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Download Classical Music's Greatest Hits

Posted by Rubin Meisel, March 6, 2014 04:43pm | Post a Comment

Explore Classical MusicOn the surface, Classical music and downloading is a bit of a mismatch. The chance of someone downloading Wagner’s four and a half hour opera, Parsifal, or Bach’s three hour choral masterpiece, St. Matthew Passion, to play on their iPad is rather remote. But there is a seemingly brisk business in downloading popular classical "Greatest Hits." The nomenclature of the potential buyer is different than that of a seasoned Classical aficionado (song versus composition piece for instance). Another challenge is the novice buyer may know what the piece (song) sounds like, but does not know the name of the composer. The novice buyer will probably know the piece from a movie, a commercial, video game or even a cartoon. Downloads generally give you the flexibility of sampling and then downloading the track you want or the entire piece. Explore our full catalog of Classical music downloads, which are 20% off in March with promo code DLSALE.

Here is a short list of some of the most popular Classical pieces being downloaded and some of the more accessible endeavors with which they are associated:

Bach Cello Suites

Early Days of the Classical LP

Posted by Rubin Meisel, October 11, 2011 04:05pm | Post a Comment
Remington label lp Columbia album label lp Mercury label album lp Hearing Is Believing lp album vinyl Haydn vinyl album
On June 21st, 1948, CBS engineer Dr. Peter Goldmark introduced the new Columbia long playingDr. Peter Goldmark CBS LP Columbia long playing record record at a press conference. In the previous 15 years, there had been attempts to make a commercially viable long play album with no success. As with the concurrent development of television, the post-war boom made the project commercially viable. 33 1/3 rpm was considered the optimum speed to play the 12 inch long play microgrove records. And being made of a new plastic called vinylite they were virtually unbreakable. For shorter pieces and recitals, there were 10 inch records, but these only survived till the 1950s.
 
The new LP was considered a huge leap forward for listening to pre-recorded Classical music. A pop song took, on average, two or three minutes to play, which was just perfect for a 10 or 12 inch 78 rpm record. A symphony required up to 5 or 6 records on 78 rpm and had to be changed 10 to 12 times with the music often interrupted in the middle of a musical phrase. There were automatic 78 rpm record changers, but they were clunky and could damage your records. You also had to account for the amount of storage space needed for the brittle, breakable shellac 78s. The most dramatic part of Goldmark’s demonstration was when he was photographed holding a few dozen LPs while the equivalent in 78s were stacked six feet high next to him.
 
The introduction of the LP was not without controversy. Columbia’s great rival RCA Victor was developing its own system of 7” short playing vinyl records that played at 45 rpm. RCA engineers insisted that quality control problems with LPs would doom it. This started what was to be known as “The War of the Speeds” in which both companies spent a ton of money on print ads to woo the public before RCA conceded and converted to LP. When it was settled, it set up the paradigm that lasted for nearly 40 years: LP for albums, 45s for pop singles.

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The Art of the LP Cover- Ballerina Girls

Posted by Mr. Chadwick, August 9, 2010 12:10pm | Post a Comment

Classical Music Sale: I. Allegro non troppo

Posted by Job O Brother, November 8, 2009 03:12pm | Post a Comment
guitar
You... shook me aaaallll night long!

Far more people want to shop the Classical Music section than do. This is because many customers, while having heard classical music and enjoyed it, do not know how to differentiate one album from another. No one wants to look like an ignorant buffoon (except your best friend in 7th grade who you’ve long since lost contact with anyhow), so the idea of browsing aisles of classical music without knowing the difference between a chamber piece or a chamber pot (which is a good thing to know, FYI) is enough to send you scurrying back to the latest post-punk, freak-folk, R&B roots-influenced release from [insert hot young band here].

Well, my fragile little reader, relax. I am here to help. I’m going to teach you some basics – enough to allow you to shop without feeling like you’re Sissy Spacek in the opening shower scene of Carrie.

sissy spacek
"I don't know what counterpoint means!!!"

Incidentally, if you’re already educated in classical music, this blog entry isn’t for you. This is for the layman, the curious, the uninitiated. I’m going to be simplifying things and skipping stuff. My main goal is to get people started, and I don’t need you freaking them out with long-winded diatribes about how Stokowski’s transcriptions of Mussorgsky’s works are a bastardization that perverts their core, ethnic vitality in lieu of Westernized concepts of melodic accessibility. [And here’s where I snap my fingers and weave my head back ‘n’ forth like Jackée on 227.]

S-s-s-s-s-soundtrack of sh-sh-sh-shame

Posted by Job O Brother, February 5, 2008 11:55am | Post a Comment
I thought it would be difficult to find songs I was ashamed to love. Fact is, it’s much more challenging to keep my attention span with this series, so, I’m going to wrap this “soundtrack of shame” up with a grand finale. Cringe with compassion.

LITTLE RIVER BAND “Reminiscing”

Little River Band had a gift for recording songs that would one day become a staple of grocery stores’ piped-in music. It might surprise you to know they had 13 American, Top 40 hits, despite the fact that their “sound” is akin to a waiting room lobby in a retirement home.

This song got a lot of radio play in Hawaii when I was growing up there – learning how to body surf and not learning my times-tables – so I associate it with childhood and a dark, iced tea that you could always buy at Kailua Beach.

This video is a perfect example of what “boring” means. I mean, even the lead singer brought a book to read during the bridges! I was surprised to see a 30-something-year-old Cousin Oliver as part of the band.



MARY COSTA “Once Upon a Dream”


I think animated Disney films are pretty swell, provided they were actually produced by Walt Disney himself (the last of which was “The Jungle Book”). Something happened in the 1970’s when the Don Bluth posse was still working at Disney – something gross feeling. I’m not saying Bluth is a bad man, but (with the exception of “The Secret of NIMH”) every movie he worked on, post-Walt, makes me crazy. And not crazy in a rad, Spuds Mackenzie way. Crazy in a “Christina, bring me the axe!” sort of way.