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New Vinyl Reissues Out This Week from Red House Painters, The Weeknd & More

Posted by Amoebite, August 14, 2015 12:57pm | Post a Comment

Vinyl Reissues

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There have been lots of vinyl reissues out lately, to mark anniversaries or to feature newly remastered audio on heavyweight vinyl. Here are the reissue highlights for August 14, 2015.

Lower Dens Twin Hand Movement

Lower DensTwin Hand Movement

Ribbon Music reissues the difficult-to-find 2010 debut album from Jana Hunter, Geoff Graham, Abram Sanders and Will Adams. Also reissued on CD.

Orbital vinyl reissues Orbital
Brown Album and Green Album LPs [180gm vinyl]

Seminal English electronica duo Orbital’s debut album and its followup have been reissued as double LPs on 180 gram vinyl.

The 90s...the best albums of 1992...

Posted by Brad Schelden, October 26, 2012 06:00pm | Post a Comment
1992 was a big deal for many reasons. This was my last year of High School. The year I turned 18. My last year living at home. It was also my first year at college. My first year living away from home. And another year that I got even more obsessed with music. And it all happened 20 years ago! Hard to believe. By 1992 I had really worn out my copy of Disintegration by The Cure. So I was ready for the new Cure album. Wish was released in March of 1992. It would really become the album that I most associate with 1992. I can remember listening to it for the first time. It became the album that I would listen to most throughout the summer and well into 1993. I was still primarily listening to cassettes at this point. I don't think I got a CD player until 1993. I held out for a while for some reason. The Cure was one of the first bands whose catalog I upgraded to CD as soon as I got a CD player. 1992 was also the year that I discovered Lush, Curve & Pale Saints! The year I discovered Bjork & The Sugarcubes. The first time I heard PJ Harvey and Red House Painters. These bands would all become a huge part of my musical life throughout the 90s. I became a lifelong fan of both PJ Harvey and Red House Painters. And I seriously can't imagine my life without these guys. I was still listening to a lot of radio in 1992. KROQ was starting to become a bit annoying this year though. It seemed that every other song was Pearl Jam, Red Hot Chili Peppers or U2. I didn't like any of those bands and had to constantly change the station whenever they came on. But KROQ still played a lot of Morrissey & The Cure. It is where I first heard Lush, The Sugarcubes, The Lemonheads, James, Cause & Effect, Catherine Wheel, Soup Dragons, St. Etienne, Curve & Utah Saints. So I did still manage to listen to it quite a bit. I also watched 120 Minutes every Sunday. Dave Kendall was the host until 1992 when Lewis Largent took over. 1992 was also the first year of Alternative Nation on MTV. I became a big fan of this show and its host Kennedy! She probably annoyed most people. But I loved her. And I loved being introduced to new bands by watching their videos. 120 Minutes was always cooler though. There was too much Pearl Jam and Red Hot Chili Peppers on Alternative Nation just like on KROQ. Just to give you an idea of what was being played on KROQ in LA here is their top 20 songs of 1992...

1. Red Hot Chili Peppers - Under the Bridge
2. Pearl Jam - Jeremy
3. The Cure - A Letter to Elise
4. Nirvana - Come As You Are
5. U2 - One
6. Toad the Wet Sprocket - All I Want
7. Shakespear's Sister - Stay
8. Pearl Jam - Even Flow
9. Morrissey - Tomorrow
10. R.E.M. - Drive
11. James - Born of Frustration
12. Sugarcubes - Hit
13. The Cure - Friday I'm in Love
14. Temple of the Dog - Hunger Strike
15. L7 - Pretend that We're Dead
16. Peter Gabriel - Digging in the Dirt
17. The Charlatans - Weirdo
18. Cause & Effect - You Think You Know Her
19. Annie Lennox - Why
20. Alice in Chains - Would

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Best of a Rapid Decade: One per year plus a few too good to not mention...

Posted by Mark Beaver, January 6, 2010 04:00pm | Post a Comment

In recently trying to fill in a friend on what I'd spent the last year or two listening to, I realized that my personal taste tends to gravitate towards some element of either Folk form (any hint of hill-folk finger-pickin' or Ozark/Appalachian melancholy and I'm in), Psychedelia or the tendency to extend a theme for a good long jam (a category in which I include a lot of the Jazz that I like), or just a great, funky groove.

