Amoeblog

What a wild, wild scene - A look back at Ditch Parties for Hispanic Heritage Month

Posted by Eric Brightwell, October 8, 2012 04:12pm | Post a Comment

INTRODUCTION TO DPS



Truancy is presumably exactly as old as education. Some 800,000 years ago in the Middle East, people learned how to start fires. Though an important skill and an entertaining subject, I’m sure that some frustrated student thought to her or his self, “Lame. I’m outta here.” Later truants organized parties during school hours. My research for this blog entry turned up accounts of actress Sharon Tate and Mayor Antonio Villaraigosa frequenting them in the 1960s. I myself -- though something of an advanced ditcher of high school -- only attended one organized ditching event (it wasn’t really a party. The drumline I was in all went to a restaurant and played tabletop shuffleboard. My punishment was having to work in the school library for a spell).

Street BeatIn the early 1990s, a ditch party scene emerged as a phenomenon on LA’s Eastside (for clarification: the region east of the LA River). That is the subject of this entry. DISCLAIMER: This post is not meant to glorify drug abuse nor truancy; neither is it meant to suggest that I’m an authority on the subject. I didn’t even move to Los Angeles until well after the scene had faded. 

I have searched for firsthand accounts of the “Old School Ditch Party” scene but, aside from a couple of blog entries, and scanned images from Street Beat magazine, almost all of the information in this post is derived from the sensationalistic and comically disapproving FOX Undercover stories from the era. So far only one of my friends has told me about her firsthand experiences with the scene. So this isn’t mean to be taken as anything remotely suggesting a serious study but rather an invitation for readers to share their memories and help fill out the picture of this seemingly scarcely documented but fondly remembered era.

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20th Anniversay of the Second Summer of Love -- Madchester and the Baggy Explosion

Posted by Eric Brightwell, June 12, 2008 09:00pm | Post a Comment

The Second Summer of Love

It was 20 years ago today (well, this coming summer, which is just around the corner) that what was known as The Second Summer of Love occurred. England's youth fell in love with Ecstasy, which they combined with a taste for Chicago House Music and the results made history. As is often the case, the fashions of 20 years ago (in this case, the 1960s) became fashionable again. Tye dye and peace symbols abounded on teens around the world. Thousands of people started attending massive Acid House raves. A feeling of pacifistic and environmental optimism swept much of the planet (or maybe that was just my teenage outlook). The Factory label's Hacienda nightclub featured DJs and bands which mixed disco, house, hip-hop, electro and indie rock. Soon, other northern clubs followed their lead, such as Boardwalk, Devilles, Isadora's, Konspiracy, House, Soundgardens, Man Alive, The International, Bugsy's and The Osbourne Club. And the hooliganish Casuals tuned in and begat Acid Casuals.

Madchester, So Much to Answer For

Half a world away in Columbia MO, I used to listen to KCOU, which would play lots of Acid House and Belgian New Beat. It was the first contemporary music that I was into as it was happening. My parents only played soul, bluegrass, jazz and classical records. Then I discovered the Doors, T Rex and the Beatles through the radio. And after discovering College Radio, a new world opened up. I would dance (in private) on the hearth in the living room to these strange, new sounds and hope that my mother wouldn't ask what the hell that stuff was all about because I couldn't really explain its hold on me, although it's debt to my beloved Kraftwerk was evident. Our exchange student, Alexis Poul, found an Acid House button at JFK which was, of course, a smiley face with the words "acid" and "house" printed on them. Alexis told me that all anyone listened to in France was house music. And when I went there, in '89, it was true. Even the buses played house.

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1990's BAY AREA RAVE & PARTY FLIERS PART II

Posted by Billyjam, July 17, 2007 05:14pm | Post a Comment
This is the second part in the ongoing series of San Francisco and Bay Area rave fliers from the 1990's, mainly early nineties, like the ones below that include 1993 and 1994.

   

You Know The Score

Posted by Mike Battaglia, April 15, 2007 12:58am | Post a Comment
Alternately known as Old Skool, Hardcore or simply Rave Music, Breakbeat Hardcore is the bastard spawn of Chicago Acid House, Dub Reggae and Bomb Squad-style Hip Hop. Here's a slew of videos I've been collecting that showcase the stuff in it's full glory. All Hail YouTube!

Run Tings - Fires Burning:



Altern8 - Infiltrate 202
:



Kicks Like a Mule - The Bouncer:



Liquid - Sweet Harmony/SL2 - On a Ragga Tip:



SL2 - DJ's Take Control:



Acen - Trip II the Moon (Kaleidiscopiklimax)
:

Vertical Tones & Horizontal Noise

Posted by Mike Battaglia, April 5, 2007 01:25pm | Post a Comment

Andrew Meecham
is The Emperor Machine, one of the best producers working in electronic music at the moment. A soundclash between influences as diverse as Can, early Human League, Hawkwind, George Clinton and Kraftwerk, Meecham's Krautrock-Disco bubbles and squeaks with analogue rock intensity while remaning funky enough to get your groove on.

Meecham started out in seminal 90's house/rave group Bizarre Inc. alongside Carl Tuner and Dean Meredith. They had a string of hits including "Playing With Knives" and "I'm Gonna Get You", both of which charted in the UK (the former hit #3, the latter #4) as well as the US (#47), and both are considered "club classics".

"Playing With Knives":


"I'm Gonna Get You" (one of my personal favorites):



After their second album, 1996's Surprise, was commercially disappointing, Bizarre Inc. disappeared until 1999, when Meredith and Meecham resurfaced with Steve "Fella" Kotey as Chicken Lips. Since then, it's been full steam ahead, with the boys finding a home at DC Recordings (scheduled to have its own Technophilia post anytime soon) as Big Two Hundred, aka "the dark side of Chicken Lips", and two side projects: Meredith as White Light Circus and Meecham as TEM.

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