The white meat is on the run
and the dark meat is far too done
and the milkman left me a note yesterday
get out of this town by noon
you're coming on way too soon
and besides that we never liked you anyway.
-- "Sweet Revenge" by John Prine (with a nod to Hunter S. Thompson)
and the dark meat is far too done
and the milkman left me a note yesterday
get out of this town by noon
you're coming on way too soon
and besides that we never liked you anyway.
-- "Sweet Revenge" by John Prine (with a nod to Hunter S. Thompson)
Who'dathunk it, but the Muscles from Brussels has finally starred in a film that's been getting some good critical response. JCVD is an attempt to explore the heart and mind of Jean-Claude Varenberg, the man behind the dissipating Van Damme legend. Director and co-writer Mabrouk El Mechri might've called the film I'm Not There had the title not already been taken. It's a pomo-biopic trying for more versimiltude than Being John Malcovich, but any honesty in the film is more of an accidental byproduct of the essential cluelessness of its eponymous star than the result of actual introspection. 'Tis the the age of schadenfreude, and that's why I went to see this film. As Dostoevsky said, we love "the disgrace of the righteous man," only Van Damme ain't righteous, just famous. As he admits in the movie, he's just a commodity, who's benefited greatly from being so. The film asks us to care about the toy that starts feeling suffocated by its packaging. The resulting drama, however, comes closer to a VH1 special about a boy band member deciding he's a real artist. If you were crying along with Dave Mustaine in Some Kind of Monster or get choked up reguarly watching Oprah give shit away to bourgeois housewives, then JCVD might be something other than comedy relief. This is a date movie for WWE fans.
If you turn on your favorite radio station or webcast Tuesday, June 26th, and you are surprised to hear nothing but dead-air, pure silence - be forewarned that it will not be technical difficulties you're experiencing. Rather it will most likely be that your favorite webcast or radio station is participating in the national planned "day of silence" -in protest of the new webcasting rates that look likely to go into effect within three weeks and, if so, will have serious consequences on streaming music online. As you already know the future of Internet radio is in immediate danger because royalty rates for webcasters have been drastically increased by a recent ruling and are due to go into effect on July 15 (retroactive to Jan 1, 2006!). So in protest traditional and online radio stations are protesting by going silent. In addition to the 'silent-treatment' protest some stations around the country, including WFMU in Jersey City, will make their protest by not going silent, but rather by boycotting all RIAA/Sound Exchange music and only playing indie artists outside the RIAA governed titles. 
events planned to help raise awareness including one in San Francisco (home of numerous webcasters including the wonderful electronic music , "extremely independent" 