Amoeblog

Celebrate The Byrds' Gene Clark With Nov. 16 Performance Featuring Members of the Byrds, Beachwood Sparks and More

Posted by Billy Gil, November 12, 2014 04:23pm | Post a Comment

gene clark show

November 17 would have been the 70th birthday of Gene Clark, founding member of legendary rock band The Byrds. Clark’s son, Kai Clark, has organized an intimate concert at Hotel Cafe this Sunday, Nov. 16, to celebrate the life of his father, featuring Kai Clark, Jangle Brothers (with John York, who played bass for The Byrds), Gospelbeach (featuring members of Beachwood Sparks), Carla Olson with The Psychedelic Cowboys, Bob Woodruff and more.

The show takes place from 6 p.m. to 12 a.m., and tickets are $20. You can pick up advance tickets here.

gene clark two sides to every story lpThe event also coincides with the re-release of Gene Clark’s long out-of-print 1977 solo album, Two Sides To Every Story. It’s out on CD now and comes with a color, 26-page booklet with photographs by Ed Caraeff from the album cover photo session and liner notes by John Einarson, author of Gene Clark biography, Mr. Tambourine Man. In addition, the CD comes with a download card with more than 90 minutes of exclusive bonus tracks, including a 1975 full-band performance. An earlier LP reissue of the album is also available.

Continue reading...

Dream Boys Usher in Fall with Autumnal Debut

Posted by Billy Gil, October 1, 2013 03:31pm | Post a Comment

dream boys los angelesThere’s nothing to signify the leaves changing color the wind getting crisper than some cool jangly rock ‘n’ roll. L.A.’s Dream Boys deliver that in spades on their self-titled debut (check it out on CD or LP). Songs like “Sometimes” breeze through with shimmering guitars and sweet, swoony harmonies, calling to mind a post-punk Byrds or Southern Californian Stone Roses. Few bands dig into this sound so thoroughly, with a wonderfully patient, languid quality, making Dream Boys a standout record even among a crowded field.

I sat down for a minute to talk to these dreamy So. Cal. boys about their somnambulist sound.

PST: It’s hard to find out much about you guys from the Internet! Why don't you just tell me in brief about yourselves—when did you form, why did you form, who does what in the band, and are you native Angelenos or from other parts?

Wayne Faler: We formed a little over a year ago. There are three songwriters. Band members are Wayne Faler and Wallace Meek on guitars and vocals, Will Ivy on bass and vocals, and Mike La Franchi on drums. Mike is from the Northern California. Wallace is from Scotland, Wayne is from Michigan, and Will is a Southwest guy via San Francisco. We formed the band after meeting while playing in other bands. We wanted to combine a certain set of influences that really spoke to us and present them in a more modern way.

Continue reading...

Beachwood Sparks Reignite

Posted by Billy Gil, August 2, 2012 04:35pm | Post a Comment
Beachwood SparksA new band is poised to take over L.A. this weekend. No, it’s not some band of upstarts on Slumberland or Captured Tracks, it’s the recently reformed, reenergized Beachwood Sparks. Hot on the tracks of their excellent new album, The Tarnished Gold, the Sparks are playing The Echo Friday night with Tomorrows Tulips, The Abigails and DJ Kevin Fitzgerald. The show kicks off Saturday’s The New LA Folk Festival, at Zorthian Ranch in Altadena (about which Eric Brightwell recently blogged). That show takes place from 1:30 p.m. to about 1 a.m. and also features He’s My Brother, She’s My Sister, White Magic, Spindrift, Sea of Bees and Restavrant, among others.
 
You may recall Beachwood Sparks’ early 2000s output, their self-titled debut, 2001’s breakthrough Once We Were Trees and the 2002 EP Make the Robots Cry, which poured psychedelic touches and smoggy haze over faithful country-rock, encapsulating certain histories of California music — 1950s Bakersfield rough country rockers like Buck Owens and Merle Haggard, Laurel Canyon hippies like Buffalo Springfield and Sweetheart of the Rodeo-era Byrds, and the San Francisco psychedelia of bands like The Grateful Dead and Jefferson Airplane. But Beachwood Sparks didn’t feel derivative, and were more in line with contemporaries Wilco and The Flaming Lips for their incorporation of neo-psychedelic sounds. They also played in a web of related bands like The Tyde, Mystic Chords of Memory, Frausdots and All Night Radio, while founding member and bassist Brent Rademaker, his brother, Darren, and guitarist Christopher Gunst were in the beloved ’90s cult band Further.
 

Continue reading...

