows his growth over seven albums into one of the foremost singer/songwriters of our generation. Big Wheel takes its time to get going, moving gently from one track to another. As such, even with its hour-plus length, it's an easily approachable album with great variety within a pretty straightforward setup. "Big Wheel" is a bluesy rumination on manhood—"A man with a man, how more manly can you get? I may be five-foot-one, but you're all wet" he sings in a memorable couplet. He pairs lyrics of a sexual love affair in "Morning Star" ( "wring my neck under your thighs" he sings suggestively in the chorus) with gentle country-folk that sounds like the first thing you want to hear upon waking. Perhaps the biggest highlight is "Brighter!," a song included twice, the second time with the late Karen Black taking lead vocals for a sweet, sad farewell. Some of Big Wheel's tracks veer into dad-rock territory, but even then there's usually something more interesting than what meets the eye on deeper listens, like the insane horns that pop up in "Joe Murder" and "Satan Is My Toy" or how "Everything Has to Be Just-So" begins gently and breaks apart into avant-garde atmosphere. Big Wheel and Others needs a few spins to sink in, but once it does, the album reveals itself to be an indelible listen.

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Albums Out Nov. 19: Led Zeppelin, Tim Hecker/Daniel Lopatin, LA Vampires/Maria Minerva and More

Posted by Billy Gil, November 19, 2012 05:48pm | Post a Comment

Album Picks:

Tim Hecker, Daniel Lopatin - Instrumental Tourist

Tim HeckerCD $9.98

LP $19.98

Tim Hecker and Daniel Lopatin aka Oneohtrix Point Never’s Instrumental Tourist brings out the best in two major figures in electronic music, producing a musical endeavor that’s as interested in pleasing its audience as it is turning over new stones. “Uptown Psychedelia’s” mechanical noise ebbs in and out while an eastern-influenced synth line wriggles chaotically. While more glacially paced, “Scene From a French Zoo” eschews the notion that ambient music need be peaceful or serene; its foreboding tone indicates some unstated melancholy. “Vacation for Thomas Mann” grows more ethereal as the pair set their synths skyward. Appropriately titled “Intrusions” tracks back to themes introduced in “Uptown Psychedelia” with industrial noise bursts, though it retains the ethereal feel of “Vacation for Thomas Mann,” until it gradually gets nastier and disintegrates. “Whole Earth Tascam” builds tension with noise and synthesized vocals before breaking apart to the sound of birds chirping, but then it gets even tenser than before. The song’s intriguing push-and-pull makes it the most soundtracky song on the album and definitely a highlight. “GRM Blue II” makes for a quick, strangely melodic respite full of glassy tones, while the more aggressive “GRM Blue III” is full of squelching sounds like an alien response to earthling radio signals, challenging the listener as the song stretches to nearly six minutes. The albums final tracks continue pushing the album’s ethereal and unsettling qualities in seemingly equal measure, particularly on the Eastern touches and wind instruments of “Grey Geisha,” never losing listener attention, though Instrumental Tourist can be a demanding listen. By keeping things unfussy and not overly layered, Hecker and Lopatin create excitement in their interplay. Their union proves not to be a collective patting on the back but rather another notch in the post of excellence for both artists.

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