Beach House’s latest album strips back some of the pop shimmer of their last two albums while maintaining the more confident songcraft they started debuting on 2010’s Teen Dream. It’s a bold move, and one that proves to be the right one for Beach House, as they’ve kept the reins on their trajectory and integrity while furthering the quality of their songwriting. First single “Sparks” is a powerhouse shoegazer that showcases the duo’s strengths, pairing Alex Scally’s emotive guitarwork with Victoria LeGrand’s lush, layered vocals. “Space Song” is a luscious, swaying love song built on a bubbling synthesizer and sighing guitar slides. “10:37’s” deliberately chintzy drum machine keeps time like a cheap alarm clock while Legrand’s vocals and synths float by hazily like nighttime clouds. Album highlight “PPP” reimagines girl group devotion in a serpentine, whispery ballad that ranks among the band’s finest songs. You might miss some of Bloom’s bombast, but you also can’t argue with the quality here. Beach House remain the most consistently great band of their ilk on another album of uncommon, unflinching beauty.
Summer isn't over yet, and there are tons of great releases coming in the next few weeks. Check out our list of 20 upcoming albums, including new records from Lana Del Rey, David Gilmour, FIDLAR and more.
Beach House’s latest album strips back some of the pop shimmer of their last two albums while retaining the more confident songcraft they started debuting on 2010’s Teen Dream. First single “Sparks” is a powerhouse shoegazer that showcases the duo’s strengths, pairing Alex Scally’s emotive guitarwork with Victoria LeGrand’s lush, layered vocals.
Wavves – “Flamezesz”
Nathan Williams has had a busy year, putting out a split disc with noise-pop compatriots Cloud Nothings, an album from a side project with his brother and others called Spirit Club and a split EP with MNDR with another side project, Sweet Valley. But now we’ll finally get a new Wavves album as well. V is due Oct. 2 on Ghost Ramp/Warner Bros., and he’s unveiled the frantically poppy “Flamezesz” as well as the previously revealed, Elvis Costello-esque “Way Too Much.” V is now up for preorder on LP and CD. Hear it below via Complex.
Kisses – “A Groove”
Kisses are no longer as pregnant as this press photo shows—the real-life couple of Jesse Kivel and Zinzi Edmundson have a new baby boy, as Kivel told Hit City USA. But if you think parenthood would mellow the electronic pop project, think again—“A Groove” is as funky as anything the band has done. Kivel’s vocals dance around a relatively spare disco bassline and beat, coming in with some sunbaked guitars and synths for an ear-caressing chorus. It’s from their upcoming third album, Rest in Paradise, due later this year.
Tijuana Panthers – “Front Window Down” video
Tijuana Panthers have unveiled a video for their great new-wave surf song “Front Window Down,” along with details about their new album. Poster will come out Aug. 28 via Innovative Leisure. And this week we premiered our latest episode of “What’s In My Bag?” with the band. Watch both videos below.
Despite flying under the mainstream radar for almost a decade, employing the DIY strategy so many do, the Tijuana Panthers are finally poised for a breakthrough. Much like their Innovative Leisure labelmates Hanni El Khatib, Nick Waterhouse, and the Allah-Las, the Tijuana Panthers have been crafting their own brand of alternative surf rock while tucked away in sunny Long Beach, California.
In 2010, the band self-released their debut, Max Baker, following it up with Semi Sweet (Innovative Leisure) in 2013. The latter is a lo-fi rock-pop record at times reminiscent of '50s era doo wop with puppy love themes. For their latest effort, Wayne Interest, the Panthers teamed up with producer and Black Keys touring bassist, Richard Swift. The lo-fi production style is still very intact and guitarist Chad Wachtel's surf licks rock with authenticity. The band shows off their punker minimalism, while still delivering catchy melodies backed by echoey drums.