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EVERY THIN LIZZY GUITAR SOLO 1971 - 1983

Posted by Kelly S. Osato, February 7, 2014 02:05pm | Post a Comment

thin lizzy records every guitar solo discography vinyl viral video warren detroit
Whether you're experiencing a gumption deficit or feeling under the weather or just looking for that perfect hour and thirteen minute soundtrack to complete your daily routine this, gentle rocker, is the ultimate get up and go mix for you!

Today I learned that a friend of a friend in Detroit pieced together every, EVERY, Thin Lizzy guitar solo, roughly one hundred culled from twelve studio albums, into a career-spanning sonic tapestry and tapped it into YouTube thus gifting the masses with something of an ultimate longform Lizz fix featuring Eric Bell, Scott Gorham, Brian Roberston, Gary Moore, Snowy White, John Sykes (as well as two bonus keyboard solos by Darren Wharton) giving life to all youse rockers who love to live!

[listening to this while I type this up is testing my ability to refrain from utilizing an ALL CAPS voice].

Continue reading...

Still In Love With You, Phil Lynott

Posted by Kelly S. Osato, January 4, 2014 04:11pm | Post a Comment
philip phil parris lynott this lizzy bass bassist grand slam hard rock classic heavy metal irish singer songwriter rocker dublin
Philip Parris Lynott
August 20, 1949 - January 4, 1986
On this day in 1986 the world lost her one and only wild one, Phil Lynott -- a man whose sound and vision are still very much alive in the hearts and minds of countless rockers the world 'round. From his vaguely Middle Earthian folk-rock proclivities that contributed to Thin Lizzy's early incarnations (evident in "lost" recordings like "Mama & Papa") on through to their first three albums, or the "Eric Bell years", to Lizzy's slow build to their mid-seventies hard rockin' heyday (solidifying their ultimate classic rock cult hero status) until the sun went down with Lizzy's last album in 1983, along with two solo efforts and his Grand Slam finale, Phil Lynott's life's work is infinitely sustained by his brilliance as a lyricist, musician, and a no holds barred, unapologetic fighter of a full-time rocker. No doubt raising hell in heaven above, his temporal existence will be forever missed.

I think I'll just fall to pieces 
If I don't find something else to do
The sadness never ceases
I'm still in love with you...

"Dublin" Theme of This Year's "Vibe For Philo" Honoring Thin Lizzy's Phil Lynott

Posted by Billyjam, January 3, 2013 09:09am | Post a Comment

Thin Lizzy "Dublin" (1971) song + Dublin slideshow

Tomorrow, January 4th 2013, marks the 27th anniversary of the death of Thin Lizzy front-man Phil Lynott who died from complications of an apparent drug overdose at age 36. It also marks the 27th year back in the artist's Dublin hometown that the beloved legendary Irish rocker will be honored again with the big Vibe For Philo celebration. Begun as a humble, heartfelt low-key gathering by fans and friends to mourn his tragic passing in the days following his January 1986 death, Vibe For Philo morphed into an annual event that has steadily grown over the years. It is now a three-day, mini festival like celebration with a slew of Thin Lizzy tribute acts that draws Lynott and Lizzy fans from all over to the Irish capital of Dublin. Coincidentally the theme of this year's Vibe For Philo, which begins today (Jan 3rd), is "Dublin."

According to Vibe For Philo organizer Smiley Bolger this Lynott-hometown named theme was inspired from the song "Dublin" off the 1971 New Day 7" EP on UK Decca. "Philip got it spot on when he wrote: How can I leave this town that brings me down, Has no jobs, is blessed by God and makes me cry. Dublin." Indeed considering the current dire economic state of the recession era Ireland (one that makes today's US economy look almost robust) this 2013 Vibe For Philo theme is most fitting.  

