Amoeblog

Boris: Heavy, New and Noteworthy

Posted by Kelly S. Osato, July 7, 2010 01:03am | Post a Comment
Boris live atsuo wata japanese rock band
It may seem like Boris has been keeping uncharacteristically quiet of late, but get ready kids! This summer will be anything but restful for the tempestuous trio, what with a US/Canada tour kicking off in San Diego later this month and a handful of new and noteworthy releases, not to mention the latest news that Boris has surprisingly teamed up with the Cult frontman Ian Astbury. Merely imagining how frightfully massive Astbury's god-like vocal contribution to Boris' patent wall of sonic, hard-rocking excess could be on BXI --- their collaborative EP to be released by Southern Lord on CD and 12" this September --- has got this fan all in a fluster of anticipation. The audience-realness perspective of the video below aside, if seeing this new Boris/Cult thing unfold onstage via a cover of the Doors "This is the End" doesn't spark your fire then you ought to get your tinderbox checked.



Until they grace the stage in my hometown I'll have to make do with the latest imported Boris offering, Variations + Live -- a deluxe greatest hits CD of sorts comprised of several re-recordings and reinterpretations of thirteeBoris variations + live CD DVD import inoxia records greatest hits michio kuriharan well-loved Boris rockers featuring part/full-time axe-master Michio Kurihara on guitar and a bonus DVD of the band playing live in Japan. If Heavy Rocks and/or Akuma no Uta is/are among your most treasured Boris albums this'll have to be a must-have, as the newly recorded versions of "Korosu," "1970" and "Naki Kyoku" shalt surely melt ye face. Variations + Live is available now at Amoeba Music in San Francisco; act fast. 

Boris' Golden Dance Classics

Posted by Kelly S. Osato, September 12, 2009 01:32pm | Post a Comment
boris spilt golden dance classics with 9dw on catune records
New Boris vinyl. Some of you are drooling at those words and others are heaving a sigh and moving on. The good news is that it's in the store now, stocked in quantity and cheap! The bad news is that there is no bad news unless you think the title Golden Dance Classics bodes ill, and for some of you it will. The A-side consists of two dance-perfect, disco/electronica trips courtesy of 9dw (the artist who initiated this release as a result of their fifteen year friendship with Boris) and the B-side: two new songs from Boris that check into a crossover grey area wherein some decidedly experimental compositions mix loose, simplified electro dance rhythms with Boris' signature guitar-bloodletting, wall of sound hugeness. Don't knock it 'til you've tried it --- I'm pleased to say I like it very much!

If you're afraid to try it, never fear, Boris will be releasing the first in a set of three sequential picture disc 7" records full of new "heavy" works on Southern Lord by month's end (the other two following in October and December) which ought to pack at least one fog-bomb tremblor for all the droners to nod off to (personally I cannot wait to hear the track "Heavy Metal Addict" slated to appear on the October release --- now that is a song I've been supporting 200% since I was thirteen years old). In the meantime, if you're into that pesky "allkindsamusic" genre, which is what happens to most folks who find themselves working in any branch of the music business for any length of time, you'll probably dig on this quirky split from Catune records. 

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BORIS

Posted by The Bay Area Crew, October 20, 2007 11:32pm | Post a Comment
The growth of the Japanese band Boris' popularity in America is a perfect example of life imitating art. Their songs—droning metal scapes that can last over 45 minutes--  start with the merest hint of sound and then build to high, layered crescendos of noise.


Boris has been around since 1992, but only really gained a foothold in the states after Southern Lord began reissuing their catalog here. A successful appearance at South By Southwest this year also increased their profile in American music press, who adore them. So, like their songs, they have been lurking quietly in the background and have slowly but surely increasing their volume here over 15 years.  

This was apparent at their Amoeba in-store early in October. The place was packed with long hairs, noise geeks, and anyone else who wanted to spend their Saturday afternoon going deaf.  "Akuma no Uta is the best album ever!" yelled someone from the crowd as the band took the stage.

The band's three members, Atsuo, Takeshi, and the only female member, Wata-- a mother and could be seen carrying around her toddler who was wearing airline-grade ear protection—calmly got behind their instruments and began playing what would end up being one drawn-out song for nearly 40 minutes. It started as a slow steady background drone, then began to soar and climb with skittish metallic sounds that could only be described as "bubbly." At times it sounded like a jet beginning take-off, and by the time the drums kicked in and the main crescendo took hold, there was little doubt in the room that this was one of the best bands on earth.

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