I just went to go see the wonderful Sinead O'Connor this last Sunday at the fantastic Davies Symphony Hall. I absolutely love this venue. Not only is it a wonderful little venue with great architecture and sound but it is so close to my house. The only other time that I had been there was for the Margaret Cho show a couple of years ago. We had seats in the balcony this time, so it gave us a different perspective on the whole venue. It is nice seeing someone like Sinead in a venue where people usually see classical music and symphonies. The Margaret Cho show was great expect for the fact that we had a loud dude sitting behind us. He really felt a connection with Margaret and felt the need to yell out "true" after every single joke that she told. I can literally still hear the sound of his voice in my head.  Now it makes me laugh, but not so much at the time. Lucky for us, I don't think he was at this show. But we did have one of those dudes who likes to sing along sitting behind us. I am not sure if he wanted to show us how cool he was because he knew what the songs were before they even started. Or maybe he was just such a super fan that he could not hold in his excitement. There were many others that felt the need to clap during the first 30 seconds of most songs. It had Curt and I wondering why this always happens. I understand that they want to show the artist how much they love them. However, it seems that what they really want to do is show the rest of the fans what a bigger fan they are. These types especially like to clap for the more obscure songs as soon as they recognize them. I totally understand clapping after a song is over and I usually participate in this activity. But clapping and cheering at the beginning of the song just sort of ruins the beginning of the song. But then again, maybe people like Sinead would start crying and refuse to play the song if nobody clapped at the beginning. But I seriously doubt it.

Out today is the newest album from Sinead O'Connor. She has been busy the last decade or so putting out albums in every possible genre. After her first two amazing albums "The Lion & the Cobra" and "I do Not Want What I Haven't Got," she released an album of standards, "Am I Not Your Girl." The next album "Universal Mother" would be the last of the signature style she had created with the first two. After this was an amazing gospel style album "The Gospel Oak EP" which she had an amazing tour behind. After the mediocre "Faith & Courage" came an album of traditional Irish Songs "Sean-Nos Nau." Her next studio album was a reggae album "Throw Down your Arms." Not being anything close to a fan of reggae, I actually really liked this album. So now we have her newest album "Theology." The album consists of two discs. An acoustic "Dublin Sessions" disc, and a full band disc "London Sessions." The album does not really fall into any category. But it is for sure a Sinead O'Connor album.

There is nobody really like Sinead. Her amazing voice and style have always been one to make people love or hate her.
I have always been on the love side since I first heard "Mandika." I put it on the first make your own cassette compilation that I bought at the mall in the late 80s.  She has never hidden her political views and has often got into trouble because of it . I would love to see a documentary of her much like the one of the Dixie Chicks. Most artists seem to keep their beliefs to themselves in order to sell more records. Sinead is the second biggest selling artist in Ireland. Next to Enya of course.