Like the early 1970's era Dublin with "no jobs" that Lynott sang about the current dismal Irish economy is back at that same unfortunate place. The once boisterous Irish economy took a double whammy of a blow when it crashed and burned about five years ago. After enjoying the almost surreal dozen plus years of the bubble that was Ireland's so-called "Celtic Tiger" (1994 - 2007) it crashed hard and fast. To make a bad situation worse this economic collapse coincided with the global banking scandals that brought down other countries. Currently Ireland, which during its Celtic Tiger years was for the first time experiencing an influx of immigrants, is now back to its old status when emigration (usually to the US, UK, or Australia) was the only option for survival for many Irish. So high were those numbers (76,000 for the 12 months leading up to April 2012) that they are now at the highest point since the devastating Irish potato famine of the 1800's.

Personal Picks: Kelly's Best of 2012 Year-End Recap

Posted by Kelly S. Osato, December 31, 2012 02:30pm | Post a Comment

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Well, here we are. We weren't thrust into a new dark age oblivion, the world didn't end and neither did my workaday quest for the best music for the day. This year was rife with records that just had to be snatched -- reissues, compilations, and a fair few newbies too.

Here follows my personal, "show and tell" style best-of list for 2012:  the year that didn't stop the big wheel a-turnin'. Rather than just dicing up a list of cold-cut favorites, I've included personal events and trends herein that shaped the music I sought and gravitated towards within the past year.


BEST NEW ALBUM OF THE YEAR: Jessica Pratt - JP. No contest. I have naught but the best of things to say about this disc of spun gold and I'm not alone. It seems every Barry, Rob, and Maurice in the blogosphere has been falling all over this record like autumn leaves in the rain. If you really want to know my take check out my real talk review of JP here, otherwise please do enjoy the album's opening track, "Night Faces" below.





 
BEST 2012 REISSUE: It's a tie between two (Numero related) comps: WTNG 89.9FM: Solid Bronze and & Personal Space: Electronic Soul 1974 - 1984. Both platters piled high with private press oddments and rarities one could hardly go more wrong than to miss out on these two exemplary feats of the compilation arts. The former being a point of revision for many in that it is essentially a mix of largely unheard "yacht rock"/AOR triumphs of seventies song-writing sensibilities (man, is it ever sensibly sensitive) that confronts one's moral definition of guilty (listening) pleasures. The latter comp, Personal Space - a seemingly dark horse among the usual reissue fare fleshing out the the tom findlay groove armada late night tales music for pleasure yacht rock am gold smooth music sailing soul comps shelf space, made the rounds among Amoeba staff regularly thus enjoyed a healthy amount of in-store play as well. Chock full of rhythm-box workouts a la Sly Stone, Timmy Thomas and Shuggie Otis, it's a far-out soul/funk excavation of the highest order. Both of these are solid front-to-back listens for the home vinyl library/curio corner.

Another long overdue Lizzy vinyl reissue finally sees the Light (in the Attic)!

Posted by Kelly S. Osato, August 4, 2012 01:25pm | Post a Comment
thin lizzy light in the attic reissue repackage debut lp vinyl self titled album record phil lynott eric bell era years brian downey inner sleeve artwork extras bonus content

We the people of Amoeba Music mayn't always hear ear to ear when it comes to mutual enjoyment of preferred musical genres and styles but it would seem that roughly ten out of ten Amoeba employees agree that Thin Lizzy is the hardest, heaviest most essential band of rockers, Irish or otherwise, ever assembled. Though they are perhaps more widely appreciated for their mid-career jukebox jammers like "The Boys Are Back In Town" (c'mon, who hasn't heard this one), the Bob Seger penned rocker "Rosalie" (oft covered by Motörhead), and new takes on traditional tunes like "Whiskey in the Jar" (Metallica, schmeh-tallica), Seattle-based label Light In The Attic Records has lately seen to the proper vinyl reissue of Lizzy's 1971 self-titled debut, an album that plays like a slightly psychedelic folk tinged early dawn portrait of singing bassist Phil Lynott, drummer Brian Downey, and guitarist Eric Bell

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