out this week...11/21 & 11/29...soundtracks!!!...the artist...a dangerous method...the muppets...hugo...war horse...the descendants...the skin I live in...

Posted by Brad Schelden, December 1, 2011 05:45pm | Post a Comment
It is now December 1st and officially the last month of the year. Only Twenty Four Days until Christmas. And the Oscars are just around the corner. The Golden Globe Nominations come out Thursday December 15th. The Golden Globes Ceremony is Sunday January 15th. The Oscar Nominees are announced Tuesday January 24th. And the Oscars are on Sunday February 26th. Most of the nominated movies are released in these last couple of months of the year. And most of these movies have some great scores and soundtracks to go along with them. I like to think of it as soundtrack season as well. I almost love soundtracks as much as I love movies. It really is one of my favorite things about watching movies. The music is often what really makes me fall in love with the music. It is those cinematic moments with no dialogue and just the music that I really appreciate most.

Two of my favorite movies of the year so far came out a couple of months ago. Both Beginners and Drive are two of my favorites and they both have great soundtracks to go along with them. The Drive Soundtrack features songs from The Chromatics and Desire and an amazing score by Cliff Martinez. Beginners features songs from Jelly Roll Morton, Josephine Baker, and Mamie Smith. Another one of my favorite films of the year was the latest by Woody Allen. However, Midnight in Paris did not get a proper soundtrack release. The Soundtracks to Drive and Beginners are out now..



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More Journeys Off the Beaten Track

Posted by Rick Frystak, November 29, 2011 04:44pm | Post a Comment

Peter Michael Hamel
Vertigo 6641 055, 1972

2-Lp set on German Vertigo circa 1972 brings us a spiritual journey of minimalism and creative spark, alone in the studio…tape running and overdubbing, often not listening to the previously recorded material. Hamel was doing multi-tracked organ, synths, piano and percussion in Germany at the same time as Riley, Glass and those guys were, quite forward-thinking. He worked with maestros Joseph Anton Reidl and Luc Ferrari, but never went in that conrete’ or collage direction as a style musically. Terry Riley is still doing live organ pieces just like these herein, and classical composers have struggled with this style for decades. Here in these discs we have 2 luscious sides of organ and synthesizer pieces with each instrument “beating” or modulating the other, simple rooted tones yet always moving with melody and logic; 1 side of prepared piano with a Cage influence, yet Hamel shows his prog/pop and Indonesian gamelan inclinations rhythmically and tonally. Nice! The last side is synthesizer overdubs with water and breath sounds, owing to Hamel’s heavy spiritual side and his immersion in this new minimalism. This record is still fresh now, and vibrates with a wonderful, contemporary accessibility and creative spark even after nearly 40 years. And this 2-disc set on Vertigo vinyl is rarer than a 2-dollar bill at this point.


Pat Martino


Prestige 7547, 1968

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(In which Job introduces the character Ryan.)

Posted by Job O Brother, February 21, 2010 06:56pm | Post a Comment

Ryan "Mouth-hole" Cassano

This weekend I played host to a friend of mine, Ryan “Mouth-hole” Cassano, who was visiting from my beloved home town of Nevada City, California. He had come to investigate 1980’s video arcade games and literature concerning it for some future enterprise that I’m not at liberty to divulge but involves alcohol, supermodels, and rooms of plastic balls.

He met me after my hard but spiritually fulfilling shift at Amoeba Music Hollywood, waiting out the last few minutes of my shift by browsing the clearance section of soundtracks, where he found two items that made him squeal like a flame-covered, 500 pound, chocolate gorilla who sounded like a happy little girl: the soundtrack to the film Kill the Moonlight (which features some very early work by Beck), and to the documentary King of Kong: Fistful of Quarters.

The latter was serendipitous, as it was related to his arcade quest. In fact, he was traveling with a copy of that very film and insisted I watch it with him. I told him he wasn’t the boss of me and I can do whatever I want and I hate I hate him I hate him, then we drove back to my place for a home-cooked dinner of gimlets.
Just like Ma used to make!

I introduced him to the refined art of Tom of Finland, who’s work is so lovingly collected in my Taschen art book. He found it deeply educational and oftentimes frightening. Imagine my embarrassment when, half way through flipping through the book, I realized it was a souvenir photo album of my trip to the Anne Frank House! A common mistake, sure, but no less silly.

Puzzler: Can you tell which one is which?

After half an hour of explaining to him the difference between gay sex and the methodical genocide of six million people, we decided to go to bed.

"It's the MOST... jazziest tiiime of the yeeear...!"

Posted by Job O Brother, August 24, 2009 01:03pm | Post a Comment
jazz posterdrums

I know it’s probably plastered all over your calendar already, but just in case you didn’t know, this is Jazz Week at Amoeba Music Hollywood. This means that, in addition to our normal, totally tubular jazz selection, we’ve squeezed in some additional, choice inventory, plus we’re hosting jazz-spinning DJ’s and such. I think I saw a colorful banner with the word “JAZZ” in bold letters somewhere, too. I mean, people – come with your party hats on!

The back room of Amoeba Music Hollywood is what we call the “jazz room”, though it hosts many other genres of music*, one of which is the Soundtrack section, where I’m most oft found. Some well-meaning employees once tried to get people to nickname the room “jazzical” for the large section of classical music that frames the opposite side from jazz, but it never stuck, partially because people were so accustomed to saying “jazz room” and partially, I’m assuming, because saying “jazzical” makes you feel like an effeminate fat kid, which isn’t a fresh sort of feeling at all.

“Can I have some more toffee and McMuffins? They’re jazzical!”

Within the soundtrack section are some great jazz albums, which will be the focus of this blog entry. So for those of you hoping for a 500 word exposé on actress Edie McClurg, I’m sorry but this isn’t the blog for you.

Bollywood Cover Gallery 2

Posted by Mr. Chadwick, August 15, 2009 02:40pm | Post a Comment

A continuation of yesterday's theme, I've decided to include a clip from the film Kranti, as the movie deals with the beginnings of the Indian struggle for independence from colonial rule. Yeah, nationalism is a main theme in Bollywood film, but Kranti is especially inspired. Enjoy!

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