PLANETARY ASSAULT SYSTEMS
Planetary Assault Systems
is the legendary, harder-edged techno project from the UK's Luke Slater
, and this is his first full-length effort after more than 7 years. Temporary Suspension
is released as a continuous mix of 10 tracks on CD, as well as 6 single tracks on a double 12", and defies any current sound trends. However, Slater himself states that it's "time to bring the funk and intensity back in a new way. Time to open the sound again." In addition to funk and intensity, Slater manages to create an industrial strength and energy that has evolved over the years -- ranging from aggressive techno to very deep and melancholy pieces that still retain an alien feeling. The first track "Open Up" sets the pace for things to come, already, with a driving groove and a thunderstorm of synths cutting through a confusing melody of chimes. Subsequently, the loud and fast "Whoodoo" dives deep into the primordial blend of techno, using an uncompromising, metallic percussion. "Om The Def" takes the foot off the gas pedal, marking one of the album's definite highlights by using an arrangement of bongos and a funky, distorted bass line oscillating between dense and airy aggregate states. "Hold It" is an unbelievably sexy Chicago house stomper reminiscent of a modern version of an Amando track. "Attack Of The Mutant Camels" fascinates with its noise and bleep fest, complete with a decelerated rhythm and a fierce bass line. On "Gateway To Minia" he loses the beat in favor of gloomy ambient synth chords culminating in a cacophony of noise. But the album does not end here, as he brings back the kick on "Sticker Men" one last time with the crowd firmly set in his sights. Luke Slater's sonic vision on Temporary Suspension
as a rough and highly energetic sound hardly comes as a surprise, as he has continually tested and pushed his musical boundaries ever since releasing his first tracks in 1989. Planetary Assault Systems has always been Luke's pseudonym for hard and uncompromising techno, and almost all of his releases on Peacefrog have become classics of the genre. Luke has never been satisfied with exploring just one aspect of music, and is well-known for his eccentricity and rebelliousness, aspects that have held his audience captive in his extraterrestrial light-beam of past, present, and future. Heavy, grinding techno cuts that will most definitely r
ank as the best of 2009.