Amoeblog

Yet More One Album Wonders

Posted by Eric Brightwell, September 22, 2014 04:00pm | Post a Comment
Here is an additional edition of my series of great, mostly obscure, one album wonders. In the album era (roughly the mid-1960s until the mid-2000s), the album was the dominant format of recorded music expression and consumption. It seems that most musicians from that era, if able to scrape together the funds for the recording of one studio album, generally returned with at least one more.  Some, like Sun Ra, somehow released more albums than I've had hot dinners. Even most excellent bands, in my opinion, would have done well to find something other to do with their time rather than keep making records after their fifth album or twelfth year (although there is the Go-Betweens Exception). The following acts mostly date from the Golden Age of the LP -- and yet were unable or unwilling, in all cases, to record more than one. 

*****

ORGANISATION - TONE FLOAT (1969)

Organisation - Tone Float

Although most musicians associated with the Krautrock scene usually argue that it didn't even exist as such except in the collective conscious of British music critics, on first spin of Organisation's sole album, Tone Float, the discerning listener will have little doubt that the album is a product of late-1960s/early-1970s Dusseldorf

Heading Organisation were Florian Schneider and Ralf Hütter, who famously went on to form Kraftwerk and have almost as famously been unfairly sniffy about their excellent pre-Autobahn output. Organisation's only album was produced by Konrad "Conny" Plank and, since its 1970 release by RCA Victor, has long been out-of-print. The other members of Organisation were Basil Hammoudi, Butch Hauf, and Fred Monicks. After the band's disorganisation Hammoudi joined another one album wonder, Ibliss, who released Supernova in 1972. 

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The 90s...the best albums of 1993...

Posted by Brad Schelden, November 18, 2012 12:38pm | Post a Comment
1993 and 1994 are probably two of my favorite years of the 90s. These were the best years of Britpop. Some amazing years for British music. Suede, Blur, Pulp, & The Verve all had amazing albums out these years. I had always been into British music since I remember ever being into music. New Wave & Goth in the 80s. And now Shoegaze & Britpop in the early and mid 90s. I gave myself a couple of rules when making these lists for the top ten of each year. I made sure to only pick one album for each artist. I didn't want the list to be a Blur and Suede album every year. So I picked my favorite album from each of those artists. And for the most part my favorite album was the album that introduced me to the band. Not necessarily the bands first album. But my first album by that band. The album that I think of when I think of that band. There are three American bands on my list this year. Still outnumbered by the British bands of course. I had for the most part stopped listening to the radio in 1993. Most of the bands I found out about were from 120 Minutes or Alternative Nation. I was also heavily influenced by my friends and roommates in 1993. This was the first year that I heard Suede, Slowdive & The Verve. I think I probably saw a Suede video when I heard them for the first time. I was hooked within the first couple seconds of the video. This was the band for me. I couldn't get enough of them throughout the rest of the 90s. I was already familiar with Blur but 1993 was really the first year that I really got obsessed with them.  Saint Etienne and Catherine Wheel were probably the albums that I listened to most this year. Where You Been by Dinosaur Jr.Star by Belly just barely didn't make my top ten this year. They were also both listened to a lot by me in 93 and 94. Here it is...my top 10 albums of 1993...

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out this week...5/31 & 6/7...depeche mode remixes...suede reissues...

Posted by Brad Schelden, June 9, 2011 12:15pm | Post a Comment
depeche modeDepeche Mode have always been know for their remixes. They take this stuff seriously. These are not just your everday remixes. This is the good stuff. I am actually not even really a fan of remixes. I mostly associate them with artists like Cher and Madonna. But the remix can be an awesome reinterpretation of one of your favorite songs. Depeche Mode and the artists that remix them usually take a song and create a whole new song. Sometimes it might take you a minute to even place the song. They have also been know to make a mediocre song great. And a great song amazing. They released their first collection of remixes back in 2004. Remixes 81-04 was available as a 3CD set and a single disc set. They had also released their fancy single box sets years early. These six box sets included all of their original singles with the b-sides and remixes. Butdepeche mode this new collection went a bit farther and included mostly remixes that I had never heard before. I listened to these remix albums for months. I have loved this band since I can remember loving anything. So it is always fun to hear a new version of one of your favorite songs from your youth. I really didn't think there were very many more remixes out there. But Depeche Mode has done it again and released another 3CD set of remixes. Depeche Mode Remixes 2: 81-11. This collection covers the period between 2004 and 2011 not covered on their last remix album. But it also goes deep into the early years as well. It includes remixes of Strangelove, World In My Eyes, Never Let Me Down Again, Leave in Silence, Puppets, A Question of Time, Everyting Counts, & Happiest Girl. As you would expect, this new compilation of remixes is amazing. It is obviously not meant for anyone who is not a fan of the band already. If you don't like Depeche Mode then you will not be liking these remixes. But if you are a fan then you are in for a treat. I will probably be listening to nothing but Depeche Mode for the next couple of weeks. If you were one of the lucky ones then you may have also picked up the limited edition remix 12" available with purchase of this new album. We only got a handful unfortunately.

