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Music History Monday: March 11

Posted by Jeff Harris, March 11, 2013 11:30am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Born on this day: March 11, 1957 - R&B singer/songwriter Cheryl Lynn (born Lynda Cheryl Smith in Los Angeles, CA). Happy 56th Birthday, Cheryl!!



On this day in music history: March 11, 1960 - "Because They're Young" by Duane Eddy is recorded. Written by Don Costa, Wally Gold, Aaron Schroeder, and produced by Lee Hazlewood (Nancy Sinatra, Sanford Clark), it is the theme song to the film starring Dick Clark, Tuesday Weld, Doug McClure, and James Darren. The film is about a high school teacher (played by Clark), who tries to make a difference in the lives of his students. Eddy will also have a cameo role in the film. Released as a single in May, the song will become the guitarists' biggest hit in the US, peaking at #4 on the Billboard Hot 100 on July 4th. Co-star James Darren will later record a vocal version of the originally instrumental theme after Duane Eddy's version becomes a hit.
 


On this day in music history: March 11, 1967 - "Love Is Here And Now You're Gone" by The Supremes hits #1 on the Billboard Hot 100 for one week, also topping the R&B singles chart for two weeks on the same date. Written by Brian and Eddie Holland and Lamont Dozier, it is the ninth pop and fourth R&B chart topper for the superstar Motown vocal trio. Songwriter and co-producer Eddie Holland will come up with the basic idea for the song, writing the lyrics about a relationship in the throes of breaking up. Impressed by Diana Ross' emotive speaking voice, HDH will structure the song with passages where she'll deliver brief lines of dialogue before breaking into the songs' chorus. The basic track will be one of the Motown singles of the period not to be cut at the label's main studio (dubbed "Studio A") in Detroit. The producers will have members of The Funk Brothers fly out to Hollywood where they are working with film composer Frank DeVol (The Brady Bunch) on music for the film The Happening (starring Anthony Quinn). Recorded on the scoring stage at Columbia Studios on August 12, 1966, the Motown rhythm section is augmented with a full orchestra (arranged by Gene Page) featuring bassist James Jamerson playing upright bass. Jamerson will later overdub an electric bass part on the track in Detroit on September 22nd, with The Supremes adding their vocals on November 13th. Issued as the follow up to the groups' previous chart topper "You Keep Me Hangin' On" on January 11, 1967, it is the second single from The Supremes Sing "Holland - Dozier - Holland. Entering the Hot 100 at #47 on January 28th, it will shoot to the top six weeks later.
 

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Music History Monday: November 19

Posted by Jeff Harris, November 19, 2012 11:34am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Music History MondayOn this day in music history: November 19, 1966 - "Knock On Wood" by Eddie Floyd hits #1 on the Billboard R&B singles chart for one week, also peaking at #28 on the Hot 100 on December 10th. Written by Eddie Floyd and Steve Cropper, It will be the biggest hit for Alabama-born soul singer. The song is actually recorded in the Summer of 1965 (with Booker T. & The MG's, Isaac Hayes on piano, and The Mar-Keys' horn section), but is held back from release by Stax Records president Jim Stewart when he believes that it is too similar to Wilson Pickett's "In The Midnight Hour." The record will actually experience resistance from radio upon its release, failing to receive any airplay initially. Stax Records' head Al Bell will hit upon the idea of Floyd performing live in an area where he has a strong fanbase. Washington DC will be city that is chosen. The ploy will work, with the single breaking on radio stations in the DC and Baltimore area. From there, the record will go national. Over the years, "Knock On Wood" will be covered by a number of artists Ike & Tina Turner, David Bowie, and Eric Clapton. Singer Amii Stewart's disco rendering of the song will become a worldwide hit, hitting #1 on the Billboard Hot 100 in April of 1979.
 

