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Pretty Good Year: Kelly's Best of 2015 picks...

Posted by Kelly S. Osato, January 9, 2016 04:49pm | Post a Comment
It seems like 2015 came to a close less than a little more than a week ago...wait, didn't it? Where does the time go? It came and went in another trip around the sun, with the seasons fully cycled and another twelve-month accumulation of art, music, and enjoyment to show for the passage. Listed below are the leaders of the pack where the year in my ears is, er, was concerned. These the repeat-listen flat plastic friends stuck with me thru thick and thin. Oh, and there's a book thrown in the mix as well! Did you dig any of these selections?

on you r own love again jessica pratt best music records vinyl of 2015 list
Jessica Pratt
- On your Own Love Again
(Drag City)


There's always one or three endlessly flip-able records that never quite stay filed away, maintaining rather an easy reach in the rotation pile nearby the home hi-fi. Jessica Pratt's sophomore offering On Your Own Love Again is one such record. Built in part of nearly inaudible ambient street sounds indicating a subtle genesis rooted in home-recordings, the layered, spacial delivery of Pratt's soft-plucked folk edged in opaque psychedelia eddies and billows in a cosmos of mellow zones, at times reaching near-exotic levels of effect, but ever retaining a familiar quality. Here and there accompanying lyrics seem to reveal something of the singer-songwriter's personal inspirations, but these revelations are islands in a stream of vocal stylings, lilting like tendrils through a tapestry of rhythmic strums, droning, hums, and filigree. A muted monument of home-spun, dyed-in-the-wool California by way of the Milky Way sound, Jessica Pratt may be compared to many a laudable singer-songwriter forebear, but she is most definitely in a league of her own.

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my top 50 albums of 2015...

Posted by Brad Schelden, December 18, 2015 05:15pm | Post a Comment

top 50 albums of 2015















julien baker
#1 Julien Baker - Sprained Ankle (6131 Records)
These are truly the kind of albums that I live for every year. They just seem to come out of nowhere. I knew after listening to the first song that I was going to love this album. She is sort of like a young Chan Marshall of Cat Power. A beautiful and haunting voice that I just can't resist. An album I want to listen to again as soon as it ends. I have always been a fan of anything Mark Kozelek and Bill Callahan. All things dark and introspective. And she will fit nicely on your shelf next to those artists. I never find music like this depressing. There were a lot of great albums out this year but it was sort of hard to come up with my favorite of the year. But as soon as I finished this album for the first time I knew that I had found it. A perfect album.

tamaryn#2 Tamaryn - Cranekiss (Mexican Summer)
This is the third album by Tamaryn but my favorite by them so far. And it is really rare to make an album this good on your third try. A perfect album for fans of anything dream pop or shoegaze. Tamaryn often sounds to me like 90s shoegaze greats like Cocteau Twins, Cranes or Curve. I have spent a lot of time with this album this year. The perfect album for long drives home from work. I can never get enough of this genre and am so happy that bands keep putting out albums like this.

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Album Picks: Beach House, The Weeknd, Tamaryn, Destroyer, Yo La Tengo, Tijuana Panthers

Posted by Billy Gil, August 28, 2015 11:30am | Post a Comment

Beach House - Depression Cherry

beach house depression cherry lpBeach House’s latest album strips back some of the pop shimmer of their last two albums while maintaining the more confident songcraft they started debuting on 2010’s Teen Dream. It’s a bold move, and one that proves to be the right one for Beach House, as they’ve kept the reins on their trajectory and integrity while furthering the quality of their songwriting. First single “Sparks” is a powerhouse shoegazer that showcases the duo’s strengths, pairing Alex Scally’s emotive guitarwork with Victoria LeGrand’s lush, layered vocals. “Space Song” is a luscious, swaying love song built on a bubbling synthesizer and sighing guitar slides. “10:37’s” deliberately chintzy drum machine keeps time like a cheap alarm clock while Legrand’s vocals and synths float by hazily like nighttime clouds. Album highlight “PPP” reimagines girl group devotion in a serpentine, whispery ballad that ranks among the band’s finest songs. You might miss some of Bloom’s bombast, but you also can’t argue with the quality here. Beach House remain the most consistently great band of their ilk on another album of uncommon, unflinching beauty.

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20 Albums to Look For at the End of Summer

Posted by Billy Gil, August 25, 2015 01:16pm | Post a Comment

albums end of summer

Summer isn't over yet, and there are tons of great releases coming in the next few weeks. Check out our list of 20 upcoming albums, including new records from Lana Del Rey, David Gilmour, FIDLAR and more.

Beach HouseDepression Cherry

beach house depression cherry lpOut Aug. 28

Beach House’s latest album strips back some of the pop shimmer of their last two albums while retaining the more confident songcraft they started debuting on 2010’s Teen Dream. First single “Sparks” is a powerhouse shoegazer that showcases the duo’s strengths, pairing Alex Scally’s emotive guitarwork with Victoria LeGrand’s lush, layered vocals.

 

DestroyerPoison Season

destroyer poison season lpOut Aug. 28

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Albums Out 10/16: Chelsea Wolfe, Godspeed You! Black Emperor, Mac DeMarco, Pinback, Tamaryn and More

Posted by Billy Gil, October 15, 2012 07:00pm | Post a Comment

Album Picks:

Chelsea WolfeUnknown Rooms: A Collection of Acoustic Songs

Chelsea WolfeCD $9.98

LP $16.98

Download

The electric touches to Chelsea Wolfe’s doom-folk sound are nice window-dressing, but as Unknown Rooms shows, they’re not necessary — perhaps even a distraction — from conveying the gothic folk sound Wolfe built on her previous two albums. Stripped of nearly all else except acoustic guitar, exquisite violin and viola, and Wolfe’s arresting voice, Unknown Rooms is Wolfe’s strongest statement yet. In “The Way We Used To,” which Wolfe’s voice expresses the soulfulness always lurking in the shadows of her sound, harmonizing a simple vibrato vocal line to great effect as Wolfe’s voice gets higher (and more emotional) than she’s ever shown before. “Spinning Centers” takes a similar cue, using singsongy vocals in an ever-so-unsettling backdrop to create a beautiful kind of witchy music that suggests something ancient and beyond simple explanation. A song title like “Appalachia” would imply an exercise in Appalachian folk reverence, but in practice the song’s almost harsh, trudging nature makes it into a woodsy elegy. Her voice and delivery occasionally draw comparison to PJ Harvey, a tough comparison that could drag her down, but Wolfe ensures her music is distinctive enough that she’s considered more than merely a Harvey disciple. The distinctive quality of the incantations in “Boyfriend” and mandolin-esque vocals of “Our Work Was Good” alone make Wolfe sound like the leader of her own cult, one which will surely grow with the release of this excellent work. Chelsea Wolfe will be at Amoeba Hollywood Sunday Oct. 21 to perform at 5 p.m. Be there!

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