Amoeblog

Beatles or Stones?... or Goth-Pop Beatles Covers!?

Posted by Aaron Detroit, September 5, 2009 12:50am | Post a Comment

Beatles Or Stones?” I’m one of those people who is definitely more Rolling Stones than Beatles. That’s not to say there aren’t Fab Four songs or albums I enjoy or even adore (White Album!), but The Stones suit my tastes and aesthetic preferences in music and art much more. The Stones have a classically debaucherous mythos attached to them and their vibe was always darker, nastier and convincingly Satanic compared to their Liverpool rivals.  True: The Beatles certainly had their more nefarious moments (“Helter Skelter,” “Happiness is a Warm Gun,” The Butcher Cover and Aleister Crowley's appeance on the Sgt, Peppers' album sleeve), but I’m definitely more “Paint It Black” than “Good Day Sunshine.”

However, some people still believe The Beatles held the keys to the infernal gates of Hell. Certainly several of my teenage Goth-Pop icons saw a dark thread in the Beatles' work (or maybe it was just their genius for unforgettable melodies – those do help bands cross-over!) Siouxsie Sioux’s devotion to the Fab Four turned out two great covers; first, an incendiary and punked-out “Helter Skelter” on the Banshees’ 1978 debut Scream:



...and the band scored one of their biggest International hits with their lush 1983 reading of “Dear Prudence.”


Banshees’ contemporary Daniel Ash (Bauhaus/Tones on Tail/Love & Rockets) displayed his shine for John, Paul, George and Ringo via a (now somewhat-dated) cover of “Day Tripper” on his 1991 solo album, Coming Down.

Parts and Prints

Posted by Mr. Chadwick, April 18, 2009 04:50pm | Post a Comment
rolling stones bootleg label smiling earsfaith no more we care a lot mordam record label
curse of zounds record label
rainbow between the eyes record labeltubes completion backward principle record labelmr. t love is dead record label
diary of anne frank spoken arts record label
andy mccoy too much ain't enough record label
bettie serveet lamprey record labelj. geils band love stinks record labellt. stitchie broad hips 12" label superpower records
mighty wah! eternal records labelmark-almond blue thumb record label


(Wherein winter records receive writings.)

Posted by Job O Brother, December 16, 2008 11:32am | Post a Comment
postcard

It’s finally chilly in Hollywood. I mean, I still have my French windows open wide, but it’s about as cold as it ever gets, with breezes blowing from my hometown in the north, Nevada City, where loved ones are covered in white blankets of snow. (That’s a metaphor – probably very few of them have bed-sheets constructed of crystalline water ice.)

My friends in Nevada City, Jaime, Alison and Dan made a snowman. I don’t get that pleasure here. I suppose I could make a clumps-of-dying-grass-cigarette-butts-and-dog-feces man, but who has that kind of time? I have a blog to write!

sexy
Here's a picture of the snowman my friends made.
The best part will be watching him slowly melt over the next couple weeks.

My choices in music are always influenced by weather. When it’s hot city in the summertime, I’ll gravitate towards artists such as Stephen Malkmus, Thin Lizzy, or Sly & The Family Stone. If it’s a rainy day, you can bet some Siouxsie & The Banshees will be trilling from my stereo. I look out the window and see the Four Horsemen of the Apocalypse trampling the Hills with all the fury of Heaven and Hell as they take the stage for a final battle in which every human soul will come to greet its eternal home in either the awesome glory of the Almighty God or the foul depths of Hell as lorded over by the king of wickedness, Satan, and more often than not I’ll play a little Burt Bacharach. Because it’s always a good time for a little Burt.

Rolling Stones Logo

Posted by Whitmore, September 2, 2008 05:35pm | Post a Comment

rolling stones lips logoLondon's Victoria and Albert Museum has announced that it has bought perhaps the most recognizable logo in all of music at an auction in the U.S. -- the original artwork for The Rolling Stones famous "lips" logo, inspired by the Mick Jagger’s pouty mouth. The museum bought the work for $92,500.

The lips-and-tongue logo was designed by London art student John Pasche in 1970, and first appeared on the inside sleeve of the Sticky Fingers album released the following year. Pasche would go on to design posters for several Rolling Stones tours of the 1970’s, and the promotional sticker for Goats Head Soup plus a couple of single sleeves for the Stones.

rolling stones lipsAccording to an article in The Guardian, the idea for the logo came when Pasche, a graduate of the Royal College of Art in London, first met Jagger in the Rolling Stones' offices. “Face to face with him, the first thing you were aware of was the size of his lips and his mouth,” Pasche was quoted as saying.

Pasche added that he would use the money from the auction to send his 11-year-old son to private school. Initially paid just £50 for the logo, later when the Stones copyrighted the design Pasche received a share of the royalties’ rights; eventually he sold his share for a lump sum.

Since his early ‘masterpiece’ Pasche has done considerable design work for the record industry including albums, single sleeves and posters for artists such as Paul McCartney, The Stranglers, The Vapors, David Bowie, Judas Priest, The Who, the Bay City Rollers, the Art of Noise and Jethro Tull.

Roy Buchanan

Posted by Whitmore, August 15, 2008 12:33am | Post a Comment

When I was a kid my dad surprised me one day when he told me that his two favorite guitarists, hands down, were T-Bone Walker and Roy Buchanan-- two mostly obscure blues guitarists whose lofty talents are usually held in awe by only record collectors and guitar geeks. You would have thought my dad was a blues musician or at least someone with a passion for obscure vinyl … well, no, he just digs music -- he always said he was too busy working, customizing hotrods in those halcyon days of the 1960’s to be anything but a just a fan, but he does play a mean "Malaguena" from the Suite Andalucia by Ernesto Lecuona on classical piano.

Anyway, T-Bone Walker’s most famous number was "Call It Stormy Monday (But Tuesday Is Just As Bad)." His other classic recordings include "T-Bone Shuffle" and the brilliantly understated parable, "Let Your Hair Down, Baby, Let's Have a Natural Ball."  Walker lived to be a reasonably old man, especially by blues standards, passing away in 1975 at the age of 65. Unfortunately, Roy Buchanan’s life didn’t get that distance.  

20 years go today, Roy Buchanan was found hanging in his cell in the Fairfax County Jail in Fairfax, Virginia, by his own shirt, shortly after being arrested and soon after being placed in a holding tank. Buchanan had been picked up by the police earlier in the evening for public intoxication. Though he had a long history of drunken, restless and destructive behavior, many of his fans, friends and family have always doubted the suicide verdict of his death. He was 48.

Countless aficionados in the guitar world have long considered Roy Buchanan one of the finest and most overlooked guitarists of the blues-rock genre. According to legend, Buchanan's soulful and fiery skills led him to being invited to join the Rolling Stones in the late 1960’s. In 1971 Roy Buchanan found his greatest public exposure in an hour long Public Television documentary appropriately titled The Best Unknown Guitarist in the World. For a moment he was famous and in demand, signing a multi-record deal with Polydor. His 1972 self-titled debut contains one of Buchanan's best-known tracks, "The Messiah Will Come Again." Here’s some live footage of that song from a German television show in the early 80’s.

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