Although the members of Los Angeles-based Christ vs. Warhol all sport mohawks and/or various body modifications, there’s nothing scrappy about the quartet’s debut full-length disc, Dissent. Instead, one will find this well-oiled 4-headed beast firing on all cylinders on 13 solidly produced and politically-minded tracks.
There has been a glut of silly, style-focused and, frankly, dumb Deathrock bands vying for attention for the last few years and for a genre that isn’t all that crowded, that’s a pretty sad state. Christ vs. Warhol avoids these pitfalls by mostly avoiding navel-gazing and instead delivering incendiary, topical and thoughtful lyrics bathed in cascading riffs and wet bass lines. Vocalist and lyricist Eveghost (formerly of Scarlet’s Remains) aims her firing sights at a multitude of topics, like blind consumerism, media-manufactured beauty standards, talk radio windbags and their corporate bosses as well as those
“tossing tea into the harbor/…masquerading as the voice of the working man.”Her voice alters between a witchy affected howl to an occasional but impressive Liz Fraser-esque swoop.
Dissent was produced by Faith & The Muse’s William Faith, which probably explains some of the shimmer and gleam the album carries. His presence is certainly felt on the opening track, “A New Model of the Universe,” a dirtied Dream Pop instrumental, all tribal drums and soaring guitar effects bookended by chiming finger cymbals. “And If You Forget,” one of the few tracks concerning personal issues (here it’s a damaged lover) has a similar dreamy-lean with a swirling arrangement and Eveghost hitting the notes in her lovely upper register. The band excels on these airier tracks; it’d be interesting to see the band focus on and hone these elements for future efforts.