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out today 8/26...the verve...the week that was...

Posted by Brad Schelden, August 28, 2008 01:51pm | Post a Comment
blur
There are many bands over the years that I have been obsessed with. At one point it was Depeche Mode, The Cure, and The Smiths. Then it was Suede, Pulp, Blur, and The Verve. Once your obsession reaches a certain point, I think it never really goes away. Part of it is always there or it just builds and gets bigger and stronger. I have no doubt that these bands will be with me the rest of my life. Depeche Mode and The Cure are my Rolling Stones and The Who. The Smiths are my Beatles. My obsession can live on in Morrissey's solo career much like that of Paul McCartney does for fans of The Beatles. The Verve could not have come at a better time in my life. I sort of needed them. I needed a new band to latch on to and get obsessed with. My shoegaze bands like Ride, The Pale Saints, and Slowdive were starting to break up and dissolve away. The first Blur album had come out a couple of years prior to 1993, but I didn't really get into them until 1993. This was the year of the first Verve album, A Storm in Heaven and also the year of Blur's second album, Modern Life is Rubbish. The album that really made me a fan. 1993 was also the year of the self titledthe-verve album by Suede and my first Pulp album, His 'N' Hers. Pulp had already been around for a decade or so but I had never heard of them until 1993. I suddenly had all these new bands to obsess over. The albums were all excellent and easy to get obsessed with. Many of my friends, and most everyone else in the world, were all into Oasis, but I remember seeing Oasis in some interview and right then deciding that I didn't want to like this band..but they obviously played a part in this period of music. Their debut album Definitely Maybe would come out a year later in 1994. These bands were also all over the magazines and a lot of my friends were also getting into the same bands. It was just an exciting time for music.

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coming out today 11/20...rhino brit box...

Posted by Brad Schelden, November 20, 2007 10:49pm | Post a Comment
Rhino has finally decided to put out a special box set just for me. If I could imagine up any box set to best describe me and capture my little world of music, it would look something like this new brilliant box set released today by Rhino. The new "Brit Box" is a 4 cd set of the british music from the 80's and 90's that made me who I am. I have many mix tapes that resemble a lot of what is included in this box. Some of them made by me and many made by friends. I can remember the exact moment that I heard some of the songs on this box for the first time. The exact moment that I went to a record store in search of the albums from these artists. There are 78 songs by 78 different artists in this box.

The box is officially called "The Brit Box: U.K. Indie, Shoegaze, and Brit Pop Gems of the Last Millennium." It really looks awesome. The box is shaped like one of those red telephone booths in England. I have never seen one up close but we all know what they look like. It even has a working light. It also comes with an 80 page book of interviews and photos. It includes essays by Alan Mcgee, Stephen Street, and Alan Moulder. It drives me a little crazy when box sets or collections have a random order to the track listing. So it made me happy to see that the tracks are all in a basic order. The box set is not perfect. But it comes really close. I own or have owned at one point almost all of the songs in this box. If I didn't own one of the albums that all these songs were on, then I definitely had a close friend that did. I might have picked a couple different songs for some of these artists and I probably would have included a couple more artists. But overall, the box is very impressive. I really can't wait to open one up and read all those interviews and stories in that fancy little booklet. And I can not wait to listen to all these songs again. I have never stopped listening to most of the bands in this box. The Smiths, Cocteau Twins, My Bloody Valentine, The Stone Roses, Lush, Suede, Blur, & Pulp remain some of my favorite bands. It is really hard to even put into words the lasting effect that these bands have had on me and on a whole generation of music fans.

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