New "What's In My Bag?" Episode With Techno DJ Scuba

Posted by Amoebite, April 7, 2015 05:26pm | Post a Comment


Scuba is the alias of British techno/house DJ and producer Paul Rose. In 2003, he founded Hotflush Recordings, an independent label which has released music from Joy Orbison and Mount Kimbie, among others. In 2008, ScubaHotflush released Scuba's debut LP, A Mutual Apathy, which was followed two years later by Triangulation and Personality in 2012. His most recent album, Claustrophobia, just hit stores. Scuba has also released a couple of EPs, curated a mix in the DJ-KiCKS series, and released a Sub:Stance mix as a companion piece to the weekly night he hosted at Berlin's legendary Berghain nightclub. In 2013, he won DJ Mag's Best Live Act award.

On a recent visit to Amoeba Hollywood, Scuba dug up some great vinyl in our dance section. He manages to find a copy of the first 12 inch he bought in 1995, Dave Clarke's Red 3, and shares a funny story of interacting with Dave Clarke on Twitter. He follows with Jazzanova's "That Night" 12 inch and reminisces about using the song during his UK Garage DJ sets. From techno to freestyle to new wave, Scuba finds some great pieces of vinyl. Watch the full episode below to see the rest of his picks. 

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50 Essential Albums Released in 2014

Posted by Aaron Detroit, December 5, 2014 09:20am | Post a Comment

Aaron Detroit, Buyer at Amoeba Hollywood. I've worked in Hollywood for ten years, but started my time with Amoeba - way back in 1998 -  at the San Francisco store. Here is my extensive list of new essential listening, released in 2014. There is a wide range of genres and artists represented here because musical passion should not be static.

1. Swans - To Be Kind (Young God)
To Be Kind, Swans’ 3rd LP since their 2010 reformation (and 13th overall,) is an unlikely triumph after 2012’s seemingly unmatchable masterpiece, The Seer. Any trepidation one might have about the sprawling triple-LP’s intimidating track lengths should evaporate under it’s hypnotizing ebb-and-flow of mental blues, super-honed grooves, manic clatter and hushed passages; all of which are eventually crushed by monolithic waves of majesty. Nothing short of classic.

 2. Carla Bozulich - Boy (Constellation)
Boy is Carla Bozulich’s (of Ethyl Meatplow, Geraldine Fibbers and Evangelista-renown) 3rd solo affair, but in a lot of ways it feels like her first. Bozulich pours her famed, devastating whiskey-voice into a cocktail of funeral country, death blues and industrial noise that sticks to your guts. Carla herself refers to this LP as her “pop record,” and if that's a true description, we could sure use a whole lot more “pop” albums like Boy. Don’t overlook this one.

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DJ Mixing and Scratching Without Turntables Or Records: The Art of the Tape-Jockey

Posted by Billyjam, January 7, 2013 08:08am | Post a Comment

These two early 90's video clips (above and below) explain and demonstrate the inspirational Soviet Union "tape-jockey" duo from Latvia featuring Pasaules and jeb Modris Skaistkalns known as Mr Tape. In the above 22 year old clip from the 1991 DMC Finals and introduced by DMC top man Tony Prince the two tape jockeys from Latvia (back then still part of the Soviet Union) demonstrate their craft. In the video below, from the same early nineties time period and produced in Amsterdam by Dutch TV, the two Latvian tape jockeys break down how they do what they do. Both loved techno house and hip-hop music with a passion. They also loved the concept of DJing (spinning & mixing beats, scratching, and beat-juggling etc.). The only problem was that, due to the market restrictions of their communist homeland, they literally had absolutely no access to the three main components that went into doing being a DJ in 1991:  Technics 1200 turntables, records, and a mixer. Most would give up at that point but not them. Instead in an inspired DJ McGyver like move they got two reel to reel tape decks, recorded songs onto individual reel-to-reels, and manually tweaked the tape machines to do some extra tricks: including building in a cross fader, and then then tapping their finger tips on the tape heads to get effects normally achieved on turntables and a mixer. In the DMC video they have no mixer but in the demo from Dutch TV they utilize a simple small mixer. I find this to be truly inspirational stuff because it proves that with a strong unstoppable passion for something coupled with a good imagination that you can overcome lack of resources and achieve your goals. 

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TIN MAN - Scared LP Out Now + Top 5 Chart

Posted by Oliver / Matt / Jordan, June 8, 2010 05:40pm | Post a Comment
Tin Man image

Scared comes from the dark, eerie place that is the mind of Johannes Auvinen, better known as Tin Man. Veering away from the pop sensibility of his last offering, Cool Wave, and diving into the murky depths of a dark abyss, Scared features Auvinen's unique soporific voice posing questions which are as deep as the music he makes.

 One of the great things about a Tin Man release is the sheer variety in his output. From quirky tripped out acid to jazz pop and dark electronic sounds, Tin Man is a name you can always count on for quality.

Listen / Download "Scared"

Listen / Download "Birds"

Listen / Download "Defendents"
 Buy the Scared LP here.


virgo album cover 
Virgo - Virgo

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Interview with Moodmusic's Sasse

Posted by Oliver / Matt / Jordan, December 7, 2009 10:51am | Post a Comment

This week sees the release of Moodmusic’s Starstyling compilation, which is a fine selection of some of the best moments from their recent catalog. Label owner Sasse provides a large helping of fresh house and techno featuring tunes from many of the Moodmusic camp, such as Tigerskin's already classic “Holy Grail” along with the newest release from Dave DK and Holger Zilkse, “You Will Find Out,” which we can’t get enough of...Sasse took some time out to answer some questions for all things concerning Moodmusic and what’s in store next.

When and where were you born, and have you always been in Berlin?

Originally born and raised in Finland in May 1973, I´ve been in Germany for the last 10 years, in Berlin for 6 years now. As much as I Iove the city for its vibrant scene, it´s a very nice and chilled place to live.

What got you interested in house/techno music?

It must have been the first wave of acid house which hit the UK, and eventually also the rest of Europe in the end of the 80s which made the impact. I remember taping radio shows in late 80s with italo, proto house and early Chicago stuff and dreaming of going into clubs, as where I lived in a small industrial city in Finland there [were] only shitty pubs and discos. Eventually I started traveling to London and NYC to buy records and visit clubs, which led to promoting my own nights in the early 90s, first doing proper raves, then doing club nights and so on..

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