Amoeblog

10 Bands We'd Like to See Reunite

Posted by Billy Gil, January 29, 2014 11:11am | Post a Comment

Two of our favorite bands of all time — OutKast and Slowdiveare officially reuniting. OutKast announced it a couple weeks back, with news that the Southern rap legends will headline Coachella and play Governernor’s Ball in New York, though it seems likely we’ll see another Big Boi album before a new OutKast album (and we’re OK with that!). Meanwhile, shoegaze titans Slowdive yesterday confirmed rumors (that they themselves flamed) that they’d reunite, playing Primavera in Barcelona in May and “a couple of gigs,” including a show at Village Underground in London May 19 (better book your tickets now!), in order to raise funds for a new LP.

With those two reunions locked down, we thought we’d turn our attention from bands we liked that reunited to bands we’d like to see reunite.

Talking Heads

talking heads amoebaThis one seems a no-brainer. They exactly been quiet since they first broke up in 1991, from briefly “reuniting” onstage in 2002 to play three songs for their Rock and Roll Hall of Fame induction, to David Byrnes solo career (including a one-off album with St. Vincent), to the other members’ activity, including The Heads and Tom Tom Club. And the band seems more popular and prescient than ever. So, everyone’s still alive and working.

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Albums Out Dec. 4: Scott Walker, Memory Tapes, Dream Boat and More

Posted by Billy Gil, December 3, 2012 05:55pm | Post a Comment

Scott Walker - Bish Bosch

Scott Walker Bish BoschCD $13.98

LP $29.98

DOWNLOAD $9.98

Bish Bosch not only completes a trilogy of some of the most remarkable albums of the past 20 years — Scott Walker’s Tilt and The Drift — it makes three astonishing, dense and challenging (yet rewarding) albums released this year, alongside Godspeed You! Black Emperor’s post-rock opus Allelujah! Don’t Bend! Ascend! and Swans’ divinely nasty The Seer. The album begins at its most difficult, with Walker wailing about “plucking feathers from a swansong” over brutal industrial beats and metallic guitars. This gives way to the surely divisive “Corps de Blah,” a 10-minute song that starts with Walker alone, singing with minimal accompaniment by electronic noise before he’s joined by atonal strings, relatively comforting guitar ambience (given the company its in), dogs barking and, finally, Walker singing about “sphincters tooting a tune” and picking scabs while actual fart sounds squelch in the background like horns. The song may leave some wondering if Walker has truly lost it — horror-movie lines like “nothing clears a room like removing a brain” don’t help — but it ultimately does what Walker does best: provoke. After all, why not use flatulence, something every person lives with daily, as a percussive instrument, and treat a lover as a scab lyrically? Amid lyrics which tough on the historical, histrionic and philosophical, “Corps de Blah” clears the air (ahem) a bit on Walker’s pretensions. It is painfully real, to the point that many will likely dismiss the song as infantile when its taboo subjects represent basic, ugly human elements those same people would wish away into non-existence. But this is still a rock album of sorts, and songs like the bleak-rock of “Phrasing” and heavy avant-jazz of “Epizootics!” offer more immediately grabbing moments than, say, “SDSS14+13B (Zercon, A Flagpole Sitter),” perhaps the aural equivalent of flagpole sitting (an early 20th century practice of sitting atop a flagpole for days, hoping to break the last man’s record) as it runs past 20 minutes of Walker’s id run wild. Much more instantly pleasurable albums have been released in 2012 than Bish Bosch, but perhaps none is more daring.

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The 90s...the best albums of 1993...

Posted by Brad Schelden, November 18, 2012 12:38pm | Post a Comment
1993 and 1994 are probably two of my favorite years of the 90s. These were the best years of Britpop. Some amazing years for British music. Suede, Blur, Pulp, & The Verve all had amazing albums out these years. I had always been into British music since I remember ever being into music. New Wave & Goth in the 80s. And now Shoegaze & Britpop in the early and mid 90s. I gave myself a couple of rules when making these lists for the top ten of each year. I made sure to only pick one album for each artist. I didn't want the list to be a Blur and Suede album every year. So I picked my favorite album from each of those artists. And for the most part my favorite album was the album that introduced me to the band. Not necessarily the bands first album. But my first album by that band. The album that I think of when I think of that band. There are three American bands on my list this year. Still outnumbered by the British bands of course. I had for the most part stopped listening to the radio in 1993. Most of the bands I found out about were from 120 Minutes or Alternative Nation. I was also heavily influenced by my friends and roommates in 1993. This was the first year that I heard Suede, Slowdive & The Verve. I think I probably saw a Suede video when I heard them for the first time. I was hooked within the first couple seconds of the video. This was the band for me. I couldn't get enough of them throughout the rest of the 90s. I was already familiar with Blur but 1993 was really the first year that I really got obsessed with them.  Saint Etienne and Catherine Wheel were probably the albums that I listened to most this year. Where You Been by Dinosaur Jr.Star by Belly just barely didn't make my top ten this year. They were also both listened to a lot by me in 93 and 94. Here it is...my top 10 albums of 1993...

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(In which we go north, young man.)

Posted by Job O Brother, September 25, 2012 12:29pm | Post a Comment
buddies
The author, the boyfriend, the other dude

Oh, hello! Where the heck have you been?

I myself have split the last two months between Nevada City, California and New York State; I’ve been away from home so much that when the boyfriend made himself a latté in our kitchen I was pleasantly surprised to remember we had an espresso machine at all.

“I love this place!” I exclaimed.

“Uh, yeah…” he said, “It’s our home.”

“Well I’m totally going to give it a good Yelp review.”

We flew in yesterday after week-long preparations for the wedding of our friends, Cameron and Anna. It was a very romantic ceremony, even to someone like me who hates love. (I’m being hyperbolic – I don’t hate love, I just think it’s difficult to wear well and makes most people look fat.)

That our dear friend Cameron got married is nothing short of a small miracle. This is the man who spent nearly every day I knew him locked in his room playing cello - not exactly the best way to meet chicks. Only occasionally would he leave his bedroom to make Blanquette de veau and watch Tim & Eric Awesome Show, Great Job!

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In Praise of the “Troubled” Artist and Bloated, Overreaching Album

Posted by Billy Gil, August 9, 2012 05:21pm | Post a Comment
smashing pumpkinsToday I woke up with the song “Raindrops + Sunshowers” by The Smashing Pumpkins in my head for no particular reason. I was grateful — despite the dubious quality of that syrupy, electro-shoegaze song, the tunes that usually populate my head first thing in the morning aren’t usually the kinds of things you actually want to hear upon waking. Nu Shooz's “I Can’t Wait” is great and all, but waking up humming it, as I often do, is like being slowly slapped awake. But I digress. Why the hell I was humming a not-great song from my favorite band’s worst album, who knows. But I relistened to Machina later in the day, trying to avoid fast-forwarding to the good bits and listening to the regrettable parts, just as I had with the recently released (and recently troubled) Oceania, and realized part of the fun of a band like The Smashing Pumpkins is the digging. Make no mistake, digging is not necessary on Siamese Dream (or Adore or the recently reissued Pisces Iscariot, in my book), but even on their other great albums, Mellon Collie, Gish and Machina II, yeah, there are parts you want to skip past. I’d say that’s true of most bands. But what sets the band apart is not only how frustratingly uneven they can be, as I’ve had to admit over the years, but how much you still care about that band anyway.

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