Amoeblog

This Sunday Join in the Aftermath - An SF JPunk Showcase for Japan Relief!

Posted by Kelly S. Osato, April 23, 2011 01:20am | Post a Comment
aftermath japan punk benefit thee parkside tsunami ass babboons of venus

Another great opportunity to donate much needed funds to the people of catastrophe-stricken northeastern Japan presents itself at Thee Parkside this Sunday in the form of Aftermath - A Citizen to Citizen Tsunami Rescue and Relief Benefit featuring various Bay Area Japanese punk and avant garde performers. Wonka once said, "a little nonsense now and then is relished by the wisest men," and I cannot think of anyone who embodies that sentiment better than my friend Bob Nozawa (pictured below in ommpa-loompa orange) of Aftermath headlining act Ass Baboons of Venus. I caught up with him recently and asked briefly about the upcoming show, his band and their recent fund raising events for Japan.

This isn't the first benefit for Japan the Ass Baboons has played, no? Any idea on how much you've raised for the relief efforts collaboratively?

Bob Nozawa: It's the second show. The first was beyond anything we expected! Tthe final tally (including donations at the door, art and beer sales) ended up totaling around $25,000! There were so many people involved in getting that event together that it would be impossible to list them all, but I would never do that anyway because I hate lists.

What organization(s) will this benefit be donating to?


BN: This one is for Japanese Cultural and Community Center of Northern California's Northern Japan Earthquake Relief Fund.
bob nozawa ass babboons of venus naoko nozawa japanese punk avant garde experimental bat shit crazy comedy
Will there be any art or merch available for purchase to contribute to the funds raised at the show?

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A History Lesson, Part 1: Punk Rock (A film by Dave Travis)

Posted by Chuck, March 25, 2011 12:00am | Post a Comment

 A History Lesson - Dave Travis

In the early-1990s, while walking down Hollywood Boulevard as a cluck from Colorado, I remember coming across a videotape of The Misfits playing live from 1983 and thinking “dude, no fuckingcrimson ghost way.” I’d never seen actual footage of them, but perpetually carried one of their sadistic Elvisy horror-themed songs stuck in my head (particularly “Queen Wasp”). I wanted to see their devil locks, the face paint, those signature Crimson Ghost insignias and battle ax basses and the basement crowd reacting to one of their purportedly awful performances. Danzig the former grave robber. “Skulls.” Green Hell. Only and Robo and Doyle and Mr. Jim (god bless him). Ed Wood and Plan 9 From Outer Space. All that stuff. I bought it. And everything was as I’d hoped it would be, from the shit-quality to the clam notes to the indecipherable lyrics from a lurched over Danzig. I brought it back to the 303 and impressed would-be Fiend Club members. There’s something irretrievable about this kind of history that gives you a pang of inflated significance.

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Ari Up of The Slits Died at Age 48

Posted by Amoebite, October 21, 2010 12:12pm | Post a Comment
On Wednesday, October 20, 2010, Ari Up, the charismatic and energetic frontwoman of influential punk band The Slits, died at age 48.

John Lydon posted this message on his website:

Ari Up
Arianna RIP

John and Nora have asked us to let everyone know that Nora's daughter Arianna (aka Ari-Up) died today (Wednesday, October 20th) after a serious illness. She will be sadly missed.

Everyone at JohnLydon.com and PiLofficial.Com would like to pass on their heartfelt condolences to John, Nora and family.

Rest in Peace.





The Slits are one of the most influential bands to emerge from the initial British punk rock explosion, and are known for combining punk with reggae, world music, and experimental sounds. Although their lineup has changed over the years and has included men (Bruce Smith and Budgie), they are primarily identified as a female band and had a significant impact on the Riot-Grrl movement of young female-fronted bands in the 1990s.
 