Exclusive RSD Black Friday Releases

Posted by Amoebite, November 15, 2011 07:40pm | Post a Comment
Black Friday exclusives

Black Friday, the day after Thanksgiving and traditionally one of the busiest shopping days of the year, is fast approaching. The folks at Record Store Day have helped to organize a series of exclusive items just for indie record stores to be released on Black Friday. The list is pretty big, so we wanted to highlight some of the titles and give you the chance to view or print the entire list (PDF) so you can be prepared on Friday November 25. Just a heads up that the stock may differ between the three stores as well. 

Amoeba Hollywood
We will hold exclusive RSD releases behind our front counters. Line will form outside the store no earlier than 8 a.m. on Saturday. Product is limited to stock on hand and available to customers on a first come, first served basis. Limit one per title per customer. Store opens at 10:30 a.m.

Huge Black Friday Turntable Sale at Amoeba Hollywood! All turntables 20% off, plus even bigger deals on Audio-Technica LP 60 and Crosley Keepsake turntables. Limited to stock on hand. Friday 11/25 only.

Amoeba San Francisco & Berkeley
We will feature exclusive RSD releases on our sales floor. Product is limited to stock on hand and available to customers on a first come, first served basis. Limit one per title per customer. Stores open at 10:30 a.m.

Continue reading...

Album Picks: Real Estate, Twin Sister, M83

Posted by Billy Gil, October 18, 2011 02:10pm | Post a Comment
Real Estate DaysReal Estate – Days
 
Real Estate have helped usher in a contemporary appreciation of bands with clean guitars and hushed vocals, perfect for a summer day or autumn night. But Real Estate still do it better than anyone, as they prove on Days. From opener “Easy” and on, Days floats on breezy simplicity of melody and atmosphere that you could explain away as through line of Byrds by way of R.E.M. jangle pop informed by reverbed-out, dream pop aesthetics, but that would paint Real Estate as a throwback band when really their sound is their own. Country hues underpin even the spaciest of tracks, like the way winsome sliding guitars sway beneath the shivering, tremoloed star-shooting guitar lines of “Green Aisles,” and more obviously so on tracks like the springy, Smithsy “It’s Real,” which works some clever chord changes into a straightforward guitar-pop setting. Singer Martin Courtney’s voice is always plaintive but never intrusive, and the whole thing moves with subtle evocation, like a sepia-toned suburban home movie reel. It’s no coincidence a great, sunlit song on the album is titled “Wonder Years.”
 
Twin SisterTwin Sister – In Heaven
 
Twin Sister’s debut full-length delivers a band still emerging from chrysalis (their average age is now about 23, so says Wikipedia) but born with some pretty impressive power already. Roughly, Twin Sister are an indie pop band fronted by some froggish, androgynous vocals (singer vocalist Andrea Estella and guitarist-singer Eric Cardona both sound a little like the spawn of Sigur RosJonsi and St. Etienne’s Sarah Cracknell, the latter band of which they also sound a bit like on the lite-jazzy “Stop”). They touch on chillwave (the shimmering and strange chords of “Kimmi in a Rice Field” is the album’s absolute highlight) without committing to it, seemingly more interested in vibing late ’80s indie and video game music — the gentle “Luna’s Theme” has Sega Genesis written all over it, something that might be playing in some anime space station. But whatever Twin Sister ends up doing —be it cool Britpop, neo-futuristic electro or something else entirely — it ends up sounding great, if not entirely unified.
 
M83 Hurry Up We're DreamingM83 – Hurry Up, We’re Dreaming
 
After a decade’s worth of brilliant albums that have been increasingly epic in scope, Anthony Gonzalez of M83 has delivered the masterpiece he has hinted at for years. Gonzalez builds off the life-embracing yet ’80s nostalgic pop of 2008’s Saturdays=Youth across this double-album. Taking a hint from the Smashing PumpkinsMellon Collie and the Infinite Sadness, Gonzalez sweeps through childlike wonder (the children’s story as Kraftwerkian computer-pop of “Raconte-Moi Une Histoire”), adolescent angst (the two and a half minutes of skyscraper-sized orchestral rock in “My Tears Are Becoming a Sea”) and young adult excitement (Gonzalez cries “The city is my church!” in the neon-backlit “Midnight City”) to capture the wide-eyed energy and naiveté of youth. There’s newly an emphasis on the kind of shuffling ‘80s funk-pop of the likes of Huey Lewis & the News and Hall & Oates in songs like “Claudia Lewis,” but it actually feels less throwback-ish than some of his previous work, perhaps in part due to contemporaries like Toro y Moi and Neon Indian similarly fusing such sounds with shoegazer aesthetics. Indeed, with the kinds of sonic dreamscapes of albums like Dead Cities, Red Seas & Lost Ghosts and Before the Dawn Heals Us also in tow on songs like “This Bright Flash,” Hurry Up, We’re Dreaming presents us with all of Gonzaelz’s best tendencies, all at once, and at their utmost potential.
<<  1  2  >>  NEXT