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New "What's in My Bag?" Episode with Duran Duran

Posted by Amoebite, June 20, 2016 05:50pm | Post a Comment

Duran Duran What's In My Bag? Amoeba Music

"I realize what a pleasure it is going through racks, and actually finding things. That reminds me of my childhood, but also of times, not quite so far away, when you had that choice," says Nick Rhodes, keyboardist and founding member of Duran Duran, about shopping for DVDs at Amoeba Hollywood. Amoeba hosted a signing with the legendary band for the release of their latest album, Paper Gods, and we got a chance to meet up with the band after they went hunting for music and movies.

Duran Duran are one of the quintessential bands to emerge from England's new wave/synth pop scene in the 1980s. Formed in 1978 by keyboardist Nick Rhodes and bassist John Taylor, over time the lineup solidified to include drummer Roger Taylor, frontman Simon Le Bon, and guitarist Andy Taylor. Initially inspired by post-punk and art school ideas and aligned early on with the New Romantic scene, Duran Duran quickly became superstars on the strength of their innovative music videos, fashion-forward image, and impressive number of chart-topping singles.

Duran Duran Paper Gods Amoeba MusicThe band's career took off with the release of their 1981 self-titled debut, which reached number 3 on the UK charts. Success in the US came shortly thereafter, when Duran Duran's sophomore LP, Rioclocked in at number 6 on the Billboard 200. The band's string of successes continued with 1983's Seven and the Ragged Tiger and 1986's Notorious, with the band touring the globe and being feted as teen heartthrobs. By 1993, Duran Duran was back at the top of the charts, thanks to the release of a second self-titled album, dubbed The Wedding Album to differentiate it from the band's debut. Duran Duran continue to release new albums and will be touring the US this summer, including a stop in San Francisco for Outside Lands.

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FYF Fest Tickets On Sale at Amoeba Hollywood April 1

Posted by Amoebite, March 29, 2016 01:30pm | Post a Comment

FYF Fest Tickets on Sale at Amoeba Hollywood April 1

The lineup for this year's FYF Fest was just announced today and it features a diverse and amazing roster including headliners Kendrick Lamar, Tame Impala, LCD Soundsystem, and Grace Jones. Not to mention Air, Grimes, Charles Bradley, Father John Misty, Todd Terje, and Vince Staples...

Tickets go on sale Friday, April 1 at 12pm. You can buy 2-day general admission weekend passes in-store at Amoeba Hollywood starting Friday at noon for $212 total. Limit of 4 tickets per person, cash or credit cards accepted (except for American Express). Store credit cannot be applied to ticket sales. (Single day and VIP tickets will also go on sale at the same time, but you'll have to buy those online.)

See the full lineup below:

FYF Fest 2016 Lineup

 

Amoeba Hollywood's Top 50 Sellers of 2015

Posted by Amoebite, January 6, 2016 02:33pm | Post a Comment

amoeba hollywood best sellers of 2015

Amoeba Hollywood shoppers had diverse tastes in 2015, snapping up popular albums by Adele, Lana Del Rey and Taylor Swift as well as critical favorites by Sufjan Stevens, Kamasi Washington and Beach House in equal measure, plus those essential records that never go out of style. Check out the year's top sellers below.

1.  Tame ImpalaCurrents

tame impala currents lpTame Impala's third album was a critical and commercial triumph. It's both as a fascinating headphones album for production junkies and as a set of immaculate psych-pop songs that feels endlessly giving.

 

 

 

 

 

 

 

2.  Adele25

adele 25 lpAdele's third album was a across-the-board hit with people of all ages. With pipes like Aretha and insightful lyrics, she’s our premiere pop chronicler of relationships and breakups.

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The 50 Best Albums of 2015

Posted by Billy Gil, December 18, 2015 07:40pm | Post a Comment

50 best albums of 2015

1. Tame Impala - Currents

tame impala currents lpTame Impala’s Kevin Parker shifts gears a bit for his third album, drawing as much from ’80s soul and disco as he has from prog-rock and psychedelia. Though such a change could threaten to derail a good thing, Parker is the consummate perfectionist, and Currents’ various strands are braided together without a hair out of place. Opener “Let It Happen” builds from a proggish uphill chug into a psychedelic freakout and finally hits its stride with a silky disco beat. “Eventually” relies on rock dynamics but uses fat synthesizers to achieve its booming changes. And a tune like crystalline psych-funk jam “The Less I Know the Better” seems to marry all of Parker’s influences into a perfect amalgam, calling to mind everything from Michael Jackson to My Bloody Valentine. Through it all, Parker is the same chill knob-twiddler he’s always been, but he’s come out of his shell a bit more—it takes confidence to command a song like “’Cause I’m a Man,” which gloriously oozes ’70s cheese, akin to Gary Wright’s “Dream Weaver” or 10CC’s “I’m Not in Love.” From the get-go, Parker himself seems to be reflecting on the change—“Something’s trying to get out/And it’s never been closer,” he sings on “Let It Happen.” It’s confirmed by the time we get to “Yes I’m Changing,” ostensibly a breakup ballad but it seems more pointedly about an introvert accepting accidental stardom (“Curse indulgence and despise the fame/There’s a world out there and it's calling my name”). This lyrical theme, the sense that Parker is coming into his own as not only a songwriter and performer but human being, gives Currents a unity that even the superb Lonerism didn’t have. In every way, Currents is a complete triumph, both as a fascinating headphones album for production junkies and as a set of immaculate psych-pop songs that feels endlessly giving.

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Album Picks: Tame Impala, Future, Camera Shy

Posted by Billy Gil, July 17, 2015 10:06am | Post a Comment

Tame Impala - Currents

tame impala currents lpTame Impala’s Kevin Parker shifts gears a bit for his third album, drawing as much from ’80s soul and disco as he has from prog-rock and psychedelia. Though such a change could threaten to derail a good thing, Parker is the consummate perfectionist, and Currents’ various strands are braided together without a hair out of place. Opener “Let It Happen” builds from a proggish uphill chug into a psychedelic freakout and finally hits its stride with a silky disco beat. “Eventually” relies on rock dynamics but uses fat synthesizers to achieve its booming changes. And a tune like crystalline psych-funk jam “The Less I Know the Better” seems to marry all of Parker’s influences into a perfect amalgam, calling to mind everything from Michael Jackson to My Bloody Valentine. Through it all, Parker is the same chill knob-twiddler he’s always been, but he’s come out of his shell a bit more—it takes confidence to command a song like “’Cause I’m a Man,” which gloriously oozes ’70s cheese, akin to Gary Wright’s “Dream Weaver” or 10CC’s “I’m Not in Love.” From the get-go, Parker himself seems to be reflecting on the change—“Something’s trying to get out/And it’s never been closer,” he sings on “Let It Happen.” It’s confirmed by the time we get to “Yes I’m Changing,” ostensibly a breakup ballad but it seems more pointedly about an introvert accepting accidental stardom (“Curse indulgence and despise the fame/There’s a world out there and it's calling my name”). This lyrical theme, the sense that Parker is coming into his own as not only a songwriter and performer but human being, gives Currents a unity that even the superb Lonerism didn’t have. In every way, Currents is a complete triumph, both as a fascinating headphones album for production junkies and as a set of immaculate psych-pop songs that feels endlessly giving.

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