With those qualifiers in place, the following is a year by year review of the last decade which somehow got past me with out noticing it. I mean, really?!! 2010?!!!  I didn't see it coming: 

2000: Album of the Year

Air's enjoyable and wacky Moon Safari had been on the decks for a couple years before they contracted for the soundtrack to Sofia Coppolla's Virgin Suicides. The resultant score is absolutely sublime and marked the French electronauts as contenders to watch.

For myself, it was the defining sound of the millennium's new year.
















Shelby Lynne released a killer country-soul gem, I Am Shelby Lynne, that echoed early material from the likes of Bonnie Raitt. Thinking that it was a brilliant debut from a talented 32yo unknown, I was eventually shocked to find that it was her 6th album. I listened to it for months.

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out this week 12/9...cat power...mark kozelek...welcome wagon...sufjan stevens...

Posted by Brad Schelden, December 11, 2008 11:21pm | Post a Comment
www.icanhascheezburger.com
Christmas
is so close that I can already feel it being over. Holidays go by so fast that they are always over before you know it. This whole year went by pretty quickly, but I guess it actually took the same amount of time as the year before. It just felt quicker is what I mean. But a lot did really happen this year, and if you thought there were not very many albums out this year you are simply wrong. You might've just had to look a little bit harder this year.

Since the year is quickly winding down, there's only a couple more street dates of releases. This week includes releases from two of my favorites. One of them is only avaialbe on vinyl and the other is just a new sort of collection, but they are still worth our time to talk about. Cat Power still remains one of my favorite singers and personalities. Some might have turned their back on her, while others are still discovering the genius that is the sad, sad voice of Chan Marshall. Chan Marshall is Cat Power, just in case you didn't know. I have had my ups and downs with her over the years, but I have always stood by her side and always been a fan. If you have not heard her albums yet, you should come on down to Amoeba and pick one up. It is never too late to become a Cat Power fan. Or if you already have her entire catalog, you will need to complete it with this album. There is no time like Christmas to listen to Cat Power. Might not seem like the obvious choice for Christmas music, and she doesn't actually have any Christmas albums, but I always like listening to her around the holidays for some reason. I guess for the same reason I like listening to The Carpenters' Christmas Album. I like mixing dark and intense music with such a festive and joyous time. I am actually one of those people that does love Christmas, but I like my Christmas a little darker thancat power chan marshall normal.

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Tracker's dusty and modern road songs on the cheap

Posted by Mark Beaver, July 9, 2008 02:14pm | Post a Comment
First find on the dock: This has been waiting in the wings for some time, in fact, it’s a little bit of a redo, as it’s a title I championed a few years ago in the Music We Like book. I‘ll take this opportunity to expand my earlier opinion.

Tracker - Ames  (Film Guerrero)
Tracker Ames
Tracker is, basically, a guy from Portland, OR named John Askew (not to be confused with the DJ of the same name) and whoever he collects around him when he’s ready to record and tour. This was the first album from 1999 and is almost completely played by Askew with some help from friends Adam Selzer (Norfolk & Western) and Erik Herzog (Buellton). I bought it solely on the strength of the album art and the weakness of the price tag. Thus, I was doubly rewarded.

In a number of ways there are similarities to the dynamics of Jason Molina’s Songs:Ohia/Magnolia Electric Company projects. Both are the aggregates of a single man’s songwriting and organizational vision. Both have an undeniably roots Americana base, but with a lot of layering, whether it’s voices, samples of classical music or electronic textures hazing around simple plucked banjo lines. Like Molina, Askew writes extremely strong melodies, and couples them with thoughtful and often mystifying lyrics.

The charm of Ames is due largely to its lack of self-seriousness. Askew lets a breath of ease into his writing and production. “Evan’s Getting It Together” is driven with some lazy and seemingly living-room recorded handclaps that work perfectly to prove that, as beautiful and lush as the songs here sometimes get, they are being played by some guys who are just trying to make some cool songs that get into your head. In fact, some of the song transitions (and there is a lot of ambient connective tissue) remind me of the great also-overlooked Purple Blue by Eric’s Trip, another group of dudes (and a dudette) who were just trying to make some cool songs.

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