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At LAST: Kyle Field chats Little Wings' latest opus

Posted by Kelly S. Osato, April 7, 2013 03:20pm | Post a Comment

kyle field little wings Photo by Adam Zeke
 
Photo by Adam Zeke             

Earlier this year worlds collided when Little Wings took the stage at Cafe du Nord, one of San Francisco's best preserved former mobster speak-easy joints that maintains decidedly authentic-feeling with shadowy vibes fully trimmed in dust-covered scarlet velvet. Looking like a costumed "tourist" complete with a plastic lei and something like a Greek fisherman's hat, Little Wings breezed through a delightfully unpredictable set of mostly new songs from his first ever double LP release, LAST, his borrowed backing band (The Range of Light Wilderness I believe, sharing the bill that evening) jamming over a few false starts before eventually leaning into the billowy groove of the nearly seven-minute "Neptune's Next" that opened the show. A hushed wave broke over the crowd, and it was then that I noticed, and I could be wrong, but  I think maybe I could see that Kyle's teeth were painted.
little wings last double lp vinyl new record 2013 kyle field marriage records rad imprint
Accomplished visual artist, avid surfer, and "musician's musician" Kyle Field channels a great deal of his most personal energies and intuitive creative powers into recording and performing music as Little Wings, his ever-fluctuating entity that continues to inspire and challenge audience perceptions with multi-layered song cycles, subconscious-tapping lyrical head trips, and concurrent visual presentations that sometimes embrace an apparent love of adopting guises couched in a language of "the best costume for the day." Seemingly open to collaborations and improvisation, Field continues to garner praise from fans and contemporaries like Will Oldham a.k.a. Bonnie 'Prince Billy and Feist who not only named her 2010 documentary Look at What the Light Did Now after a Little Wings tune but also covered and performed it as a duet with Field as well. Though admirers may tend to paint him as something of a folk hero from time to time (this bromantic GQ piece on Kyle being a prime example), Field seems to play it close to the vest when it comes to his self-expression despite having publicly sharing so many personal pieces. I recently corresponded with him and learned a lot about the new album (2LP! out on Field's own Rad imprint via Marriage Records), what he's listening to lately, and "free friction" in surfing. Read on for the interview!

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