Amoeblog

10 Record Store Day Picks

Posted by Billy Gil, April 19, 2012 06:55pm | Post a Comment
Record Store Day is great for any number of reasons — supporting record stores and the music community, hearing DJ sets from the likes of Broken Social Scene’s Brendan Canning. But in the end it’s all about the exclusive and new releases. Here are 10 picks from the many releases coming out April 21. (Read a more comprehensive list here, and download the full list here.)
 
animal collectiveAnimal Collective – Transverse Temporal Gyrus
 
Ripped from elsewhere on the Amoeblog: In March 2010, Animal Collective and visual artist Danny Perez put on an installation called "Transverse Temporal Gyrus" at the Guggenheim Museum in New York City. For the audio, each member of the band made individual sounds and songs. Over the course of two 3-hour performances, the basic tracks were fed into a computer program that randomized the track order, and sometimes randomly combined stems from one track with stems from another. The program also panned the music in various directions around a 36 channel surround sound system that ran through 36 speakers set up from the top of the Guggenheim's ramp to the bottom. The music on this 12" is a collage made consisting of the original tracks, as well as live recordings made inside the Guggenheim before the doors were opened to the public. It will be the only physical format on which any of the music will be released.
 
Plus it’s new Animal Collective!
 
Arcade Fire – Sprawl II
 
Arcade Fire’s Blondie-ish “Sprawl II (Mountains Beyond Mountains)” was undoubtedly the highlight of The Suburbs and showed the band still has some tricks up its sleeve. The Soulwax remix included here tastefully gives it the dancefloor feel it calls for without just throwing a house beat over the song and calling it a day.
 

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Album Picks: Daniel Rossen, Julia Holter, The Men, Tanlines

Posted by Billy Gil, March 20, 2012 02:20pm | Post a Comment

daniel rossen silent hour/golden mileDaniel Rossen’s Silent Hour/Golden Mile EP came out today, and true to form for Grizzly Bear’s Rossen, it doesn’t disappoint. Though he’s perhaps the lesser-known entity of Grizzly Bear (the other being gravy-voiced Ed Droste), everything Rossen has released to this point, both within the band (his gorgeous “Deep Blue Sea," for instance”) or without it (as part of Department of Eagles) has born an unmistakable stamp. It’s a tribute to his talent that you can say that without being able to describe just what that stamp is. It’s a certain mysteriousness that is part of what makes Grizzly Bear so alluring, where you’re very much hearing folk-rock with a kind of doo-wop vocal delivery — sounds simple enough — but everything is curiously out of reach. Lyrics are more suggestive than descriptive, intimating nostalgia and loss without really being forthright about it, and arrangements tend to spiral out rather than circle back to where they’ve started. Silent Hour/Golden Mile is actually more direct than some of Rossen’s other work. “Up On High” wouldn’t be out of place on a Grizzly Bear album, while “Silent Song” and “Golden Mile” are relatively straightforward rock songs that still spin off from typical construction, with spindly guitars and high, cooing vocals that remind me a bit of mid-period Radiohead without actually sounding anything like that. Both songs also benefit from hummable moments — not something Rossen is always known for — as well as the kind of high, lap steel guitar lines found famously in Santo & Johnny’s “Sleepwalk” or George Harrison’s “My Sweet Lord.” At five songs, Silent Hour/Golden Mile leaves you wanting for much more, which I’m guessing we’ll get in the form of the next Grizzly Bear or Department of Eagles album, but the EP is far from a departure or indulgence. It’s more like a treat, an appetizer for something bigger.

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