Amoeblog

Best 11 Films of 2011

Posted by Charles Reece, January 8, 2012 11:25pm | Post a Comment
Last year wasn't too good for movies, but it was great for scores. I can't remember a year where I listened and re-listened to so much music from films: Cliff Martinez electronic-based Drive, Contagion and The Lincoln Lawyer; Alexandre Desplat's The Tree of Life and The Ides of March; Alberto Iglesias' The Skin I Live In and Tinker, Tailor, Soldier, Spy;  and, probably my favorite of the year, The Chemical Brothers' Hanna (much better than Daft Punk's overrated TRON: Legacy). I'll be surprised if any but Desplat gets nominated for an Oscar, though. Another likely Oscar candidate is Atticus Ross and Trent Reznor's The Girl with a Dragon Tattoo, which I really liked, but haven't yet had a chance to listen to it independently of the film. And Jeremy Schmidt's analog sound designs for Beyond the Black Rainbow are amazing (somewhere in the territory of Wendy Carlos' The Shining), but I'm not quite sure what's diegetic and extra-diegetic until an album is released.

As for my list of best films: most of these I enjoyed some parts of, while not exactly the whole. I'd say the overall best of the bunch are Tinker, Tailor, Soldier, Spy, Meek's Cutoff and Super, but my favorite sequences of the year came from Hanna, Drive and Beyond the Black Rainbow.

13 assassins poster kevin graham poster
13 Assassins - Takashi Miike

I never seem to tire of action films questioning when it's appropriate or moral to use violence. As I previously discussed, 13 Assassins does a good job of critiquing the aestheticization of violence while aestheticizing the violence. 

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Masked Vengeance: Super (2011)

Posted by Charles Reece, April 17, 2011 08:22pm | Post a Comment
super poster boltie

In Dan Clowes' Death-Ray, the titular hero doesn't discover a greater sense of responsibility with his newfound powers (à la Peter Parker), only a fascistic resolve in settling petty grievances. James Gunn uses a similar approach in critiquing the superhero costume in Super. His heroes, The Crimson Bolt and Boltie, aren't super-powered, just a couple of individuals who wear masks and deliver vigilante justice -- in a word, sociopaths. Just like Batman, the mask is used to disguise a personal revenge motive: a drug dealer has wooed away The Bolt's wife not through some mind-control apparatus, but because the dealer is better looking and his life more enticing than the hero's secret identity as a fry cook. The film takes every right turn, mixing pathos and humor, demented fantasy and realistic violence, convention and critique into one of the best dark comedies about the depressing nature of fanboy fetishism we're likely to get. Much better than Suckerpunch.

April 4, 2011: Super

Posted by phil blankenship, April 4, 2011 10:33pm | Post a Comment
Super movie ticket stub Laemmle Sunset 5