The Slits formed in England in 1976 when a 14-year old Ari Up and her friend Palmolive decided to start an all-girl band together. Palmolive had already been the drummer in a short-lived band, Flowers Of Romance, which included other early punk luminaries Sid Vicious, Keith Levine, and Viv Albertine. They were soon joined by guitarist Kate Korris and bassist Suzy Gutsy. Gutsy left to form the band The Flicks, and was replaced by Castrators' bassist,Tessa Pollitt. Palmolive originally asked her old bandmate Viv Albertine to join them on second guitar, but by the time Albertine joined, original Slits guitarist Korris had left to forSlits- Cutm her own band, Mo-Dettes.

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Happy Birthday Joe Pop-O-Pie! Legendary 1980's SF Punk Music Figure Celebrates His 51st Birthday by Reforming the Pop-O-Pies on a Bill with Faith No More, the Group With Whom He Was the Original Singer

Posted by Billyjam, April 12, 2010 05:55pm | Post a Comment
Pop-O-Pies
Today, April 12th 2010, is Joe Pop-O-Pie's 51st birthday. And to celebrate the occasion, the key figure behind the legendary SF punk outfit The Pop-O-Pies, who formed in 1981 and disbanded sixteen years ago, decided to reform the group and perform on a bill at the Warfield in San Francisco tonight (they play tomorrow & Wednesday also), along with another recently reformed SF group -- Faith No More. Coincidentally, Joe was an original member of Faith No More!

Besides being a unique way to celebrate his birthday, another reason Joe chose this time to reform the group was that he recently found himself with a lot of free time on his hands and needed to fill that void. "This is what recessions are good for. If you get laid off and you've got nothing to do, you gotta do something," laughed the long time San Francisco resident, speaking by phone a few days ago from his new home in Reno, Nevada.

After living in the deep and gritty heart of San Francisco for three decades, including having spent the past eighteen Pop-O-Piesyears in the Tenderloin, the New Jersey born and raised Joe Pop-O-Pie has embraced his recent move to Nevada. "One of the things that is so fantastic about Reno, NV is that cockroaches can't live up here. Yeah, the Tenderloin is just rife with cockroaches. It was such an amazing thing. Cockroaches can survive a nuclear war but they won't follow you up the mountains to Nevada," he said. Shortly after finishing college in NJ Joe packed up and moved west to the city by the Bay, where, in September of 1981, he formed The Pop-O-Pies. Labeled 'punk,' the Pop-O-Pies, which essentially consisted of Joe and an ever rotating list of musicians, were really a concept band. For the first two years of their existence at their live performances the band played only one song for their entire set, the Grateful Dead's "Truckin.'"

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KAYA OAKES INTERVIEW SLANTED AND ENCHANTED... INDIE CULTURE

Posted by Billyjam, October 17, 2009 02:09pm | Post a Comment
Slanted and Enchanted Kaya Oakes
Oakland author Kaya Oakes' book Slanted and Enchanted: The Evolution of Indie Culture was recently published by Holt Books.  Oakes was the co-founder of the respected magazine Kitchen Sink, and her accolades include winning the Utne Independent Press Award for "Best New Magazine" in 2002. Since her book hit shelves, Kaya has been quite active doing readings up and down the West Coast. Tonight, October 17th, as part of Litquake Litcrawl reading series with Small Press Distribution, she will be reading at The Marsh cafe on Valencia between 21st and 22nd in San Francisco, from 8:30-9:30pm. The Amoeblog caught up with the author to talk about indie culture and her new book.

Amoeblog: Why did you decide to write Slanted and Enchanted: The Evolution of Indie Culture?

Kaya Oakes: The book came together for a number of different reasons. I was  approached by an agent right when the final issue of the magazine I helped found (Kitchen Sink) was coming out, and she asked if I was interested in writing a book about underground music, which is the topic of one of my courses at UC Berkeley. I came up with the idea of doing a broader overview of indie culture, since in my experience it means a lot more than just music. Plus, I felt like indie had given me so much that I wanted to give something back in turn, and I had time on my hands for a big project for the first time in five years. It was a strange coincidence to have one thing ending and another beginning, but I’m glad it happened.

Amoeblog: For those who haven't yet read your book, how do you define "indie culture," and if you were to stamp a date and place on it, when exactly did "indie" start and where?

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