Tyler, The Creator's 2016 Camp Flog Gnaw Carnival to include ScHoolboy Q, A$AP Rocky, Erykah Badu, Action Bronson, Death Grips

Posted by Billyjam, August 4, 2016 08:15pm | Post a Comment

Along with such other artist-curated music events as the Hierogplyics' annual Hiero Day, The Roots' Picnic, and Diplo's national touring Mad Decent Block Party, Tyler, The Creator's Camp Flog Gnaw Carnival proves that increasingly artists are taking further control of aspects of their careers. Once the domain of concert promoters, more and more artists have been producing or co-producing their own music festivals. MURS' sadly no longer, high-caliber indie hip-hop Paid Dues festival which, up until 2013, presented lovingly assembled hip-hop shows for the better part of a decade.

Although hard work even when these artists work in collaboration (such as Tyler the Creator whose teamed up with Goldenvoice), these artists are doing a damn good job presenting their own music festivals. Proof is evident in the line-up of artists, announced today, for the Odd Future star's 5th annual Camp Flog Gnaw Carnival taking place in LA in three months from now. Artists confirmed for this year's weekend long music event will include A$AP Rocky, ScHoolboy Q, Lil Wayne, Joey Bada$$, Action Bronson, Erykah Badu, Chance the Rapper, Death Grips, Flatbush Zombies, DJ Mustard, TOKiMONSTA, Pretty Lights, Kehlani, The Internet, Domo Genesis and, of course, Tyler, The Creator himself.  Check the flyer above for some of other artists on the line-up, with more names to be announced later. Tix will go on sale Monday, August 8th, for the two-day event (Saturday/Sunday, November 12th and 13th) that will take place in Los Angeles at Exposition Park.

The 25 Best Albums By California Artists Released in 2014

Posted by Billy Gil, December 17, 2014 03:50pm | Post a Comment

best california albums blog

From L.A. and S.F.’s garage rock scenes to Compton’s blossoming rap artists, California artists represented well in 2014. Here are 25 of our favorites from the year, in alphabetical order.

Allah-LasWorship the Sun

allah-las worship the sun lpOn Worship the Sun, L.A.’s Allah-Las get some dirt on their boots by scuzzing up their sunny surf-garage sound with some rattling guitar solos, stonery grooves (“Buffalo Nickel”) and head-spinning psych-rock tunes (“501-405”).



Cherry Glazerr Haxel Princess

cherry glazerr haxel princess lpCherry Glazerr had the debut record of the year for Burger Records, moving unstoppably on the strength of its garage riffs and singer/guitarist Clementine Creevy’s teenage caterwaul.

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Hip-Hop Rap-Up, Week End 04.04.14: CunninLynguists, Kev Brown, 9th Wonder, Zion I, Slum Village, Mobb Deep, DJ Shortkut

Posted by Billyjam, April 4, 2014 10:08am | Post a Comment

Amoeba Music Berkeley Hip-Hop Top Five: Week Ending 04:04:14

1) Freddie Gibbs, Madlib Pinata (Madlib Invazion)

2) CunninLynguists  Strange Journey Volume Three  (MRI)

3) 9th Wonder Jamla Is The Squad (Jamla Records/Empire Dist)

4) MindsOne & Kev Brown Pillars (Ill Adrenaline/Fat Beats)

5) Mobb Deep The Infamous Mobb Deep (Infamous Records)

Thanks to E-Lit at the Berkeley Amoeba Music store for running down all the new hip-hop releases this week that include the latest from North Carolina super-producer  9th Wonder Jamla Is The Squad on his Jamla Records label. Jamla is the Squad is a compilation featuring the singles "Be Inspired," "No Competition" and "15 Minutes of Fame" and, in addition to Jamla acts, showcases guest features from such non-label talents as Pete Rock, Phonte, Talib Kweli, and BJ The Chicago Kid. Real good album worth picking up as is the brand new one from Maryland  emcee / producer Kev Brown with MindsOne Pillars on Ill Adrenaline via Fat Beats that features such underground burners as "Equinox" (see music video below).

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Hip-Hop Rap-Up, Week End 03.07.14: Talib Kweli, ScHoolboy Q, Verbal Kent, Smif-N-Wessun, J-Dilla, DC Comets + more

Posted by Billyjam, March 7, 2014 12:44pm | Post a Comment
ScHoolBoy Q "What They Want (Explicit) (feat. 2 Chainz)" (2014)

Amoeba Music Hollywood Hip-Hop Top Five: Week Ending 03:07:14

1) ScHoolboy Q Oxymoron (Interscope)

2) J-Dilla Donuts [8 x 7" Box Set] (Stones Throw)
3) Childish Gambino Because the Internet (Glassnote)

4) Talib Kweli  Gravitas  (Javotti Media/Fat Beats)

5) Kendrick Lamar good kid, m.A.A.d city (Aftermath)

In the number slot with a bullet at Amoeba Music this week is the brand new ScHoolboy Q album Oxymoron care of Interscope Records who will be unleashing a vinyl version of the album in a few weeks (pre-order Oxymoron LP version here). This phenomenally successful new major label debut album from ScHoolboy Q, that also bowed at number one nationally on the Billboard 200 charts this week, follows up two extremely well received indie albums from the talented young hip-hop artist: 2011's Setbacks and 2012's Habits & Contradictions - in addition to his 2012 collaboration project with The Alchemist and Danny Brown, Flight Confirmation.  Q is down with Kendrick Lamar and along with the the good kid, m.A.A.d city artist (the 2012 release that is still charting at Amoeba) he is also signed to Top Dawg Entertainment who made a joint-venture deal with Interscope Records to release this first No. 1 for Top Dawg. The lead single “Collard Greens” that dropped mid 2013 features Kendrick Lamar while 2 Chainz cameos on “What They Want" (see new video above), and Tyler, the Creator guests on “The Purge.” In the review of this album praises  ScHoolboy Q for being, "commercial and weird at the same time, but ScHoolboy Q makes it work with flying colors."

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Album Picks: St. Vincent, Schoolboy Q, Beck, Wild Beasts, Neneh Cherry

Posted by Billy Gil, February 25, 2014 10:30am | Post a Comment

St. Vincent - St. Vincent (LP or CD)

st. vincent st. vincent lp amoebaSt. Vincent’s absolutely breathtaking new album begins, as Annie Clark’s previous albums have, like some unearthly musical. Clark seemingly touches down from another planet, asking “am I the only one in the world?” on opener “Rattlesnake” amid all manner of alien guitar and strange percussive squelches. “Birth in Reverse” similarly paints a vivid picture, starting with the lines “Oh what an ordinary day …  take out the garbage, masturbate.” “Birth in Reverse” explodes into an extraordinary, paranoid chorus of restless glee. Clark’s way with words has never been more cutting, as on “Prince Johnny,” which manages to be strikingly specific while keeping its deeper existential meaning vague (“Remember that time we snorted/That piece of the Berlin Wall you extorted?” is her best rhyming couplet yet.) Even her ballads bite—“I prefer your love to Jesus” is a thoroughly loaded line repeated on “I Prefer Your Love,” giving depth and conflict to what’s on the surface a beautiful, Kate Bush-inspired love song. Musically, Clark employs everything from decaying choruses (“Prince Johnny”) to hip-hop synths (“Huey Newton”) to Prince-esque atonal funk (“Digital Witness”), but it’s a remarkably cohesive listen, as though each element has been thoroughly considered and sanded down to perfection. As implied by naming her fourth album simply St. Vincent, it’s an album that seems to be about truly knowing oneself—or the thrilling discoveries that come with a lifetime of seeking that knowledge.

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