Amoeblog

Major Vinyl Action In Hollywood!!!

Posted by Mr. Chadwick, October 23, 2009 04:45pm | Post a Comment
toe fatsonic youth kill yr idolsj.g. thirlwell steriod maximustaxi driver sweet thunder pressing
tito duarte i am the bossariel punk's haunted garage undergroundarti e mestieri giro di valzer per domanidane sturgeon wild n tender
la banda de don filemonchristening for listening steven halperngasolin' test pressingearth hex grey vinyl

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out this week...6/2 & 6/9...sonic youth...deastro...placebo...patrick wolf...

Posted by Brad Schelden, June 11, 2009 11:58am | Post a Comment
brian moloko placebo
I always get excited whenever there is a new Placebo album. They never let me down. I was bit by the Placebo bug many years ago, back when they just had a small little self titled album in 1996. I think I probably saw them on the cover of a magazine before I actually ever heard the album, but I quickly became a big fan. I loved anything British at the time, and especially anything that was a little bit dark and weird. Brian Moloko was an intriguing man. I have seen him live many, many times and read tons of interviews but still don't really have him completely figured out. But that just makes him all the more interesting. Like many of the other bands that I have stuck with over the years, I associate each of their albums with a time in my life. The albums sort of organize my life for me into more organized sections than I could create myself. The first self titled album came out before I had moved to San Francisco. It actually came out in July, which was the month before I moved to San Francisco from Santa Barbara -- so my new life actually did start with the very first Placebo album, but I didn't really get into it until after I had moved. I listened to it a lot over the years. Often I would listen to it between albums. It helped fill the void when there wasn't a new album by them. Highlights of placebo placebothe album would be "Bruise Pristine," "Lady of the Flowers" and "36 Degrees." But "I Know" is the song that gets me every time I listen to this album. It breaks my heart a little bit, but in a good way. This whole album can really do no wrong for me. The second album, Without You I'm Nothing, came out in 1998 after I had been in San Francisco for a couple of years. This was probably the height of my Placebo obsession, although it honestly has never ever gone away. This was the first tour I saw with them and I was hooked for life after this. I really couldn't get enough of this album. It was a dark and depressing one, but I can't tell you how many times I listened to the song "Without You placebo without you i'm nothingI'm Nothing." It pretty much became the song I would always listen to after the end of any relationship. It always seems like a long song so you can go through a rollercoaster of emotions in just that one song. My other favorites on the album are "My Sweet Prince" and "Every Me Every You." I forever associate this album with my early years in San Francisco. I grew up a lot in these years but also experienced some heartache.

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(In which we consider Peaches considering Joni Mitchell.)

Posted by Job O Brother, March 16, 2009 06:40pm | Post a Comment
fruit
This has been a busy week, dear readers. Lots of phone interviews, dinner parties, and soundtrack-slinging at Ye Olde Amoeba Music Hollywood.

I was gabbing with Peaches about her new album last Wednesday. It’s called I Feel Cream (release date in the U.S. is May 5) and it’s a blast! Definitely a departure from its predecessors, in that it’s more diverse in sound and moods. Peaches sings a lot more. There are moments where it sounds like the lovechild of modern R&B and older tracks by darlings of the Industrial genre, Front 242.

peaches i feel cream

Anyway, I asked her about musical influences that might surprise people (it’s already well documented that she loves hip-hop and rock ‘n’ roll). This led to her gushing about Joni Mitchell, and this performance in particular, which rocked her world:


That voice! A miracle. I just can’t get enough of it…


She really is one of my favorite things in the world of music, and while not everyone shares my passion for her sound, anyone who appreciates songwriting as a craft must acknowledge that, as a writer of music and lyrics, she remains one of the greatest artists of modern pop music. She’s credited with inventing about 50 different guitar tunings, and the list of musicians who cite her as an influence – Peaches included – reads like a Who’s Who of music.

SONIC YOUTH'S NEXT ALBUM ON MATADOR RECORDS

Posted by Billyjam, September 9, 2008 03:00pm | Post a Comment
          

Following much speculation, Matador Records has confirmed that they will be releasing the next brand new Sonic Youth album next year. The new studio album from Sonic Youth, the band's sixteenth, follows the legendary rock group's fulfilling their contractual obligations to the Universal Music Group.

According to the press statement by Matador, the New York label says it values "the opportunity to work in partnership with a group who've made such a profound impact on our roster/hometown/collective consciousness was one to jump at. Kim Gordon, Thurston Moore, Lee Ranaldo and Steve Shelley will commence recording the new Sonic Youth LP/CD this autumn and we look forward to sharing further details in the very near future."

For more information about the 31-year old group, including their traveling museum exhibition and their recently self-released CD (pictured left), check SonicYouth.com and also Matador Records' site.

PUBLIC ENEMY BRINGS THE NOISE TO IRELAND: PAUL LOWE REPORTS

Posted by Billyjam, June 10, 2008 09:41am | Post a Comment

In 1988 Public Enemy released their groundbreaking album It Takes A Nation of Millions To Us Back (Def Jam). 

In celebration of the twentieth anniversary of this historic hip-hop album (considered  by many to be the greatest hip-hop album ever), Public Enemy did some concerts in Europe as part of the Don't Look Back concert series, playing the entire album.

Don't Look Back is the concert series produced by All Tomorrow's Parties in which established artists perform in concert an album of theirs (generally an agreed-on classic release) from start to finish in its original sequence. Sonic Youth partook in the series when they performed their seminal Daydream Nation and Girls Against Boys did the Don't Look Back series last year when they performed their Venus Luxure No. 1 Baby, for which Johnny Temple of the group was interviewed for the Amoeblog.

For the recent Public Enemy Don't Look Back performances of It Takes A Nation Of Millions To Hold Us Back, they did a short series of shows, including stops in Manchester, England and in Dublin, Ireland.  Tall Paul Lowe, today's special guest Amoeblogger, attended the group's Dublin, Ireland performance two weeks ago (5/25), which was at the Tripod in the Irish capitol. Paul's report follows, below the track listing to the classic 1988 LP. Note that the photo above and the photos below of Public Enemy in Dublin two weeks ago were all taken by Tall Paul Lowe.

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