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Money B & Chopmaster J Remember Tupac On What Would Have Been Shakur's 40th Birthday

Posted by Billyjam, June 16, 2011 11:37am | Post a Comment
          


Were he alive Tupac Amaru Shakur (aka 2Pac), who was fatally shot in Las Vegas in September 1996, the phenomenally popular rapper & actor would be celebrating his 40th birthday today, June 16th, 2011. At the Rockit Room in San Francisco tonight Sellassie and a bunch of other local hip-hop artists will celebrate the event in a concert honoring the slain local rap hero who, while born in Harlem & raised in both NYC and Baltimore before relocating West in the late 80's, began his rap career in the Bay Area. And many others will be thinking of Tupac Shakur today too, from the millions of diehard 2Pac fans all over the world, to family and friends including his former crew members in Digital Underground; the legendary Bay Area hip-hop crew that Shakur came to fame in. 2Pac joined Digital Underground, at a young age, first as a roadie and backup dancer and then as a rapper which, in turn, helped kick start his extremely successful, illustrious, and ultimately tragic solo career.

This week I caught up with both Digital Underground's Jimi "Chopmaster J" Dright, who along with Shock G and Kenny K co-founded the group in 1987, and with  Money B, who along with DU's DJ Fuze also formed the side-project Raw Fusion,  to ask them each about Tupac. After all it was their ever-talented & most unique P Funk-fueled hip-hop crew, that took Pac under their wing and into their fold when he was a mere bright young teenager from the Marin City projects with a knack for writing poetry.

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Sweet Sweet Music

Posted by Mike Battaglia, April 16, 2007 12:43am | Post a Comment
    At Amoeba SF's electronica section, we've usually got at least four or five titles each month that we're extremely hyped on. Here's our current batch:



    First we've got Gui Boratto's Chromophobia on Kompakt. Boratto's Brazilian heritage gives him an edge when making his brand of tech-house, and that's an ear for rhythm. Straddling between minimal and electrohouse, Chromophobia avoids any LP pitfalls by working equally on a dancefloor as on headphones, it's got enough oomph to sound fantastic on a large sound system, but intricate enough that you notice small details while listening at home. I love his way with melody, particularly the swooping tones of "Terminal" and the bleep counterpoint in "Gate 7"; it gets quite emotional. The rhythms are key, though, and it's clear from the first track on that Boratto has a good grasp of syncopation and funk. Between the Hug and Field albums and now this, Kompakt are on a bit of a roll, again!



    Next up is We Are Together by Japanese producer Kuniyuki Takahashi, released on Mule Musiq. This is an album that is a unanimous vote amongst the electronica staff - everybody loves it (well, at least four of us). It's jazzy house music only in the loosest sense of the phrase, managing to perfectly walk the tightrope between noodly and stiff. The thing I like best about this album is its sense of space, the production on every track sounds so expansive and widescreen as to conjure up images of the music's physicality. In that sense it reminds me of the Burial album where there's a very conscious sense of three-dimensional space - it's a real "smokers delight". Check Kuni's MySpace page to hear more of this excellence.

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