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Music History Monday: September 3

Posted by Jeff Harris, September 3, 2012 02:11pm | Post a Comment
To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

On this day in music history: September 3, 1966 - "Sunshine Superman" by Donovan hits #1 on the Billboard Hot 100 for one week. Written by Donovan Leitch, it is the biggest US chart single for the Scottish-born singer/songwriter. The songs' UK release will be delayed by several months due to a contractual dispute with Pye Records. It also features future Led Zeppelin members Jimmy Page and John Paul Jones providing instrumental support. The record marks a major turning point in Donovan's career, which will see him moving away from his earlier folk oriented material that led the young singer/songwriter to be compared to Bob Dylan by the British press. The two will actually meet in 1965 during Dylan's now-legendary tour of the UK captured in the documentary film Don't Look Back and become friends.


On this day in music history: September 3, 1966 - "You Can't Hurry Love" by The Supremes hits #1 on the Billboard R&B singles chart for two weeks, also topping the Hot 100 on September 10th for two weeks. Written by Brian Holland, Eddie Holland, and Lamont Dozier, it is the Detroit-based girl groups' second R&B chart topper and their seventh to reach #1 on the pop charts in just over two years. Following a period when three of the groups' singles either fail to reach number one or miss the top ten (after having six chart topping singles, so far), Motown founder Berry Gordy issues an edict that they will not release anything but #1 hits on their most successful act. The Supremes' writing and production team of Holland-Dozier-Holland immediately set about making that happen. HDH will take inspiration from one of their earlier Supremes hits when they begin writing. Initially they begin by playing around with the chord sequence from "Come See About Me," but it eventually evolves into something completely different. The basic track for "You Can't Hurry Love" is recorded at Motown Studio A in Detroit on June 11, 1966 with The Funk Brothers providing musical support. The Supremes will record their vocals on July 5th. Released on July 25th, it will quickly race up the pop and R&B charts, beginning the groups second consecutive streak of number one hits where their next four releases will all hit #1 on the Hot 100, three of them also topping the R&B singles chart.

Christmas in Japan

Posted by Kelly S. Osato, December 17, 2008 04:23pm | Post a Comment
santa claus is coming to town with winter warlock
A few nights ago while watching an old VHS copy of Santa Claus is Coming to Town I began to wonder about this whole Christmas thing. The legend of Santa Claus, according to this stop-action, puppet laden, mind-bending slice of classic holiday TV programming, is a bit dodgy in parts and down-right unsettling as a whole (and hilarious when paired with the right kind of holiday spirits). How on earth did a story like this, the story of Santa Claus, ever so increase in popularity as to reach the mutated, lofty, legendary status it entertains today? It boggles the mind! But then Christmas is just plain weird and, ultimately, up for interpretation and reinterpretation given the varied spiritual, social, economic, geographic and educational contexts that embgodzilla christmas in japanrace it. That said, I'd like to explore Christmas the way the Japanese do it, as I believe it is a phenomenon that most Americans know little of unless you've had the pleasure of spending Christmas (or the New Year's festivities for the matter) in the biggest little archipelago on the Pacific Rim. 

Recently I asked one of my good buddies, an ex-pat who lives and works in Japan, if he'd be coming back to the good ol' U. S. of A. come Christmas. Sadly he won't be, but he assured me that his absence wouldn't hinder his warm wishes and memories of spending christmas in japan colonel sanders as santa clausthe holidays stateside with friends (and family too I suppose). One thing that he disclosed that has been sticking in my head is, "I have to fend off the almost daily, 'What's Christmas really like in the States?' question." What I'd give to know how he chooses to answer this question; "Oh it's like a weeks-long shopping fiasco that claims the sanity and lives of the over-worked and underpaid temporary workers of my country," I imagine him explaining to a wide eyed and wistful looking クリスマス enthusiast before losing their interest by then expounding upon the glory of salt-cured ham, home-made egg nog and football. I know my friends in Japan are missing out on some of the traditions and seasonal cheer they enjoyed growing up with, but if you ask me, they've got plenty to be merry about being so far away for the holidays. 

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